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Elsa von Freytag-Loringhoven papers

Please use this identifier to cite or link to this item: http://hdl.handle.net/1903.1/1501

Abstract

Title:
Elsa von Freytag-Loringhoven papers
Author/Creator:
Freytag-Loringhoven, Elsa von
Collection number:
73-25
Size:
4 linear feet
Inclusive dates:
1917-1933
Collection Area:
Literature and Rare Books
Repository:
Special Collections, University of Maryland Libraries, Hornbake Library, College Park, MD 20742. Tel: 301-405-9212, Fax: 301-314-2709, Email: askhornbake@umd.edu
Abstract:

Elsa von Freytag-Loringhoven (1874-1927) was an avant-garde artist and poet associated with Djuna Barnes and the Dada movement. Her papers consist of correspondence, poetry, and biographical and autobiographical notes and manuscripts documenting her life and literary career. Among the significant correspondents are Djuna Barnes, Peggy Guggenheim, and Berenice Abbott.

Important Information for Users of the Collection

Restrictions:

This collection is open for research.

Preferred citation:

Elsa von Freytag-Loringhoven papers, Special Collections, University of Maryland Libraries.

Publication rights:

Photocopies of original materials may be provided for a fee and at the discretion of the curator. Please see our Duplication of Materials policy for more information. Queries regarding publication rights and copyright status of materials within this collection should be directed to the appropriate curator.

Alternate formats:

Microfilm of Series I-III available for loan at a qualified institution. A researcher or qualified borrowing institution may initiate a loan request by contacting the Curator of Literary Manuscripts.

Status:

This collection is PROCESSED.

Historical Note

Elsa von Freytag-Loringhoven was born Else Hildegard Ploetz on July 12, 1874, in Swinemunde on the Baltic Sea, in Pommerania (now within Poland's border, but then a part of Germany). She described her father Adolf Julius Wilhelm as a "thick-brained Teuton - but vivacious - quick (even quick-tempered - dangerously)." She identified more with her mother Ida-Marie Ploetz, whom she felt had a "sweetness and intensity - passionate temperament - only softer as I - kept subdued - regulated by custom-convention." She saw her younger sister Charlotte Louise as the practical one in the family: "my sister - was a year younger than I - but a 'sensible nice every-day little person'" (undated letter to Djuna Barnes, ca. 1924). When von Freytag-Loringhoven was eighteen, her mother died of cancer of the uterus. For the rest of her life she would blame her father for her mother's death, convinced that the cancer was caused by untreated syphilis Ida-Marie had contracted from Adolf.

Adolf remarried three months after Ida-Marie's death. Von Freytag-Loringhoven detested her stepmother, and when asked by her father why she declined referring to her new stepmother as "mamma" she told him, "My mamma lay dead in the graveyard by his fault" (Hjartarson and Spettigue, eds., Baroness Elsa, 43). In 1892 she ran away from home and moved to Berlin, where she lived with her mother's sister, "an old maid devoted to my mother, hence to me," and frequented Bohemian theatre circles (43). She knew several members of the exclusive group surrounding the influential poet Stefan George and had a three-year affair (1896-1898) with the German Bohemia's favorite artist, Melchior Lechter. She also had a passionate and rocky relationship with Ernst Hardt, which ended when she found out that Hardt was engaged to a diplomat's daughter in Athens. During her six years in Berlin, she also toured a variety of other cities with the famous "Living Marble Figures" revue of H. de Vries. Following the end of her relationship with Hardt, von Freytag-Loringhoven traveled for almost two years through Italy with the artist Richard Schmitz, with whom she had a platonic relationship.

With a small inheritance, she was able to settle in Dachau, near Munich, and to take art lessons at the flourishing artists' colony there. This was where she met architect August Endell, who was already renowned for several Jugendstil buildings, such as the photo atelier Elvira in Munich and Dr. Gmelin's Sanatorium near Wyk on the Frisian island Föhr. The two were married in Munich in April 1901 and soon after moved to Berlin, where Endell designed Wolzogen's cabaret theater, the Überbrettl. In January 1903, von Freytag-Loringhoven left Endell for his friend Felix Paul Greve. When the three embarked from Hamburg on a trip to Italy, the new couple abandoned Endell in Naples and went on to Palermo, Sicily.

In May 1903 Greve was arrested in Bonn for defrauding Herman Kilian (an acquaintance from Bonn University) of 10,000 marks. While in prison, he built the foundation for a career in literary translation. He had already translated much of Oscar Wilde and other "decadent" authors but now translated living authors like André Gide and H. G. Wells. Von Freytag-Loringhoven later wrote in her autobiography that she started writing poetry while waiting for Greve's release from prison. When Greve was released from prison in June 1904, the couple spent several months in Wollerau, near Zürich. Greve continued to translate literary works and started to write his own material. His first novel, Fanny Essler (1905), was a thinly veiled account of von Freytag-Loringhoven's Bohemian days in Berlin. His second novel, The Master Mason's House (1906), was another thinly veiled account of her life based in part on a piece she had written entitled Story of My Childhood. In her autobiography, von Freytag-Loringhoven describes her involvement in Greve's novels: "They were dictated by me as far as material was concerned - it was my life and persons out of my life - he did the executive part of the business - giving the thing a conventional shape and dress" (Baroness Elsa, 65).

From Wollerau the couple moved on to Paris-Plage, near Étaples on the French Channel Coast, and, by early 1906, they lived in Berlin again. In July 1909, Greve disappeared from Germany after staging his own suicide. Von Freytag-Loringhoven played a part in the faked suicide. On September 17, 1909, she sent a letter to his publishers accusing them of working her late husband to death. He sailed second-class on the brand-new White Star Liner The Megantic from Liverpool to Montreal, where he renamed himself Frederick Phillip Grove. Later, as the Canadian author Frederick Philip Grove, he described staging his death and reinventing himself in his first autobiography, A Search for America (1927). Von Freytag-Loringhoven is not mentioned in this book, but in Grove's first novel of 1925, Settlers of the Marsh, she is the main character in guise of the "bad woman" Clara Vogel.

One year after Greve's disappearance, von Freytag-Loringhoven followed him to Pittsburgh, Pennsylvania, where he had relocated. The couple moved from there to Sparta, Kentucky, and operated a small farm. In her autobiography, she attributes the end of their relationship to Greve's fixation on the ideal of virginal womanhood. She later mocked this fixation in the poem "Kinship." He declined to resume sexual relations and left her within a year of their reunion. She was left alone in rural Kentucky with an extremely limited knowledge of English: "I became separated by him - by his suddenly leaving me alone and helpless without even knowing much English then - in the midst of the county of Kentucky in the small farmcountry" (Baroness Elsa, 66). She traveled from Sparta to Cincinnati, where she modeled for artists.

Von Freytag-Loringhoven seems to have moved east through Virginia, and she is known to have posed for artists George Biddle and Charles Sheeler in Philadelphia. There is also evidence that she passed through Akron and/or Cleveland, Ohio. Hart Crane mentions the Akron photographer Herbert Minns, who apparently knew her there long before she was "discovered" by the New York Dada crowd. As her autobiographical account ends around 1904, it is unclear how she made her way to New York. However, it was there she met and married Baron Leo von Freytag-Loringhoven, the black sheep of his illustrious family, in November 1913. Through her marriage to Leo von Freytag-Loringhoven she became a Baroness, but little is known about their relationship. In My Thirty Years' War, Margaret Anderson summarizes von Freytag-Loringhoven's marriage to Leo: "She had come to New York to the Ritz with the late Baron von Loringhoven, who hurried back to Germany at the outbreak of the war and then, not liking war, shot himself - an act which his wife characterized as the bravest of his life" (179).

After Leo's death, von Freytag-Loringhoven resumed modeling at the Ferrer School in Manhattan, where she met several influential artists, including Theresa Bernstein, Sarah Friedman-McPherson, and Man Ray. From 1917 on, she published a fair amount of her mostly Expressionist and sometimes Dada-style poetry in the Little Review, Broom, the Liberator, and transition. She also created "ready made" sculptures and collages from random items she stole or salvaged from the trash. Her most famous "ready made" is the plumbing pipe irreverently called "God" (c. 1917). For a long time "God" was attributed to Morton Schamberg, but in New York Dada 1915-1923, Francis M. Naumann writes, "The use of found objects without alteration, however, and the assembly's sacrilegious title are both qualities more easily associated with the unusual and outlandish penchants of the Baroness than with the sleek machinist aesthetic of Schamberg (who is probably responsible only for taking the photograph)" (171).

By the early 1920s, von Freytag-Loringhoven had become a living legend in Greenwich Village. Often arrested for her revealing costumes and ongoing habit of stealing anything that caught her eye, she "leaped from patrol wagons with such agility that policemen let her go in admiration" (Anderson, 179). She continued to pose for artists, and appeared in a short film made by Man Ray and Marcel Duchamp descriptively titled The Baroness Shaves Her Pubic Hair. Her obsessive love for Duchamp resulted in a number of poems (including "Love - Chemical Relationship," which was published in the Little Review in 1918) and two portraits. Her first portrait of Duchamp was a stylized pastel and collage completed in 1919. A second portrait, completed in 1920, was a "ready made" of feathers and other random items loosely arranged on top of a wine glass. Jane Heap described her as "the only one living anywhere who dresses Dada, loves Dada, lives Dada" ("Dada," Little Review, Spring 1922: 46).

When many of her American and French expatriate friends moved to Paris after the First World War, von Freytag-Loringhoven tried desperately to rejoin them. Eventually she returned to Berlin in April 1923 through the help of William Carlos Williams and other acquaintances from her Dada circle - a time when inflation of the German currency was at its worst. Almost immediately she tried to leave Germany for France, which was not an easy thing to accomplish at the time. She was reduced to selling newspapers on a street corner of the Kurfüstendamm in the winter of 1923-1924 and was a more or less permanent inmate of several insane asylums. Her outrageous blackmail attempts and demanding propositions to André Gide, George Bernard Shaw, and perhaps other celebrities for living expenses (and a one-way ticket to Paris) did little to keep her out of trouble. Her notoriously elaborate costumes were not of much help either. In an undated letter to Djuna Barnes, von Freytag-Loringhoven describes an ensemble she wore to the French Embassy in Germany:

I went to the consulate with a large-wide sugarcoated birthday cake upon my head with fifty flaming candles lit - I felt just so spunky and afluent [sic]! In my ear I wore sugar plumes or matchboxes - I forget wich [sic]. Also I had put on several stamps as beauty spots on my emerald-painted cheeks and my eyelashes were made of gilded porcupine quills - rustling coquettishly - at the consul - with several ropes of dried figs dangling around my neck to give him a suck once and again - to entrance him. I should have liked to wear gaudy colored rubber boots up to my hips with a ballet skirt of genuine gold paper white [sic] lace paper covering it (to match the cake) - but I couldn't afford that! I guess that inconsistency in my costume is to blame for my failure to please the officials?

Some of the letters she sent to past friends, lovers, and acquaintances were written in the form of poems. "Pity Me" was sent to George Biddle, excerpts of "Purgatory Lilt" translated into German were sent to sculptor Georg Kolbe and former lover Ernst Hardt, and "Tod Eines Schwernöters - Hamlet in America" (a poetic account of Leo von Freytag-Loringhoven's life in America) might have been sent to Leo's father. She also wrote "Puckellonder's sonderbare Geschichte," a scathing poem about the life of August Endell that she most likely sent to him in another attempt to get money.

Three years later, von Freytag-Loringhoven inherited enough money to travel to Paris in May of 1926. Djuna Barnes (who had been her confidante while she was trapped in Berlin) paid the rental fees for her apartment, and she resumed modeling for artists and trying to sell her poetry. But she was severely hampered by her lack of French, and publishing options for English poetry were limited to a few exile journals like transition or Transatlantic. She eked out a meager existence posing at the Montparnasse studios at the Grande Chaumière between 1926 and 1927. In the spring, she came up with a grand plan for her own modeling school to open by August 1927. Requests for financing the school abound in her correspondence from this time, and she frequently described it as her "last dream." Unfortunately, her crucial plan failed, and the majority of poems and aphorisms she had submitted to transition were returned in October 1927.

The true circumstances of von Freytag-Loringhoven's death are still unclear. On December 14, 1927, she died of asphyxiation when the gas in her room at the Rue Barrault was left on overnight. Friends Djuna Barnes and Peggy Guggenheim were not convinced that her death was a suicide. Barnes later referred to her death as "a stupid joke." However, her poems and letters written around this time often mentioned suicide. After her death, von Freytag-Loringhoven's papers fell into Barnes's possession. Beginning in 1932, Barnes attempted to write a biography of von Freytag-Loringhoven (based on a draft of an autobiography and miscellaneous notes and letters she had sent to Barnes), but the project was dropped after a series of false starts. Oberon Press finally published her autobiography in 1992, edited by Paul I. Hjartarson and Douglas O. Spettigue, under the title Baroness Elsa (the same working title Barnes had used for her biography).

Scope and Contents of the Collection

The papers cover the period from 1917 to 1933 and consist of manuscripts, drafts, notes, correspondence, drawings, and photographs. Most of the correspondence consists of Freytag-Loringhoven's letters to other people; there are few replies in the collection. The majority of the manuscripts and drawings were never published during Freytag-Loringhoven's life. Many of the drawings were done as an accompaniment to poems and can be found throughout Series III, although there are also drawings on the verso of correspondence in Series II. There are a few sketches in a separate folder (Series I, Box 1, Drawings).

Custodial History and Acquisition Information

The University of Maryland Libraries acquired the collection with the Papers of Djuna Barnes in 1973 and subsequently separated and treated it as an individual collection.

Processing Information

Processed by:

Ruth M. Alvarez, Robert L. Beare, Jessica Ford Cameron, Gaby Divay, Jennifer N. Evans

Processing note:

Robert Beare processed the collection in 1978. At that time, the collection was separated into three series: autobiography, correspondence, and poems. Series III, Poems, was further subdivided into three subseries: English, Prose Poems, and German. A section of personal materials and drawings was placed at the end of Series III. In March 1999, Ruth M. Alvarez incorporated these materials into Series III, now titled Manuscripts, Drafts, Notes, and added titles or subject headings as necessary. She also eliminated the subseries and arranged the series alphabetically. However, the arrangement of the English and German poems was retained when those groupings were moved under the headings of "Poems, English" and "Poems, German." A fourth series, Photographs, was created and included photographs that had originally been acquired with the collection, photographs donated by a variety of individuals, and photographic prints of manuscripts in the collection.

Between June 2001 and January 2002, the collection was reprocessed. With the assistance of Gaby Divay, a Frederick Grove scholar, the identities of some of the correspondents in Series II were determined, and these documents were placed in their own folders and arranged among the other identified correspondents in alphabetical order. She also assisted in sorting the various drafts of von Freytag-Loringhoven's work. The arrangement of most of the poetry by language was discarded at this time. As von Freytag-Loringhoven often developed her poems in German and wrote successive drafts in English, all drafts of a poem were placed together in a single folder. Once titles and subjects were determined, the individual folders were arranged alphabetically. Poems and correspondence on brittle paper were placed in Mylar sleeves. The collection was also completely rehoused in new acid-free boxes and folders. The biographical information in the guide was rewritten with assistance from Gaby Divay.

Encoded by:

EAD markup created using EAD database in Microsoft Access. Markup completed by Jason M. Stieber, April 2004. Markup checked and verified by Jennie A. Levine, December 2004.

Detailed Description of the Collection

Series 1: Autobiography, 1924, 1933 and undated (0.25 linear feet)

The series consists of notes and drafts of an autobiography written by the Baroness as well as the notes and drafts of Djuna Barnes on the autobiography. Barnes's notes, draft, and typescript of the autobiography are followed by the holograph manuscript, drafts, and notes of von Freytag-Loringhoven.

Digitized from the microfilm edition of the papers of the Baroness; select items digitized in color from originals.

DescriptionSeriesBox / ReelFolder / Frame
Djuna Barnes -- Draft -- Online (Reel 1, Frame 2), undated series 1box 1folder 1
Djuna Barnes -- Notes -- Online (Reel 1, Frame 16), 1924 and undated series 1box 1folder 2
Djuna Barnes -- Notes -- Online (Reel 1, Frame 56), 1933 and undated series 1box 1folder 3
Djuna Barnes -- Typescript -- Online (Reel 1, Frame 82), undated series 1box 1folder 4
Djuna Barnes -- Typescript -- Online (Reel 1, Frame 146), undated series 1box 1folder 5
Djuna Barnes -- Typescript -- Online (Reel 1, Frame 189), undated series 1box 1folder 6
Djuna Barnes -- Typescript -- Online (Reel 1, Frame 255), undated series 1box 1folder 7
Holograph -- Online (Reel 1, Frame 291), undated series 1box 1folder 8
Holograph -- Online (Reel 1, Frame 320), undated series 1box 1folder 9
Holograph -- Online (Reel 1, Frame 356), undated series 1box 1folder 10
Holograph -- Online (Reel 1, Frame 445), undated series 1box 1folder 11
Drafts -- Online (Reel 1, Frame 476), undated series 1box 1folder 12
Notes -- Online (Reel 1, Frame 502), undated series 1box 1folder 13

Series 2: Correspondence and Personal Papers, ca. 1920-1927 and undated (0.5 linear feet)

This series consists of letters and drafts of letters, most of them written by the Baroness. Virtually all of the letters dated before 1923 were written in the United States. Later letters date from the time the Baroness was living in Europe between 1923 and 1927. It also contains a few drawings and sketches that might have been made by her or by artists for whom she modeled. Drawings appear on the versos of correspondence with Sarah Freedman and Peggy Guggenheim. The series is arranged alphabetically by correspondent.

Digitized from the microfilm edition of the papers of the Baroness; select items digitized in color from originals. There are no digital surrogates of the following materials in Series 2: correspondence by others written to the Baroness and drawings and sketches on the backs of the Freedman and Guggenheim correspondence. Researchers must consult the original manuscripts in order to gain access to them.

DescriptionSeriesBox / ReelFolder / Frame
Abbott, Berenice -- Online (Reel 2, Frame 2), undated series 2box 1folder 1
Antheil, George -- Online (Reel 2, Frame 7), undated series 2box 1folder 2
Barnes, Djuna -- Online (Reel 2, Frame 10), circa 1924-1927 series 2box 1folder 3
Barnes, Djuna -- Online (Reel 2, Frame 55), circa 1924-1927 series 2box 1folder 4
Barnes, Djuna -- (contains draft of: Discovery Old; Purgatory Lilt) -- Online (Reel 2, Frame 206), circa 1924-1927 series 2box 1folder 5
Barnes, Djuna -- Online (Reel 2, Frame 327), circa 1924-1927 series 2box 1folder 6
Barnes, Djuna -- Online (Reel 2, Frame 353), circa 1924-1927 series 2box 1folder 7
Behmer, Marcus -- Online (Reel 2, Frame 437), 1924 series 2box 1folder 8
Biddle, George -- (contains draft of: Pity Me) -- Online (Reel 2, Frame 443), circa 1924-1925 series 2box 1folder 9
Blum, Jerome -- Online (Reel 2, Frame 483), circa 1920s series 2box 1folder 10
Brancusi, Constantin (Reel 2, Frame 486), circa 1926-1927 series 2box 1folder 11
Duncan, Charles -- Online (Reel 2, Frame 488), circa 1920 series 2box 1folder 12
Endell, August -- Online (Reel 2, Frame 491), 1923 series 2box 1folder 13
Fitzgerald, Eleanor -- Online (Reel 2, Frame 497), circa 1924 series 2box 1folder 14
Freedman, Sarah -- Online (Reel 2, Frame 516), undated series 2box 1folder 15
von Freytag-Loringhoven, Baron Hugo -- (contains draft of: Flammasch) -- Online (Reel 2, Frame 626), circa 1924-1927 series 2box 1folder 16
Guggenheim, Peggy -- (contains: "Kernel") (Reel 2, Frame 630), 1927 series 2box 1folder 17
Guggenheim, Peggy -- (contains: "Kernel") -- Online (Reel 2, Frame 666), 1927 series 2box 1folder 18
Guggenheim, Peggy -- (contains: "Kernel") -- Online (Reel 2, Frame 715), 1927 series 2box 1folder 19
Heap, Jane -- Online (Reel 2, Frame 785), circa 1923-1924 series 2box 1folder 20
Jacobson, Mr. -- Online (Reel 2, Frame 805), undated series 2box 1folder 21
Laillen?, Elizabeth (Reel 2, Frame 841), undated series 2box 1folder 22
McAlmon, Robert -- Online (Reel 2, Frame 844), circa 1923-1926 series 2box 1folder 23
von Münchausen, Börries Freiherr -- Online (Reel 2, Frame 847), circa 1923-1924 series 2box 1folder 24
Ploetz -- (contains drafts of: Oh Fudge; Valkyrie; "That Does Befall Some Virgin Pelt") -- Online (Reel 2, Frame 850), circa 1925 series 2box 1folder 25
Ploetz, Charlotte -- (contains draft of "Du Erbschleicherin") (Reel 2, Frame 853), circa 1923-1924 series 2box 1folder 26
Reverdy, A. -- (contains draft of: Subjoyride <Sense into Nonsense>) (Reel 2, Frame 859), undated series 2box 1folder 27
Reynolds, Mary -- Online (Reel 2, Frame 862), 1927 series 2box 1folder 28
Schmitz, Richard -- (contains drafts of: October (Herbst Zu Tod); October II; Gottriese; Walküren; Von Tagen und Nächten; Jorkan (Werbung) -- Online (Reel 2, Frame 876), circa 1923 series 2box 1folder 29
Seniowitsch, Olga -- Online (Reel 2, Frame 886), 1927 series 2box 1folder 30
Shaw, George Bernard -- Online (Reel 2, Frame 900), circa 1923-1925 series 2box 1folder 31
Stadtler (Reel 2, Frame 902), April 1927 series 2box 1folder 32
transition -- Online (Reel 2, Frame 905), 1927 series 2box 1folder 33
Travel Correspondence and Documents (Reel 2, Frame 908), 1922-1925 and undated series 2box 1folder 34
Turkel, Pauline -- Online (Reel 2, Frame 928), undated series 2box 1folder 35
Unidentified English -- (contains draft of: "Fine and Dandy") -- Online (Reel 2, Frame 933), circa 1923-1927 series 2box 1folder 36
Unidentified German -- Online (Reel 2, Frame 962), circa 1923-1926 series 2box 1folder 37
Williams, William Carlos -- Online (Reel 2, Frame 987), undated series 2box 1folder 38

Series 3: Manuscripts, Drafts, Notes, and Drawings, 1919-1927 and undated (1.75 linear feet)

This series contains manuscripts of literary works by the Baroness and includes drafts and notes. Like Series II, it also contains a few drawings and sketches that might have been made by her or by artists for whom she modeled. For example, in Series III, the back pages of "Tod Eines Schwernöters—Hamlet in America" can be pieced together to form a pencil drawing of a nude woman. The series is arranged alphabetically by title or subject.

Von Freytag-Loringhoven often assigned works in progress multiple titles. For example, the poem "Oh Fudge" was developed under the working titles "Melancholy," "King Gunther," and "Happenstance." Works with multiple titles are listed by the title found on the most polished, complete drafts with the alternative working titles following in parentheses, for example: Oh Fudge (Melancholy, King Gunther, Happenstance). Works that are not related but were impossible to separate are listed together and separated by semi-colons. The first line of untitled works appears in quotation marks; works assigned titles by von Freytag-Loringhoven appear without quotation marks. Brackets are used to replicate the idiosyncratic punctuation von Freytag-Loringhoven often used in her writing, for example: "Sinnlieb [Felix]." The Appendix lists all the variant titles of the works with cross references for those that are not filed under their own title. TheAppendix also contains cross-references for drafts and poem fragments located outside the principal folder for a particular work. For example, a fragment of the poem "Catafalk" can be found in the folder for "Motion." Poems included in von Freytag-Loringhoven's letters in Series II are also listed in the Appendix.

Digitized from the microfilm edition of the papers of the Baroness; select items digitized in color from originals. There are no digital surrogates of the drawings and sketches on the backs manuscripts, drafts, and notes. Researchers must consult the original manuscripts in order to gain access to them.

DescriptionSeriesBox / ReelFolder / Frame
Ach Lieber Kapitän (But Dear Captain) -- Online (Reel 3, Frame 2), 1923 series 3box 1folder 1
Adolescence -- Online (Reel 3, Frame 7), circa 1926-1927 series 3box 1folder 2
Adress [sic] -- Online (Reel 3, Frame 20), undated series 3box 1folder 3
Ah Me! -- Online (Reel 3, Frame 23), undated series 3box 1folder 4
All's Well -- Online (Reel 3, Frame 26), undated series 3box 1folder 5
Altar (Religion) -- Online (Reel 3, Frame 28), undated series 3box 1folder 6
Ancestry -- Online (Reel 3, Frame 37), circa 1926-1927 series 3box 1folder 7
Apetite [sic] -- Online (Reel 3, Frame 41), undated series 3box 1folder 8
Aphorisms -- Online (Reel 3, Frame 44), circa 1926-1927 series 3box 1folder 9
Aphrodite Chants to Mars -- Online (Reel 3, Frame 75), undated series 3box 1folder 10
Aprobation [sic] (Annunciation) -- Online (Reel 3, Frame 81), undated series 3box 1folder 11
Arabesque -- Online (Reel 3, Frame 88), undated series 3box 1folder 12
Astride; Pastoral -- Online (Reel 3, Frame 91), undated series 3box 1folder 13
"Das Atelier" -- Online (Reel 3, Frame 99), undated series 3box 1folder 14
Atom -- Online (Reel 3, Frame 104), undated series 3box 1folder 15
"Auf Auf Ihr Deutschen Brüder" -- Online (Reel 3, Frame 106), circa 1923 series 3box 1folder 16
Aufgabe (Das Los); Gott! -- Online (Reel 3, Frame 114), circa 1926-1927 series 3box 1folder 17
Aus Kentucky; "Es Gibst Keine Liebe Nur Mit;" "Die Menchen Wissen" -- Online (Reel 3, Frame 121), undated series 3box 1folder 18
Ausgerechnet Philosophie -- Online (Reel 3, Frame 124), undated series 3box 1folder 19
Autobiography draft fragment; Bondage (part of Contradictory Speculations) -- Online (Reel 3, Frame 129), circa 1923-1927 series 3box 1folder 20
Ba! (Herzlieblich) -- Online (Reel 3, Frame 150), undated series 3box 1folder 21
Balderfahrt (Pfingstfahrt, Sonnfahrt) -- Online (Reel 3, Frame 157), undated series 3box 1folder 22
Ballade von der Nacht und dem Tage -- Online (Reel 3, Frame 163), circa 1923 series 3box 1folder 23
Bloodsoil (Bluterd) -- Online (Reel 3, Frame 172), circa 1925 series 3box 1folder 24
Blues: Open Letter to a Friend; Schuss -- Online (Reel 3, Frame 182), undated series 3box 1folder 25
Broomstickride -- Online (Reel 3, Frame 185), undated series 3box 1folder 26
Buddha -- Online (Reel 3, Frame 218), circa 1926-1927 series 3box 1folder 27
Café du Dome; "One Day - She Came Home" -- Online (Reel 3, Frame 235), circa 1926-1927 series 3box 1folder 28
Cake -- Online (Reel 3, Frame 240), circa 1923-1927 series 3box 1folder 29
Camp am Ohio -- Online (Reel 3, Frame 247), undated series 3box 1folder 30
Carwindow (Zugfenster) -- Online (Reel 3, Frame 249), undated series 3box 1folder 31
Catafalk (Novemberday, Novemberstag, Deathshow, Totenschau) -- Online (Reel 3, Frame 252), undated series 3box 1folder 32
Chemische Analysis (Analytische Chemie des Lebens) -- Online (Reel 3, Frame 262), circa 1926-1927 series 3box 1folder 33
Chill; She (Er) -- Online (Reel 3, Frame 267), circa 1922 series 3box 1folder 34
Chill II -- Online (Reel 3, Frame 270), undated series 3box 1folder 35
Chimera (Halluzination [sic]) -- Online (Reel 3, Frame 278), undated series 3box 1folder 36
Chimneyriding; Decline -- Online (Reel 3, Frame 326), undated series 3box 1folder 37
Clock -- Online (Reel 3, Frame 329), undated series 3box 1folder 38
Clock; Perspective; Bloodsoil (Bluterd) -- Online (Reel 3, Frame 372), undated series 3box 1folder 39
Clock -- Online (Reel 3, Frame 429), undated series 3box 1folder 40
Coach Rider -- Online (Reel 3, Frame 446), circa 1920-1923 series 3box 1folder 41
Coach Rider; Ghost -- Online (Reel 3, Frame 471), circa 1920-1923 series 3box 1folder 42
Coma (She, Er); Stary Grind (Sterntretmühle) -- Online (Reel 3, Frame 590), circa 1923-1927 series 3box 1folder 43
Conditions -- Online (Reel 3, Frame 601), undated series 3box 1folder 44
Constitution <Indestructability of Cosmos - What Fate!> (Immortality, Hellcast, Hellpride) -- Online (Reel 3, Frame 604), undated series 3box 1folder 45
Contradictory Speculations on My Own Hook's Fallibility: Holograph -- Online (Reel 3, Frame 624), 1927 series 3box 1folder 46
Contradictory Speculations on My Own Hook's Fallibility: Typescript -- Online (Reel 3, Frame 692), 1927 series 3box 1folder 47
Coronation; Tryst <With Permission of Hudson River> -- Online (Reel 3, Frame 702), undated series 3box 1folder 48
Cosmic Arithmetic -- Online (Reel 3, Frame 713), 1927 series 3box 1folder 49
Cosmic Chemistry -- Online (Reel 3, Frame 716), circa 1926-1927 series 3box 1folder 50
Cosmic Sense - Suicide (Mixtures Perfection - Suicide) -- Online (Reel 3, Frame 720), circa 1926-1927 series 3box 1folder 51
Decline; Wane -- Online (Reel 3, Frame 724), undated series 3box 1folder 52
Desire (Desirous <Loveprayer>, Desirous <Prayer>) -- Online (Reel 3, Frame 730), undated series 3box 1folder 53
"Deutschland ist Dumm Geworden;" "They Won't Let Go Fart" -- Online (Reel 3, Frame 738), undated series 3box 1folder 54
Dirge; Magere Kuh -- Online (Reel 3, Frame 741), undated series 3box 1folder 55
Don Quixote; Kreist -- Online (Reel 3, Frame 752), circa 1927 series 3box 1folder 56
A Dozen Cocktails Please -- Online (Reel 3, Frame 759), circa 1927 series 3box 1folder 57
Drawings -- Online (Reel 3, Frame 767), undated series 3box 1folder 58
Duet: Eigasing rin Jalamund -- Online (Reel 3, Frame 771), undated series 3box 1folder 59
Dunkel; Erfleiß -- Online (Reel 3, Frame 780), undated series 3box 1folder 60
"Egypt to Her Egypt to Her" -- Online (Reel 3, Frame 787), undated series 3box 1folder 61
Ejaculation -- Online (Reel 3, Frame 790), undated series 3box 1folder 62
Enchantment (Verzauberung, Zauber) -- Online (Reel 3, Frame 792), undated series 3box 1folder 63
Equinox; She (Er) -- Online (Reel 3, Frame 807), undated series 3box 1folder 64
Erlöst sind hier - die Seifentier -- Online (Reel 3, Frame 813), undated series 3box 1folder 65
Erni; Trotz; Spät; Wildpark (Wildpark Kobald); Abend; Schiff Fahrt -- Online (Reel 3, Frame 815), circa 1923-1924 series 3box 1folder 66
"Es Giebt Grössensin;" Seatale -- Online (Reel 3, Frame 830), undated series 3box 1folder 67
"Es Hat Mal Einen Ernst Gegeben" -- Online (Reel 3, Frame 833), undated series 3box 1folder 68
Extant -- Online (Reel 3, Frame 839), undated series 3box 1folder 69
Fastidious (Bitter, Drinker) -- Online (Reel 4, Frame 2), undated series 3box 2folder 1
Filmballad Bloodmonotony <Wombspook> (Tale of Shipwreck); Bunk; Rook; Kraa -- Online (Reel 4, Frame 7), undated series 3box 2folder 2
Firstling (Erstling, He) -- Online (Reel 4, Frame 53), circa 1923-1924 series 3box 2folder 3
Five o'Clock -- Online (Reel 4, Frame 66), undated series 3box 2folder 4
Fix -- Online (Reel 4, Frame 74), undated series 3box 2folder 5
Flameashes (Flammasch, Walküren) -- Online (Reel 4, Frame 78), circa 1923 series 3box 2folder 6
Fluency -- Online (Reel 4, Frame 88), undated series 3box 2folder 7
"Frau Wirtin;" "Gewiss - Wir Sind Gotthirn's" -- Online (Reel 4, Frame 90), undated series 3box 2folder 8
Fremdling -- Online (Reel 4, Frame 93), undated series 3box 2folder 9
Game Legend -- Online (Reel 4, Frame 100), undated series 3box 2folder 10
"Gefleckter Flügel" -- Online (Reel 4, Frame 105), undated series 3box 2folder 11
Gem (Juwel) -- Online (Reel 4, Frame 109), undated series 3box 2folder 12
Genie (Es Ist); Nonesex -- Online (Reel 4, Frame 111), undated series 3box 2folder 13
"A Girl's Thing That Has a Thing" -- Online (Reel 4, Frame 117), undated series 3box 2folder 14
Gläsern (Wüstling); In Kentucky Lacheule -- Online (Reel 4, Frame 119), undated series 3box 2folder 15
"Glassee" -- Online (Reel 4, Frame 124), undated series 3box 2folder 16
"God is Bitter to Taste" -- Online (Reel 4, Frame 127), undated series 3box 2folder 17
God-Machine's Precision -- Online (Reel 4, Frame 129), undated series 3box 2folder 18
Golgata -- Online (Reel 4, Frame 133), undated series 3box 2folder 19
Gottaug -- Online (Reel 4, Frame 135), undated series 3box 2folder 20
Gottreise; Altar -- Online (Reel 4, Frame 141), circa 1925 series 3box 2folder 21
"Hab Keine Zeit Geld zu Verdienen" -- Online (Reel 4, Frame 146), undated series 3box 2folder 22
Harmony; Walküre; Sinnchemie -- Online (Reel 4, Frame 149), undated series 3box 2folder 23
Harvestmoon (Herbstmond); Falleve (Herbstabend) -- Online (Reel 4, Frame 153), circa 1923-1924 series 3box 2folder 24
Haunt (Haunted, Ghost, Gespenst); Memory Stench -- Online (Reel 4, Frame 158), circa 1920-1923 series 3box 2folder 25
He: God is All Measure -- Online (Reel 4, Frame 198), undated series 3box 2folder 26
"He - His Own Creator;" Opalescent Spring -- Online (Reel 4, Frame 200), undated series 3box 2folder 27
Heinreich V. Kleist Did Shoot Himself -- Online (Reel 4, Frame 221), undated series 3box 2folder 28
Heir (Gain, Gewinn, Erb); Fleshmasked (Fleischmaskiert) -- Online (Reel 4, Frame 224), undated series 3box 2folder 29
Hell's Wisdom -- Online (Reel 4, Frame 234), undated series 3box 2folder 30
The Hen (Das Huhn) -- Online (Reel 4, Frame 237), undated series 3box 2folder 31
Her Ladyship Serpent -- Online (Reel 4, Frame 239), undated series 3box 2folder 32
Herbstbilder Abend; Nachmittag Havel -- Online (Reel 4, Frame 242), undated series 3box 2folder 33
Herr Peu a Peu (Das Tête á Tête in Kentucky, Orje) -- Online (Reel 4, Frame 244), undated series 3box 2folder 34
Herz-Uhu -- Online (Reel 4, Frame 251), undated series 3box 2folder 35
Herzlücke Is Nick Verpo -- Online (Reel 4, Frame 255), undated series 3box 2folder 36
Hetz -- Online (Reel 4, Frame 259), undated series 3box 2folder 37
History Dim -- Online (Reel 4, Frame 268), undated series 3box 2folder 38
Hobbyride (Queer) -- Online (Reel 4, Frame 271), undated series 3box 2folder 39
"Hoffnung ist jugend" -- Online (Reel 4, Frame 292), undated series 3box 2folder 40
"Holm Sitzt Am Fels Die Lorelei" -- Online (Reel 4, Frame 295), undated series 3box 2folder 41
Huihua Hajalla Hajall Spiel Mit Mir -- Online (Reel 4, Frame 298), undated series 3box 2folder 42
"I Hate Hate Hate Something About German Sound" -- Online (Reel 4, Frame 300), undated series 3box 2folder 43
"I Know a Nice He-Girl of She-Man;" Kiki Exhibit Catalog -- Online (Reel 4, Frame 303), April 1927 series 3box 2folder 44
Idol -- Online (Reel 4, Frame 308), undated series 3box 2folder 45
"If I Perish-It is Because I Never Lie" -- Online (Reel 4, Frame 317), undated series 3box 2folder 46
Im Paradise Wüchs Scholmolade -- Online (Reel 4, Frame 321), circa 1924-1925 series 3box 2folder 47
Imperial Sun Wedding -- Online (Reel 4, Frame 323), undated series 3box 2folder 48
In Mondes Nächten; Fremdling -- Online (Reel 4, Frame 335), undated series 3box 2folder 49
In the Midst; Religion -- Online (Reel 4, Frame 338), undated series 3box 2folder 50
Jigg -- Online (Reel 4, Frame 345), undated series 3box 2folder 51
Jorkan (Werbung, Gesicht); Gottriese -- Online (Reel 4, Frame 349), circa 1923 series 3box 2folder 52
"Jugend Stärke: Nicht Alter" -- Online (Reel 4, Frame 355), undated series 3box 2folder 53
Kaffe Hag -- Online (Reel 4, Frame 357), undated series 3box 2folder 54
Kaiserin -- Online (Reel 4, Frame 359), circa 1924 series 3box 2folder 55
"Das Känguruh" -- Online (Reel 4, Frame 361), undated series 3box 2folder 56
Keiner (Keener); Takt -- Online (Reel 4, Frame 364), undated series 3box 2folder 57
Kentucky Trail (Lacheule in Kentucky, Weg in Kentucky) -- Online (Reel 4, Frame 370), undated series 3box 2folder 58
Kindly (Herzlich) -- Online (Reel 4, Frame 388), undated series 3box 2folder 59
Kinship I, II, III, IV -- Online (Reel 4, Frame 398), undated series 3box 2folder 60
Kraa (Pike) -- Online (Reel 4, Frame 399), undated series 3box 2folder 61
Kroo; Game Legend -- Online (Reel 4, Frame 450), undated series 3box 2folder 62
Läbensluff -- Online (Reel 4, Frame 459), undated series 3box 2folder 63
Last Gesture; Treat -- Online (Reel 4, Frame 461), undated series 3box 2folder 64
Leopold sein Sohn -- Online (Reel 4, Frame 468), undated series 3box 2folder 65
"Let Her Sink Into Tomb" -- Online (Reel 4, Frame 470), undated series 3box 2folder 66
Liebe; Sonnsang -- Online (Reel 4, Frame 472), undated series 3box 2folder 67
Lilac Old (Alter Flieder); He; Pfingsten -- Online (Reel 4, Frame 474), undated series 3box 2folder 68
Lord Butterfly -- Online (Reel 4, Frame 481), undated series 3box 2folder 69
"Luise Schreibt" -- Online (Reel 4, Frame 483), undated series 3box 2folder 70
Lullaby -- Online (Reel 4, Frame 486), undated series 3box 2folder 71
Manquake (Menschbeben, Krater, Vulcan); "Im Mondes Nächten" -- Online (Reel 4, Frame 496), undated series 3box 2folder 72
Märchen -- Online (Reel 4, Frame 510), undated series 3box 2folder 73
März -- Online (Reel 4, Frame 512), undated series 3box 2folder 74
Melody; Schweisstuch (Sweatkerchief); Concern; "Frau Wirtin;" Perspective -- Online (Reel 4, Frame 522), undated series 3box 2folder 75
Merklich -- Online (Reel 4, Frame 541), undated series 3box 2folder 76
Mineself - Minesoul - And - Mine - Cast-Iron Lover -- Online (Reel 4, Frame 543), published 1919 series 3box 2folder 77
Moony -- Online (Reel 4, Frame 556), undated series 3box 2folder 78
Morte de Goethe; Dunkel -- Online (Reel 4, Frame 562), undated series 3box 2folder 79
Moses (Moses von Michelangelo) -- Online (Reel 4, Frame 565), undated series 3box 2folder 80
Motion (Bewegung, Reise, Travel); Novembertag; Tiergarten -- Online (Reel 4, Frame 580), undated series 3box 2folder 81
Narcissus - Ikarus; "Since Space is Immeasurable" -- Online (Reel 5, Frame 2), undated series 3box 3folder 1
Natur (Natürlich) -- Online (Reel 5, Frame 11), undated series 3box 3folder 2
Navigation; X-Rays; Bluff -- Online (Reel 5, Frame 17), circa 1927 series 3box 3folder 3
Never (Nie); October; Perspective -- Online (Reel 5, Frame 26), undated series 3box 3folder 4
Notebook -- Online (Reel 5, Frame 32), circa 1926-1927 series 3box 3folder 5
October (Herbst, Rosegarden/Rosengarten) -- Online (Reel 5, Frame 91), circa 1923 series 3box 3folder 6
October II -- Online (Reel 5, Frame 105), undated series 3box 3folder 7
Oh! Aha! Sch-Sch--Sch-- -- Online (Reel 5, Frame 107), undated series 3box 3folder 8
Oh Fudge (Melancholy, King Gunther, Happenstance); Narcissus-Ikarus -- Online (Reel 5, Frame 109), circa 1923-1924 series 3box 3folder 9
Oh Schwestern; Jorkan -- Online (Reel 5, Frame 144), undated series 3box 3folder 10
Ohio-Indiansummer (Indianischer Sommer am Ohio) -- Online (Reel 5, Frame 149), undated series 3box 3folder 11
On Cliff Wisdom Barren -- Online (Reel 5, Frame 152), undated series 3box 3folder 12
On Edge (Am Rand) -- Online (Reel 5, Frame 155), undated series 3box 3folder 13
Orchard Farming; Moony; Sunshine; X-Rays; Kite -- Online (Reel 5, Frame 179), circa 1927 series 3box 3folder 14
Orgasmic Toast (Orgasm) -- Online (Reel 5, Frame 190), undated series 3box 3folder 15
Orkan -- Online (Reel 5, Frame 199), undated series 3box 3folder 16
Ostentatious; Café du Dome; Ancestry -- Online (Reel 5, Frame 202), circa 1926-1927 series 3box 3folder 17
Palermo; März -- Online (Reel 5, Frame 209), undated series 3box 3folder 18
"Pass on Affection;" "Truth is Moment" -- Online (Reel 5, Frame 221), undated series 3box 3folder 19
Pastoral; Tempest -- Online (Reel 5, Frame 223), undated series 3box 3folder 20
Perpetuhim Mobile -- Online (Reel 5, Frame 231), undated series 3box 3folder 21
Perspective -- Online (Reel 5, Frame 233), circa 1926-1927 series 3box 3folder 22
Pfingst Fanfare (Pfingstjubel, Pfingsten); Erstling; Ritter in Gold Verzieter Rüstung -- Online (Reel 5, Frame 239), circa 1923-1924 series 3box 3folder 23
Pity Me <Confession>; This Season; Flameashes -- Online (Reel 5, Frame 247), circa 1924-1925 series 3box 3folder 24
"Prestidigitator-that hideous mask" -- Online (Reel 5, Frame 254), undated series 3box 3folder 25
Prinz Torlafing (Torrlafing); Herrin -- Online (Reel 5, Frame 257), undated series 3box 3folder 26
Puckellonder's Sonderbare Geschichte -- Online (Reel 5, Frame 264), circa 1923-1924 series 3box 3folder 27
Purgatory Lilt (Germany's Decay, Statements by Circumstanced Me) -- Online (Reel 5, Frame 298), circa 1924-1927 series 3box 3folder 28
Query (Perpetuity, Das Zimmerwährende) -- Online (Reel 5, Frame 319), undated series 3box 3folder 29
Reveille; "Gott in Himmel;" "Die Budesei;" Notabeine -- Online (Reel 5, Frame 331), undated series 3box 3folder 30
Ritter in Goldverzierter Rüstung; Zwei Könige -- Online (Reel 5, Frame 348), undated series 3box 3folder 31
Röntgeolensed Sphinx -- Online (Reel 5, Frame 353), undated series 3box 3folder 32
"Rotating Godmachine;" Cessessionless [sic] -- Online (Reel 5, Frame 356), undated series 3box 3folder 33
Ruf: Erinnerung an Felix Paul Greve (Heideritt <Felix>) -- Online (Reel 5, Frame 359), undated series 3box 3folder 34
Sanddunes on Tearsea: All (Sanddunen am Trähnenmeer: All); His Own Self Machine, Blood Chemistry; Gott ist "Wahnsinnig" -- Online (Reel 5, Frame 371), undated series 3box 3folder 35
Schade (Entzauberung, Blind Sehende Frau Blindsichtig, Schwärmenei) -- Online (Reel 5, Frame 387), undated series 3box 3folder 36
Schalk (Sparta Kentucky Am Eaglecreek) -- Online (Reel 5, Frame 401), circa 1920-1927 series 3box 3folder 37
Schiff Fahrt -- Online (Reel 5, Frame 418), undated series 3box 3folder 38
Scirocco -- Online (Reel 5, Frame 422), undated series 3box 3folder 39
Seatale (Tide, Seesand, Fairytale, Poor Fish, Finish, Diminish) -- Online (Reel 5, Frame 442), undated series 3box 3folder 40
Secret (Geheimniss) -- Online (Reel 5, Frame 478), undated series 3box 3folder 41
Seelsch Chemische Betrachtung -- Online (Reel 5, Frame 480), undated series 3box 3folder 42
Sermon on Life's Beggar Truth; Merry Jerry; Titty Kitty; Ostentatious; X-Ray; Christ Don Quixote St. George -- Online (Reel 5, Frame 484), 1927 series 3box 3folder 43
Shot -- Online (Reel 5, Frame 523), undated series 3box 3folder 44
"Sinister Shore" -- Online (Reel 5, Frame 525), undated series 3box 3folder 45
Sinn -- Online (Reel 5, Frame 527), undated series 3box 3folder 46
Sinnlieb <Felix> (Flammlieb) -- Online (Reel 5, Frame 530), undated series 3box 3folder 47
Skin of Faith -- Online (Reel 5, Frame 536), undated series 3box 3folder 48
Snaketale (Snakespell, Snakevoice) -- Online (Reel 5, Frame 538), undated series 3box 3folder 49
"So Ist Es" -- Online (Reel 5, Frame 552), circa 1927 series 3box 3folder 50
Solitude -- Online (Reel 5, Frame 554), undated series 3box 3folder 51
"Soll Dich den Herre" -- Online (Reel 5, Frame 560), undated series 3box 3folder 52
Some Corrections -- Online (Reel 5, Frame 563), undated series 3box 3folder 53
Soul Hell; Why Fleshmuscle? -- Online (Reel 5, Frame 565), undated series 3box 3folder 54
Spaciousness -- Online (Reel 5, Frame 568), undated series 3box 3folder 55
"Spade" -- Online (Reel 5, Frame 570), undated series 3box 3folder 56
Sparrtblau; Tradition: Is Superstition -- Online (Reel 5, Frame 573), undated series 3box 3folder 57
Spectrum -- Online (Reel 5, Frame 578), undated series 3box 3folder 58
Spectrum -- Online (Reel 5, Frame 603), undated series 3box 3folder 59
Spectrum -- Online (Reel 5, Frame 615), undated series 3box 3folder 60
Spectrum; Dim -- Online (Reel 5, Frame 710), undated series 3box 3folder 61
Spiritual Pass -- Online (Reel 5, Frame 812), undated series 3box 3folder 62
Spring in Middle; I Am 50; Adress [sic] to the Sun; Statements; Geldmacht -- Online (Reel 5, Frame 814), 1924 series 3box 3folder 63
Das Stachelschwein; Das Krokodil; Das Lama [sic]; Das Gürteltier -- Online (Reel 5, Frame 820), undated series 3box 3folder 64
Stagnation -- Online (Reel 5, Frame 822), circa 1926-1927 series 3box 3folder 65
Standpoint (Standpunkt); We are Fleas (Wir Sind Flöhe) -- Online (Reel 5, Frame 825), undated series 3box 3folder 66
"Die Strassen Aber Dieser Handelstadt" -- Online (Reel 5, Frame 829), undated series 3box 4folder 1
Strategie (Idille) -- Online (Reel 5, Frame 844), circa 1924 series 3box 4folder 2
Subjoyride <Sense Into Nonesense> -- Online (Reel 5, Frame 851), undated series 3box 4folder 3
Sunsong (Sonnsang) -- Online (Reel 5, Frame 856), undated series 3box 4folder 4
Sympathetic -- Online (Reel 5, Frame 865), undated series 3box 4folder 5
System -- Online (Reel 5, Frame 868), undated series 3box 4folder 6
Tailend of Mistake Amerika -- Online (Reel 5, Frame 873), undated series 3box 4folder 7
Takt; Altar -- Online (Reel 5, Frame 876), undated series 3box 4folder 8
Tempest -- Online (Reel 5, Frame 885), undated series 3box 4folder 9
This is the Life-In Greenwich Village -- Online (Reel 5, Frame 889), undated series 3box 4folder 10
Thistledownflight -- Online (Reel 5, Frame 919), undated series 3box 4folder 11
Thistlerose (Dornröschen) -- Online (Reel 5, Frame 928), undated series 3box 4folder 12
"Thou Walkest" -- Online (Reel 5, Frame 933), undated series 3box 4folder 13
"Threatening Gilt Fallface" (Herbst II) -- Online (Reel 5, Frame 935), circa 1927 series 3box 4folder 14
Tide II (Stimmung, Pall, Sophistication, Thrall), Sanitorium Zinn; Pricked By -- Online (Reel 5, Frame 938), undated series 3box 4folder 15
Tinke Bums <Zum Herz> -- Online (Reel 5, Frame 957), undated series 3box 4folder 16
Tjusir von Tarn Torp -- Online (Reel 5, Frame 964), undated series 3box 4folder 17
To Be (Sein); Thistledownflight; Facing -- Online (Reel 5, Frame 967), undated series 3box 4folder 18
To Earny (An Erni) -- Online (Reel 5, Frame 972), undated series 3box 4folder 19
To Home (Home) -- Online (Reel 5, Frame 976), undated series 3box 4folder 20
To State: All Sentiment Pulsing Gravitation -- Online (Reel 5, Frame 979), undated series 3box 4folder 21
Tod Eines Schwernöters-Hamlet in Amerika (Lost Crown, Romanishes Café) -- Online (Reel 5, Frame 982), circa summer 1924 series 3box 4folder 22
Tragödie -- Online (Reel 5, Frame 1009), undated series 3box 4folder 23
Tryst (With Permission of Hudson River) -- Online (Reel 5, Frame 1011), undated series 3box 4folder 24
Tühü -- Online (Reel 5, Frame 1014), undated series 3box 4folder 25
Turn and Turn About (Tale, Deathvoice) -- Online (Reel 5, Frame 1017), undated series 3box 4folder 26
Ultramundanity -- Online (Reel 5, Frame 1025), undated series 3box 4folder 27
Valkyrie (Walküre) -- Online (Reel 5, Frame 1035), circa 1925-1926 series 3box 4folder 28
Variationen Auf Des Teutschen Jünglings Kardinaltugend -- Online (Reel 5, Frame 1037), undated series 3box 4folder 29
Vegetabananaphagy -- Online (Reel 5, Frame 1040), undated series 3box 4folder 30
Vernuft -- Online (Reel 5, Frame 1044), undated series 3box 4folder 31
Verrat -- Online (Reel 5, Frame 1048), undated series 3box 4folder 32
Verses from "The Old Inn at the River Lahn"; Ostentatious -- Online (Reel 5, Frame 1051), circa 1927 series 3box 4folder 33
Vertical (Lotrecht) -- Online (Reel 5, Frame 1061), undated series 3box 4folder 34
Verwesung; Schuss; Gewitter -- Online (Reel 5, Frame 1068), undated series 3box 4folder 35
Von Tagen Von Nächten -- Online (Reel 5, Frame 1073), circa 1923 series 3box 4folder 36
Vor Frühling -- Online (Reel 5, Frame 1079), undated series 3box 4folder 37
Walkükehr -- Online (Reel 5, Frame 1084), undated series 3box 4folder 38
Weh -- Online (Reel 5, Frame 1093), undated series 3box 4folder 39
Wetterleuchte; Camp am Ohio -- Online (Reel 5, Frame 1100), undated series 3box 4folder 40
Wing of Lucifer; To State: Poverty Is Impotence -- Online (Reel 5, Frame 1103), undated series 3box 4folder 41
Witchscale (Scale <Witchchant>, Wage, Wage <Hexengesang>); To State: Poetry's Architecture (Feststellend) -- Online (Reel 5, Frame 1110), undated series 3box 4folder 42
Wolkzug; Travel (Reise) -- Online (Reel 5, Frame 1126), undated series 3box 4folder 43
X-Ray (X-Rays); Ideal of Perfection -- Online (Reel 5, Frame 1129), circa 1927 series 3box 4folder 44
Zeitalter Sinn-Technischer Einheit -- Online (Reel 5, Frame 1137), undated series 3box 4folder 45
Zenith -- Online (Reel 5, Frame 1140), undated series 3box 4folder 46
Zwei Könige -- Online (Reel 5, Frame 1143), undated series 3box 4folder 47

Series 4: Photographs, ca. 1917, 1920s, 1999, 2002 (1.25 linear feet)

This series contains photographs of the Baroness and facsimile reproductions of her art and manuscripts, all of which date from the 1920s. Most of the photographic prints were made in 1999 and 2002. They are arranged roughly in the chronological order of the dates of the prints.

DescriptionSeriesBox / ReelFolder / FrameItem
Photographs, circa 1917, 1920s, 1999, 2002 series 4box 1folder 1
Baroness Elsa Von Freytag-Loringhoven and Djuna Barnes on beach -- (Identical to Series VII, 1.112 and 2.13 in the Papers of Djuna Barnes. Two copies), ca. 1926 series 4box 1folder 1item 1
Nude Baroness, Man Ray -- (Printed only with the permission of Hank O'Neal), undated series 4box 1folder 1item 2
Baroness in straw hat, Man Ray -- (Two copies), undated series 4box 1folder 1item 3
Baroness in wide brimmed hat, Man Ray, undated series 4box 1folder 1item 4
Unidentified Woman -- (Three copies), undated series 4box 1folder 1item 5
Theresa Bernstein-Meyeschoitsch, painting of the Baroness -- (Donated by Gisi von Freytag-Loringhoven), undated [1917] series 4box 1folder 1item 6
"Wheels are growing in rosebushes," illustrated poem for Djuna Barnes -- (Two copies) (Online), undated series 4box 1folder 1item 7
"Sweet Djuna," illustrated letter to Djuna Barnes, undated series 4box 1folder 1item 8
"Equinox," illustrated letter to Djuna Barnes, undated series 4box 1folder 1item 9
"Facing," illustrated poem for Djuna Barnes, undated series 4box 1folder 1item 10
"Forgotten like this parapluie am I by you faithless Bernice!," drawing, undated series 4box 1folder 1item 11
Freytag-Loringhoven advertisement for modeling, Paris, 1920s [photograph made in 1999] series 4box 1folder 1item 12
Kiki, Grand Cirque, reproduction of painting on exhibit flier, Paris, 1927 [photograph made in 1999] series 4box 1folder 1item 13
Kiki, Peintures de Kiki, exhibit flier, Paris, 1927 [photograph made in 1999] series 4box 1folder 1item 14
Freytag-Loringhoven, "Pfingst Jubel", Photograph made in 1999 series 4box 1folder 1item 15
Freytag-Loringhoven, "It is not easy to look suicide in the face", Photograph made in 1999 series 4box 1folder 1item 16
Freytag-Loringhoven, "Perpetual Motion", Photograph made in 1999 series 4box 1folder 1item 17
Freytag-Loringhoven, "Matter Level Perspective", Photograph made in 1999 series 4box 1folder 1item 18
Freytag-Loringhoven, "'Ghingha' for Djuna", Photograph made in 1999 series 4box 1folder 1item 19
Freytag-Loringhoven, "Thistledown Flight", Photograph made in 1999 series 4box 1folder 1item 20
Sketch on back of correspondence to Sarah Freedman, Series II, folder 15, Photograph made in 2002 series 4box 1folder 1item 21
Sketch on back of correspondence to Sarah Freedman, Series II, folder 15, Photograph made in 2002 series 4box 1folder 1item 22
Sketch on back of correspondence to Sarah Freedman, Series II, folder 15, Photograph made in 2002 series 4box 1folder 1item 23
Sketch on back of correspondence to Sarah Freedman, Series II, folder 15, Photograph made in 2002 series 4box 1folder 1item 24
Sketch on back of correspondence to Sarah Freedman, Series II, folder 15, Photograph made in 2002 series 4box 1folder 1item 25
Sketch on back of correspondence to Sarah Freedman, Series II, folder 15, Photograph made in 2002 series 4box 1folder 1item 26
Sketch on back of correspondence to Peggy Guggenheim, Series II, folder 18, Photograph made in 2002 series 4box 1folder 1item 27
Sketch on back of correspondence to Peggy Guggenheim, Series II, folder 18, Photograph made in 2002 series 4box 1folder 1item 28
Sketch on back of correspondence to Peggy Guggenheim, Series II, folder 18, Photograph made in 2002 series 4box 1folder 1item 29
Sketch on back of correspondence to Peggy Guggenheim, Series II, folder 18, Photograph made in 2002 series 4box 1folder 1item 30
Sketch made on back of correspondence to Peggy Guggenheim, Series II, folder 18, Photograph made in 2002 series 4box 1folder 1item 31
Sketch on back of "Prestigitator--that hideous mask," Series III, Box 3, folder 25 -- (Three copies), Photograph made in 2002 series 4box 1folder 1item 32
Sketch on back of "Cake," Series III, Box 1, folder 29, Photograph made in 2002 series 4box 1folder 1item 33
Sketch on back of "Cake," Series III, Box 1, folder 29, Photograph made in 2002 series 4box 1folder 1item 34
Sketch on back of "Cake," Series III, Box 1, folder 29, Photograph made in 2002 series 4box 1folder 1item 35
Sketch on back of "Hoffnung ist jugend," Series II, Box 2, folder 40, Photograph made in 2002 series 4box 1folder 1item 36
Sketch on back of "Tod Eines Schwernöters," Series III, Box 4 folder 22, Photograph made in 2002 series 4box 1folder 1item 37

Related Material

Correspondence from and works by von Freytag-Loringhoven can be found in the Little Review Records and Margaret C. Anderson Papers in the University Manuscript Collections, Golda Meir Library, University of Wisconsin-Milwaukee. More Little Review related materials can be found in the Florence Reynolds Collection Related to Jane Heap and the Little Review, Special Collections, University of Delaware Library. Other materials related to von Freytag-Loringhoven and Djuna Barnes can be found in the Papers of Djuna Barnes, Special Collections, University of Maryland Libraries. Materials related to her first few years in America can be found in the Frederic Philip Grove/Felix Paul Greve Collections, Archives and Special Collections, University of Manitoba Libraries.

For other related archival and manuscript collections, please see the following subject guides.

Selected Search Terms

This collection is indexed under the following headings in the University of Maryland Libraries' Catalog. Researchers desiring related materials about these topics, names, or places may search the Catalog using these headings.

Subjects

Names (Added Entries)