Ferdinand Reyher papers
Please use this identifier to cite or link to this
item: http://hdl.handle.net/1903.1/1528
Abstract
Title:
Ferdinand Reyher papers
Author/Creator:
Reyher, Ferdinand
Collection number:
82-17
Size:
26.25 linear feet
Bulk dates:
circa 1917-1960
Inclusive dates:
1868-1996
Collection Area:
Literature and Rare Books
Repository:
Special Collections, University of Maryland Libraries, Hornbake Library, College Park, MD 20742. Tel: 301-405-9212, Fax: 301-314-2709, Email: askhornbake@umd.edu
Abstract:
Ferdinand Reyher (1891-1967) was a novelist, newspaper correspondent, screenwriter, and playwright active in and among many influential artistic, cultural, and social spheres of the twentieth century. The papers document Reyher's literary activities and personal life. The collection includes correspondence; manuscripts; Reyher's notes and research; clippings; legal and financial documents; and other personal material, including diaries, photographs, and drawings. Throughout his writing career, Ferdinand Reyher wrote short fiction and articles for many magazines. Reyher was active in Hollywood during the 1930s and early 1940s as a film doctor and screenwriter at several studios, including RKO, MGM, and Paramount. Ferdinand Reyher was among those who helped to extricate German playwright, poet, and dramatic theorist Bertolt Brecht (1898-1956) and his family from Nazi Germany in 1941. Reyher and Brecht made attempts to collaborate on various works in the late 1930s to mid-1940s, and he actively promoted the translation and performance of Brecht's work in the United States. Reyher was an acquaintance of many well-known twentieth-century literary figures, prominent photographers, screenwriters and producers of Hollywood's golden era, and artists. Figures represented in the collection include Ford Maddox Ford, Wallace Stevens, Sinclair Lewis, John Huston , and Paul Henreid. Other notable correspondents include journalist George Seldes, publisher John Rodker, and Reyher's first wife, suffragette, political activist, and author, Rebecca Hourwich Reyher. Also represented in Reyher's papers is his second wife, Chinese writer and translator Eileen Chang (1920-1995).
Important Information for Users of the Collection
Restrictions:
This collection is open for research. Access to the script of "Castle Israel" is prohibited until 2037, unless permission is obtained from Dr. Daniel Jackson, who controls the intellectual property rights residing in the work.
Preferred citation:
Ferdinand Reyher papers, Special Collections, University of Maryland Libraries.
Publication rights:
Photocopies of original materials may be provided for a fee and at the discretion of the curator. Please see our Duplication of Materials policy for more information. Queries regarding publication rights and copyright status of materials within this collection should be directed to the appropriate curator.
Status:
This collection is PROCESSED.
Historical Note
Ferdinand Reyher was born to German immigrants Maximillian (Max) and Caroline (Lina) Reyher on July 6, 1891, in Philadelphia, Pennsylvania. Max Reyher (1862-1945) was an ophthalmologist and oculist in Philadelphia from around 1886 until 1917. Upon retirement to Belmar, New Jersey, in 1919, Max Reyher spent time as an amateur entomologist. During his later years, he took up painting. In They Taught Themselves (1945), Sidney Janis classified Max Reyher's paintings among the American "primitive" school. Max Reyher's Nirwana (1928) is in the permanent collection of the Smithsonian American Art Museum in Washington, D. C.
Ferdinand Reyher graduated from Central High School in Philadelphia in 1909 and, in 1911, from the Philadelphia School of Pedagogy with a Collegiate Certificate. Reyher received a bachelor's degree from the University of Pennsylvania in Philadelphia in 1912. He earned a master's degree in English from Harvard University in 1913. After completing his degrees, Reyher taught English for one year at the Massachusetts Institute of Technology. He then became a war correspondent in Europe from 1915 to 1916 for newspapers including the Boston Globe, the Boston Post, and the New York Evening Sun. After covering the war, Reyher moved back to the United States, settling in New York City, where he met and developed relationships with Wallace Stevens and other American literary figures. His newspaper career continued for approximately fifteen years, during which he contributed to Boston, Philadelphia, Chicago, and New York publications.
In 1917, Ferdinand Reyher married Rebecca Hourwich, the head of the Boston and New York offices of the National Women's Party. She was born in New York City in 1898 to Russian philosophical and political writer and lawyer Isaac Hourwich and Louise Joffe Hourwich. Isaac Hourwich was active in the Russian government until he fled the country around 1890 and settled in the United States. Rebecca Hourwich attended Columbia University and the University of Chicago, where she studied economics and sociology. A prominent political and women's rights activist and author, Rebecca Reyher made several trips to Africa, which resulted in two books on African life, including Zulu Woman (1948) and The Fon and His Hundred Wives (1952) as well as numerous shorter pieces. The Reyhers' marriage ended in divorce in 1934. Rebecca Hourwich Reyher died on January 10, 1987, in St. Inigoes, Maryland.
Ferdinand and Rebecca Hourwich Reyher's only child, Faith, was born in 1919; she graduated from Bennington College in 1939 with a major in dance. Faith Reyher married Gardner Cook in 1939, from whom she was later divorced. In 1948, she married Melvin Jackson, a curator at the Smithsonian Institution's National Museum of American History. Faith Reyher Jackson was the head mistress of the Academy of the Washington [D.C.] Ballet from 1963 to 1978. After retiring from this position, Faith Jackson published Pioneer of Tropical Landscape Architecture: William Lyman Phillips in Florida (1997) and Meadow, Fugue and Descant, a novel (2002).
A novelist, playwright, journalist, screenwriter, and poet, Ferdinand Reyher produced volumes of notes, research, and prose. He was interested in many topics, especially American folklore, and conceived many book projects, including a history of poker. Reyher's deep interest in photography also led to research on French photographer Eugéne Atget.
Reyher had shown promise as a dramatist early in his college career at the University of Pennsylvania. Reyher wrote several plays including Youth Will Dance (1912), which was performed in 1914 at the MacDowell Colony in Peterborough, New Hampshire; Mignonette (produced in 1923); and the unproduced "Castle Israel." Reyher's story "Quiet, Please!" was dramatized by Hans Kraly and and F. Hugh Herbert and performed in 1940. Reyher's Boxer was produced in Berlin during the 1929-1930 season. Unable to obtain information about Ferdinand Reyher, Berlin reviewers believed that Boxer had actually been written by Bertolt Brecht, under the pseudonym Ferdinand Reyher (James K. Lyon, Bertolt Brecht's American Cicerone [1978]: 6).
Ferdinand Reyher's fiction includes The Man, the Tiger, and the Snake (1921), published by Putnam, and I Heard Them Sing (1946), published by Little, Brown. I Heard Them Sing was subsequently adapted for the screen with the title Wait Till the Sun Shines, Nellie (1952). Reyher also wrote a popular biography for children published by Lippincott entitled David Farragut, Boy Sailor (1953). Throughout his writing career, Ferdinand Reyher wrote short fiction and articles for many magazines including the Atlantic Monthly, the Saturday Evening Post, and Ladies' Home Journal.
Reyher was active in Hollywood for approximately twelve years, between 1931 and 1943, as a film doctor and screenwriter at several studios, including RKO, MGM, and Paramount. He is credited on fifteen films, including Don't Turn 'Em Loose (1936) with Betty Grable; Special Investigator (1936); Two in Revolt (1936); Outside These Walls (1939); Ride a Crooked Mile (1938); The Boy from Stalingrad (1943); Wait Till the Sun Shines, Nellie (1952); and The World, The Flesh, and The Devil (1959) with Harry Belafonte.
Ferdinand Reyher was among those who helped to extricate German playwright, poet, and dramatic theorist Bertolt Brecht (1898-1956) and his family from Nazi Germany in 1941. He also actively promoted the translation and performance of Brecht's work in the United States. Reyher and Brecht made attempts to collaborate on various works, including "The King's Bread" (based on Brecht's "Joe Fleischhacker") in 1941 and the American version of Brecht's Life of Galileo (1947) and Furcht und Elend des Dritten Reiches (1938) (Fear and Misery of the Third Reich, later The Private Life of the Master Race) in 1939.
Reyher was an acquaintance of various literary figures such as James Joyce, Joseph Conrad, and Ezra Pound and corresponded with Ford Maddox Ford, Wallace Stevens, and Sinclair Lewis. Reyher also intereacted and corresponded with many prominent photographers of the twentieth century, including Ansel Adams, Berenice Abbott, Beaumont Newhall, and Todd Webb. Friends and correspondents from Reyher's Hollywood years include actor and director John Huston and his wife Dorothy; actor and producer Paul Henreid; screenwriters Frank "Spig" Wead and Dale Van Every; and director Leopold Jessner. Other notable correspondents include journalist George Seldes, publisher John Rodker, musician George Antheil, and artists Lee Hersch and William and Marguerite Zorach.
Reyher married Chinese writer and translator Eileen Chang (1920-1995) in August 1956, shortly after they met at the MacDowell Colony in Peterborough, New Hampshire. Best known in America for her novels The Rice Sprout Song (1955) and The Rouge of the North (1967), Chang remains a popular author in China and Taiwan.
Reyher died on October 24, 1967, in Cambridge, Massachusetts.
Scope and Contents of the Collection
The Papers of Ferdinand Reyher document the literary activities and personal life of German-American author Ferdinand Reyher, covering the years between 1868 and 1996. The bulk of the materials dates from 1917 to 1960. The collection includes correspondence; manuscripts; Reyher's notes and research; clippings; legal and financial documents; audio recordings; and other personal material, including diaries, photographs, and drawings.
Also included in the collection are materials that document the life and work of Rebecca Hourwich Reyher. In addition, the collection contains the correspondence of Ferdinand Reyher's parents and Faith Reyher Jackson's communications with individuals interested in her father. Most notable among these is James K. Lyon, the author of Bertolt Brecht's American Cicerone (1978), which examines Reyher's friendship and literary collaborations with Bertolt Brecht.
Custodial History and Acquisition Information
In 1975 and 1980, the Libraries purchased letters of Wallace Stevens to Ferdinand Reyher. The largest portion of the Papers of Ferdinand Reyher was purchased by the University of Maryland Libraries from Mrs. Faith Reyher Jackson in 1982. Mrs. Jackson donated additional materials to the University of Maryland Libraries in 1987, 2008, and 2009.
Processing Information
Processed by:
Processed by Linda Zintz, Betty Persinger, May 1988. Reprocessed by Maureen Cech, April 2009. Revised May 2010.
Processing note:
When processing was undertaken in 1988, the portion of the Papers of Ferdinand Reyher acquired in 1982 was jumbled with no evident original order. The papers were arranged into four series (correspondence, typescripts and notes, personal material, and clippings), housed in acid-free folders and boxes, and described. Newspaper clippings were photocopied onto acid-free paper. One fragile article was encapsulated to prevent further deterioration.
In 2008-2009, the portion of the collection that previously had been processed received more in-depth attention; additional materials acquired both before and after 1982 were incorporated; separate series for photographs and manuscripts by other authors were created. The correspondence was thoroughly reprocessed incorporating materials from later acquisitions. The correspondence between Reyher and Rebecca Hourwich Reyher, which had not been fully processed in 1988, was arranged chronologically. Additional subseries were created to account for correspondence that was not written or received by Ferdinand Reyher: correspondence of Faith Reyher Jackson, of Rebecca Hourwich Reyher, and of Caroline and Maximillian Reyher. Some correspondence, particularly that of Rebecca Hourwich Reyher, was dated with the assistance of Faith Reyher Jackson.
Previously unprocessed notes were processed and identified when possible making use of Reyher's complex notation system. Such identifiable notes were arranged by subject or corresponding work in Series 2.1, Manuscripts of Ferdinand Reyher. Many of the notes could not be definitively identified. Reyher's code was complex, and no full "key" to the code has been located. A partial key is filed in Series 2.2, Box 19, Folder 5, "Bibliographies and Notes." It is unclear whether Reyher used the same coding for different projects; he rarely dated notes and did not code all of them. Given the large volume of Reyher's notes and their lack of organization, it is unlikely that all of his notes on any particular subject have been identified and brought together. Where possible, notes were arranged together if they could be clearly identified using Reyher's coding scheme or if they related to one of Reyher's works; some notes were marked with two sets of coding. Several groupings of notes or notebooks were sorted and arranged under general subjects. In some instances, notes on two or more subjects were recorded in one notebook and could not be separated and arranged by subject. In addition, some of the biographical or daily notations associated with literary or work notes were impossible to separate during arrangement. Notes whose subjects could not be definitively identified remain in the groupings created when the collection was processed in 1988 and are labeled "Unidentified."
Fragile material was housed in Mylar sleeves. Loose newspaper clippings from Series 2 and 5 were photocopied onto acid-free paper. Oversize materials were separated and housed appropriately.
The audio recordings contained in Series 7 resided on somewhat fragile reel-to-reel tapes and were migrated to compact disc in July 2009. The original tapes have been maintained.
Encoded by:
EAD markup created using EAD database in Microsoft Access. Markup completed by Maureen Cech, May 2009.
Arrangement of Collection
The collection is organized into seven series:
Detailed Description of the Collection
Series 1: Correspondence, 1885-1996 (5.5 linear feet)
Series I contains correspondence to and from Ferdinand Reyher and correspondence to and from his daughter, his parents, and his first wife, for which separate subseries have been created. Materials include typed and handwritten letters, telegrams, postcards, and greeting cards.
Arrangement within each subseries is alphabetical by the correspondent's surname, corporate name, or the subject of the correspondence. Within these individual file entries, arrangement is chronological. The names of individual correspondents are enumerated for corporate and subject files.
Subseries 1.1: Correspondence of Ferdinand Reyher, 1885-1964 (5 linear feet and 14 folders)
Subseries 1.1 consists primarily of correspondence Ferdinand Reyher received from individuals, family members, friends, literary agents, film companies, publishers, and magazine editors. It also includes some of Reyher's correspondence to others. Significant correspondents include John Rodker, George Seldes, and Reyher's first wife, Rebecca Hourwich Reyher. Other notable correspondents include German dramatist Bertolt Brecht, American poet Wallace Stevens, English author Ford Madox Ford (Hueffer) and his mistress, author Violet Hunt, and American photographer Beaumont Newhall. While most of the files in this subseries contain correspondence with individuals and corporate entities, there are also subject files, assembled in order to bring related correspondence together. These include files for individual works by Reyher and for censorship, housing, and financial issues.
| Description | Series | Box / Reel | Folder / Frame | |
|---|---|---|---|---|
| Lola Aacher, 1939 | series 1.1 | box 1 | folder 1 | |
| Bernice Abbott House of Photography, 1947-1955 | series 1.1 | box 1 | folder 2 | |
| Ansel Adams, 1948, 1962, 1964 | series 1.1 | box 1 | folder 3 | |
| Albert, 1912 | series 1.1 | box 1 | folder 4 | |
| Mollie Aldington, 1921 and undated | series 1.1 | box 1 | folder 5 | |
| Alice and Joe, undated | series 1.1 | box 1 | folder 6 | |
| Rudolph Altrocchi, 1914 | series 1.1 | box 1 | folder 7 | |
| American Book Auction -- New York, New York, 1949 | series 1.1 | box 1 | folder 8 | |
| American Friends Service Committee, 1918 | series 1.1 | box 1 | folder 9 | |
| American League for Peace and Democracy, 1939 | series 1.1 | box 1 | folder 10 | |
| American Magazine -- New York, New York, 1914 | series 1.1 | box 1 | folder 11 | |
| Elizabeth Ames, 1955 | series 1.1 | box 1 | folder 12 | |
| Gretchen Amrhein, undated | series 1.1 | box 1 | folder 13 | |
| George Antheil, 1930, 1931 | series 1.1 | box 1 | folder 14 | |
| A. P., 1916 and undated | series 1.1 | box 1 | folder 15 | |
| Gebruder Arons, 1922 | series 1.1 | box 1 | folder 16 | |
| Atlantic Monthly -- Boston, Massachusetts, 1922 | series 1.1 | box 1 | folder 17 | |
| Authors League of America, 1939, 1952 | series 1.1 | box 1 | folder 18 | |
| Ernst Bacon, 1958-1964 | series 1.1 | box 1 | folder 19 | |
| Hilary and Joe Bacon, 1960-1964 | series 1.1 | box 1 | folder 20 | |
| Barbara (I), undated | series 1.1 | box 1 | folder 21 | |
| Barbara (II), undated | series 1.1 | box 1 | folder 22 | |
| Dorothy Barrillou, 1947 | series 1.1 | box 1 | folder 23 | |
| Hans Barthold, 1922 | series 1.1 | box 1 | folder 24 | |
| Carleton Beals, 1928 and undated | series 1.1 | box 1 | folder 25 | |
| Bennington College -- Bennington, Vermont, 1936-1937 | series 1.1 | box 1 | folder 26 | |
| Ber[gie?], 1953 and undated | series 1.1 | box 1 | folder 27 | |
| Bernard Bergman, 1931, 1947 | series 1.1 | box 1 | folder 28 | |
| Robert W. Bergman, undated | series 1.1 | box 1 | folder 29 | |
| Lila (Wead) Berman, 1936, 1947, 1959 and undated | series 1.1 | box 1 | folder 30 | |
| Israel Bernstein, 1939 | series 1.1 | box 1 | folder 31 | |
| Simon Michael Bessie -- Harper and Brothers, New York, 1952 | series 1.1 | box 1 | folder 32 | |
| Betty, 1929 | series 1.1 | box 1 | folder 33 | |
| Mary Bickwell, undated | series 1.1 | box 1 | folder 34 | |
| George and Helene Biddle, 1954, 1958 | series 1.1 | box 1 | folder 35 | |
| Bill, 1931 | series 1.1 | box 1 | folder 36 | |
| Dorothy and Bill Bi[rn?]brant, undated | series 1.1 | box 1 | folder 37 | |
| Marcel Bloch, 1948-1950 | series 1.1 | box 1 | folder 38 | |
| Ludmilla Bloch-Savitsky, 1938-1951 | series 1.1 | box 1 | folder 39 | |
| Maurice and Elinor Blodgett, undated | series 1.1 | box 1 | folder 40 | |
| Ike Blumenthal, 1922 | series 1.1 | box 1 | folder 41 | |
| Albert and Charles Boni, Inc. -- New York, New York, 1927 | series 1.1 | box 1 | folder 42 | |
| Louise Bonney, 1923 and undated | series 1.1 | box 1 | folder 43 | |
| H. Borsch, 1908, 1911 | series 1.1 | box 1 | folder 44 | |
| The Boston Post -- Boston, Massachusetts, 1915-1917 | series 1.1 | box 1 | folder 45 | |
| Nell Boui, 1917, 1922 | series 1.1 | box 1 | folder 46 | |
| Boxer, correspondence relating to -- (Bill McNutt; George Middleton, The American Dramatists; Oscar Serlin), 1927, 1928, 1931 | series 1.1 | box 1 | folder 47 | |
| Brandt & Brandt -- New York, New York, 1926-1928 | series 1.1 | box 1 | folder 48 | |
| Brandt & Kirkpatrick -- New York, New York, 1923 | series 1.1 | box 1 | folder 49 | |
| Bertolt Brecht, 1928, 1938-1939, 1946, 1954 and undated | series 1.1 | box 1 | folder 50 | |
| Brewer & Warren, Inc. -- New York, New York, 1931 | series 1.1 | box 1 | folder 51 | |
| Howard Brock -- Boston Traveler, 1918 | series 1.1 | box 1 | folder 52 | |
| Curtis Brown, Ltd. -- New York, New York, 1922-1926 | series 1.1 | box 1 | folder 53 | |
| Bob Buck, undated | series 1.1 | box 1 | folder 54 | |
| George Bye -- George T. Bye and Company, New York, New York, 1939-1954 | series 1.1 | box 1 | folder 55 | |
| Ida C., undated | series 1.1 | box 1 | folder 56 | |
| Harry Callahan, 1949, 1950 and undated | series 1.1 | box 1 | folder 57 | |
| The Camera Club Galleries -- New York, New York, 1951 | series 1.1 | box 1 | folder 58 | |
| Jonathan Cape and Harrison Smith -- New York, New York, 1931 | series 1.1 | box 1 | folder 59 | |
| Carl, 1910 | series 1.1 | box 1 | folder 60 | |
| Lewis John Carlino, 1959, 1960 | series 1.1 | box 1 | folder 61 | |
| Marion Carnahan, undated | series 1.1 | box 1 | folder 62 | |
| Gus Carvalho, undated | series 1.1 | box 1 | folder 63 | |
| Castle Israel, correspondence relating to -- (Howard Reinheimer; Morton Leavy, Edward E. Colton, Counsellor at Law, New York; MCA Artists, Ltd.; Josephine Harris, San Francisco Citizens Committee), 1950, 1954, 1961 | series 1.1 | box 1 | folder 64 | |
| Censorship--Don't Turn 'Em Loose -- (Joseph I. Breen to B. B. Kahane, RKO Studios), 1936 | series 1.1 | box 1 | folder 65 | |
| Censorship--Fugitive Gold -- (Joseph I. Breen to B. B. Kahane, RKO Studios), 1935-1936 | series 1.1 | box 1 | folder 66 | |
| Censorship -- The Man Who Found Himself -- (Joseph I. Breen to B. B. Kahane, RKO Studios; P. Cesare Grinoldi, Vice Consul of Italy to Lou Lusty, RKO Studios), 1936 | series 1.1 | box 1 | folder 67 | |
| Censorship -- Panic on the Air -- (Joseph I. Breen to Harry Cohn, Columbia Pictures), 1935 | series 1.1 | box 1 | folder 68 | |
| Century Magazine -- New York, New York, 1922-1923 | series 1.1 | box 1 | folder 69 | |
| Eileen Chang, 1962 | series 1.1 | box 1 | folder 70 | |
| Helen Chapman, undated | series 1.1 | box 1 | folder 71 | |
| Rodney Chapman, 1926 | series 1.1 | box 1 | folder 72 | |
| Charlie, 1927 | series 1.1 | box 1 | folder 73 | |
| Marianne Chautemps, 1947 | series 1.1 | box 1 | folder 74 | |
| Robert Checchi, undated | series 1.1 | box 1 | folder 75 | |
| Lester Cohen, 1939 | series 1.1 | box 1 | folder 76 | |
| Sybil Colefax, 1928 and undated | series 1.1 | box 1 | folder 77 | |
| Collier's -- New York, New York, 1923-1941 | series 1.1 | box 1 | folder 78 | |
| Raymonde Collingnon, undated | series 1.1 | box 1 | folder 79 | |
| Dorothy Collins, undated | series 1.1 | box 1 | folder 80 | |
| Commentary -- New York, New York, undated | series 1.1 | box 1 | folder 81 | |
| Seymour Beach Conger, 1922 | series 1.1 | box 1 | folder 82 | |
| [Conroy?], undated | series 1.1 | box 1 | folder 83 | |
| Jake Coogan, undated | series 1.1 | box 1 | folder 84 | |
| Gardner [Cook?], 1955 | series 1.1 | box 1 | folder 85 | |
| R. P. Cook, 1939 | series 1.1 | box 2 | folder 1 | |
| Cosmopolitan Book Corporation -- New York, New York, 1923 | series 1.1 | box 2 | folder 2 | |
| Cosmopolitan -- New York, New York, 1930 | series 1.1 | box 2 | folder 3 | |
| Crowell Publishing -- New York, New York, 1931 | series 1.1 | box 2 | folder 4 | |
| Mrs. A. B. Curry, 1922 | series 1.1 | box 2 | folder 5 | |
| David, 1923 and undated | series 1.1 | box 2 | folder 6 | |
| David Farragut, Boy Sailor, correspondence relating to -- (Henry M. Gill, Louisiana Historical Society; W. A. Provine, Tennessee Historical Society; H. C. Cocke, Office of Naval Records and Library, U. S. Navy; Bureau of Navigation, U. S. Navy; Richard J. Duval, U. S. Naval Academy Library; Harriet Tapl[e?]y, Essex Institute; Floyd C. Shoemaker, State Historical Society of Mississippi; Dunbar Rowland, Mississippi Department of Archives and History; Harcourt, Brace and Company; Morris Shaffner; Dore Schary, MGM Studios; Darryl Zanuck, 20th Century Fox; Flo Arnotte; Ri[nn?]y Zeltner; Hannah Mandelbaum; Catherine Carey; Julia Rogers; Phillip Houtz; Chauncey M. Stone/Peter Stone), 1930-1931, 1953-1954, 1955 | series 1.1 | box 2 | folder 7 | |
| A. B. Dawson -- Dawson Riding Stables, 1948 | series 1.1 | box 2 | folder 8 | |
| Albert K. Dawson, 1916 | series 1.1 | box 2 | folder 9 | |
| Dawson's Bookshop -- Los Angeles, California, 1959 | series 1.1 | box 2 | folder 10 | |
| Mrs. C. E. Day, undated | series 1.1 | box 2 | folder 11 | |
| Dee, 1950, 1955, 1959, 1960 and undated | series 1.1 | box 2 | folder 12 | |
| George J. Delacorte, Jr., 1923 | series 1.1 | box 2 | folder 13 | |
| John R. DePuy, 1953 | series 1.1 | box 2 | folder 14 | |
| (von) Dewall, 1921 and undated | series 1.1 | box 2 | folder 15 | |
| Agnes and Richard Diggs, 1944 and undated | series 1.1 | box 2 | folder 16 | |
| Doubleday, Doran and Company -- New York, New York, 1930 | series 1.1 | box 2 | folder 17 | |
| Dramatists Guild, 1939 | series 1.1 | box 2 | folder 18 | |
| Alfred Dunhill -- London, England, 1921 | series 1.1 | box 2 | folder 19 | |
| Barbara Durchanek, 1959-1961 and undated | series 1.1 | box 2 | folder 20 | |
| E. R. Dutch -- Salisbury, Southern Rhodesia, 1950 | series 1.1 | box 2 | folder 21 | |
| E. Eckhard -- Vereinigung zum Schutze der Kleinrentner, Frankfurt, Germany, 1922 | series 1.1 | box 2 | folder 22 | |
| J. P. Elder -- Harvard University, 1964 | series 1.1 | box 2 | folder 23 | |
| Eliza and Gordon, undated | series 1.1 | box 2 | folder 24 | |
| Elks Magazine -- New York, New York, 1931 | series 1.1 | box 2 | folder 25 | |
| Emily, 1959 and undated | series 1.1 | box 2 | folder 26 | |
| Felix Bloch Erben, 1930 | series 1.1 | box 2 | folder 27 | |
| Ernest, undated | series 1.1 | box 2 | folder 28 | |
| Helen Erskine, 1951 | series 1.1 | box 2 | folder 29 | |
| Escape from Yesterday, correspondence relating to [See also Ride a Crooked Mile] -- (John McCormick; Manny Wolfe, Paramount Pictures, Inc.; Jeff Lazarus; The Screen Writers' Guild; The Screen Writers' Guild to John C. Moffitt; The Screen Writers' Guild to Paramount Pictures; Anthony (Tony) Veiller (RKO Pictures) to The Screen Writers' Guild), 1938-1939 | series 1.1 | box 2 | folder 30 | |
| Eternal Lamps, correspondence relating to -- (International Magazine Company; Jean Wick), 1923 | series 1.1 | box 2 | folder 31 | |
| Jean Evans, 1954 | series 1.1 | box 2 | folder 32 | |
| Evening Sun -- New York, New York, 1915 | series 1.1 | box 2 | folder 33 | |
| Rosemarie Fanier(?), undated | series 1.1 | box 2 | folder 35 | |
| Jack Falstaff -- The New York World, 1930 | series 1.1 | box 2 | folder 36 | |
| Farragut Hotel -- Washington, DC, 1917 | series 1.1 | box 2 | folder 37 | |
| Fear and Misery of the Third Reich, correspondence relating to -- (Gerda Liager-Goedh[oo?]t; Margarete Steffin), 1939 | series 1.1 | box 2 | folder 38 | |
| A Fig for Murder, correspondence relating to -- (James Brown Associates), 1954 | series 1.1 | box 2 | folder 39 | |
| Finances -- (Stern Brothers; Bank of America; The Corn Exchange Bank; Abercrombie & Fitch Co.; B. Altman & Co.; Douglas Gibbons & Company), 1920-1940, 1948 | series 1.1 | box 2 | folder 40 | |
| Bram Fineberg, 1927 | series 1.1 | box 2 | folder 41 | |
| Finland, Vice Consulate of, 1939 | series 1.1 | box 2 | folder 42 | |
| Fleische[n? r?], 1922 | series 1.1 | box 2 | folder 43 | |
| Florence (I), 1928 and undated | series 1.1 | box 2 | folder 44 | |
| Florence (II), undated | series 1.1 | box 2 | folder 45 | |
| John and Terry Florence, undated | series 1.1 | box 2 | folder 46 | |
| Florence and Meyer, undated | series 1.1 | box 2 | folder 47 | |
| Floridian Hotel -- Miami, Florida, 1949 | series 1.1 | box 2 | folder 48 | |
| Robert Foedisch, 1946 | series 1.1 | box 2 | folder 49 | |
| Ford Madox (Hueffer) Ford and Violet Hunt, 1921, 1922, 1930 and undated | series 1.1 | box 2 | folder 50 | |
| Fortnightly Review -- London, England, 1914 | series 1.1 | box 2 | folder 51 | |
| Forum -- New York, New York, 1913 | series 1.1 | box 2 | folder 52 | |
| Fox Film Corporation -- New York, New York, 1928 | series 1.1 | box 2 | folder 53 | |
| D. Franke, 1910 | series 1.1 | box 2 | folder 54 | |
| Joseph Freeman, undated | series 1.1 | box 2 | folder 55 | |
| J. V. Frydll -- Book Mart, Czechoslovakia, 1950 | series 1.1 | box 2 | folder 56 | |
| Herman [Fsteyl?], 1910 | series 1.1 | box 2 | folder 57 | |
| Crosby Gaige, 1928 | series 1.1 | box 2 | folder 58 | |
| Hans and Selma (Sichel) Gaiser, 1921-1923, 1947 and undated | series 1.1 | box 2 | folder 59 | |
| [Livia?] and Hugo Gellert, undated | series 1.1 | box 2 | folder 60 | |
| Andre Germain, 1938 and undated | series 1.1 | box 2 | folder 61 | |
| Roger Gilles, 1953 | series 1.1 | box 2 | folder 62 | |
| A Glimpse of Heaven, correspondence relating to -- (The Richard J. Madden Play Co.; F. Hugh Herbert), 1939 | series 1.1 | box 2 | folder 63 | |
| Alan Gordon and Associates Publicity -- Hollywood, California, 1940 | series 1.1 | box 2 | folder 64 | |
| Grace, 1915 | series 1.1 | box 2 | folder 65 | |
| Graves, Banning & Co. -- Los Angeles, California, 1938 | series 1.1 | box 2 | folder 66 | |
| Joseph Gross, 1954 | series 1.1 | box 2 | folder 67 | |
| H., 1916 | series 1.1 | box 2 | folder 68 | |
| George H., 1917 | series 1.1 | box 2 | folder 69 | |
| Walter Hackert, 1921 | series 1.1 | box 2 | folder 70 | |
| Ernst Halberstadt, 1940-1953, 1955, 1960 and undated | series 1.1 | box 2 | folder 71 | |
| Jerry Halberstadt, 1954-1955, 1961 | series 1.1 | box 2 | folder 72 | |
| Milton Halberstadt, 1952-1955 | series 1.1 | box 2 | folder 73 | |
| Steve Halberstadt, 1961 | series 1.1 | box 2 | folder 74 | |
| T. Edward Hambleton, 1950, 1956, 1959, 1960-1961 and undated | series 1.1 | box 2 | folder 75 | |
| Harper's Magazine -- New York, New York, 1916-1917 | series 1.1 | box 2 | folder 76 | |
| Harry, 1921 | series 1.1 | box 2 | folder 77 | |
| Harvard Club of New York City, 1923 | series 1.1 | box 2 | folder 78 | |
| Elisabeth Hauptmann, 1928-1940 | series 1.1 | box 2 | folder 79 | |
| Bartlett Hayes, 1947-1949, 1952, 1953 | series 1.1 | box 3 | folder 1 | |
| Leland Hayward & John McCormick, Inc. -- Beverly Hills, California, 1939 | series 1.1 | box 3 | folder 2 | |
| Martha Heiderr, 1922 | series 1.1 | box 3 | folder 3 | |
| [Heine?], 1912, 1918 | series 1.1 | box 3 | folder 4 | |
| Helen (from Paramount Studios), 1938, 1939 and undated | series 1.1 | box 3 | folder 5 | |
| Helen and [Ta?]nte, undated | series 1.1 | box 3 | folder 6 | |
| Hilde[n?], 1927 | series 1.1 | box 3 | folder 7 | |
| Lisl Henreid, 1943 | series 1.1 | box 3 | folder 8 | |
| Arline Herbert, 1936 and undated | series 1.1 | box 3 | folder 9 | |
| Lee and Virginia Hersch, 1936 and undated | series 1.1 | box 3 | folder 10 | |
| O. Heyl [O'Heyl?], 1909 | series 1.1 | box 3 | folder 11 | |
| George Hindes, 1953 | series 1.1 | box 3 | folder 12 | |
| Jane and Francis Hindman, [circa 1940] and undated | series 1.1 | box 3 | folder 13 | |
| Hitchi-Roo, 1922 | series 1.1 | box 3 | folder 14 | |
| Harry Horner, 1947-1948 | series 1.1 | box 3 | folder 15 | |
| Ena Hourwich, 1917 | series 1.1 | box 3 | folder 16 | |
| George Kennan Hourwich, 1938 | series 1.1 | box 3 | folder 17 | |
| Isaac Hourwich, 1917, 1918 | series 1.1 | box 3 | folder 18 | |
| Iskander Hourwich, 1921 | series 1.1 | box 3 | folder 19 | |
| Olga Dicky Hourwich, undated | series 1.1 | box 3 | folder 20 | |
| Sasha Hourwich, 1917, 1918, 1924 | series 1.1 | box 3 | folder 21 | |
| Housing -- (Richard Washburn Child; Mrs. Samuel Strauss; C.W. We[i?]dy; S.M. Neff; Richard Allen Day), 1917-1920, 1943, 1958 | series 1.1 | box 3 | folder 22 | |
| Housing -- Robinhood, Maine, Estate -- (Orra Le Williams; William Couch, John Hancock Mutual Life Insurance; Charles C. Low, Bath Savings Institution; Allan Spear, Bath Savings Institution; S. T. Whatley, Aetna Life Insurance Company), 1924-1925, 1927 | series 1.1 | box 3 | folder 23 | |
| Howard, 1906 and undated | series 1.1 | box 3 | folder 24 | |
| Wynant Davis Hubbard, 1929, 1931, 1955, 1959 and undated | series 1.1 | box 3 | folder 25 | |
| Huntington Hartford Foundation, 1958-1961 | series 1.1 | box 3 | folder 26 | |
| Ralph G. Hurlin -- Russell Sage Foundation, 1949 | series 1.1 | box 3 | folder 27 | |
| John and Dorothy Huston, 1931 and undated | series 1.1 | box 3 | folder 28 | |
| Hyatt, 1952 | series 1.1 | box 3 | folder 29 | |
| I Heard Them Sing, correspondence relating to -- (George T. Bye to Seymour Poe; Thalia Productions; Frank "Spig" Wead; Herbert P. Jacoby; Lane Craig; George Jessel), 1945-1948, 1951 | series 1.1 | box 3 | folder 30 | |
| Irene, undated | series 1.1 | box 3 | folder 31 | |
| Faith Reyher Jackson, 1921, 1927-1928, 1931-1932, 1936-1937, 1939, 1949, 1950, 1954 and undated | series 1.1 | box 3 | folder 32 | |
| Melvin Jackson, 1948, 1949 | series 1.1 | box 3 | folder 33 | |
| Jan, undated | series 1.1 | box 3 | folder 34 | |
| Jane and Joe, 1953-1960 | series 1.1 | box 3 | folder 35 | |
| Sidney Janis, 1941 | series 1.1 | box 3 | folder 36 | |
| Alice Jason, 1930 | series 1.1 | box 3 | folder 37 | |
| J[ech?], undated | series 1.1 | box 3 | folder 38 | |
| Leopold Jessner, 1939 | series 1.1 | box 3 | folder 39 | |
| Jimmy, 1930 | series 1.1 | box 3 | folder 40 | |
| Joel, 1936 | series 1.1 | box 3 | folder 41 | |
| John (I), 1960 | series 1.1 | box 3 | folder 42 | |
| John (II), undated | series 1.1 | box 3 | folder 43 | |
| John (III), 1950 | series 1.1 | box 3 | folder 44 | |
| John Vincent Family, undated | series 1.1 | box 3 | folder 45 | |
| Bill Jones, 1906, 1909, 1911 and undated | series 1.1 | box 3 | folder 46 | |
| Herbert Jones, undated | series 1.1 | box 3 | folder 47 | |
| Joseph, [circa 1919-1920] | series 1.1 | box 3 | folder 48 | |
| Nanine Joseph -- New York, New York, 1931 | series 1.1 | box 3 | folder 49 | |
| Judith, undated | series 1.1 | box 3 | folder 50 | |
| Pete & Reba Kaldor, 1960-1961 | series 1.1 | box 3 | folder 51 | |
| Mary Kandelka, 1959 | series 1.1 | box 3 | folder 52 | |
| S. Karrakis, undated | series 1.1 | box 3 | folder 53 | |
| Alice Kauser -- New York, New York, 1923, 1928, 1930 | series 1.1 | box 3 | folder 54 | |
| Kay, 1954 | series 1.1 | box 3 | folder 55 | |
| Pernell Kennedy, undated | series 1.1 | box 3 | folder 56 | |
| Leo Kerz -- New York, New York, 1951, 1954 | series 1.1 | box 3 | folder 57 | |
| Elizabeth Maxwell Killian, 1936 | series 1.1 | box 3 | folder 58 | |
| The King's Bread, correspondence relating to -- (Playmarket, Inc.), 1941 | series 1.1 | box 3 | folder 59 | |
| King-Size Publications, Inc., 1955 | series 1.1 | box 3 | folder 60 | |
| Kinkead, undated | series 1.1 | box 3 | folder 61 | |
| Morris Klein, 1950-1955 | series 1.1 | box 3 | folder 62 | |
| Charles Kohrn, 1950 | series 1.1 | box 3 | folder 63 | |
| Alfred Kreymborg -- Others, A Magazine of Poetry, 1915 | series 1.1 | box 3 | folder 64 | |
| Kristin, correspondence relating to -- (Robert B. Luce, Inc.), 1962 | series 1.1 | box 3 | folder 65 | |
| Lucy Kroll Agency -- New York, New York, 1950 | series 1.1 | box 3 | folder 66 | |
| Hilda Kunzig, undated | series 1.1 | box 3 | folder 67 | |
| Mildred Kunzig, 1939 | series 1.1 | box 3 | folder 68 | |
| Harvey L., 1918 and undated | series 1.1 | box 3 | folder 69 | |
| Gaston Lachaise, 1928 and undated | series 1.1 | box 3 | folder 70 | |
| Ladies Home Journal -- Philadelphia, Pennsylvania, 1922-1926 | series 1.1 | box 3 | folder 71 | |
| Carl Laemmle, 1936 | series 1.1 | box 3 | folder 72 | |
| Belva and Jeff Lazarus, 1938, 1939 and undated | series 1.1 | box 3 | folder 73 | |
| League of American Writers, 1939 | series 1.1 | box 3 | folder 74 | |
| Legal -- (Arthur J. Dunton; United States National Labor Relations Board ; Mark M. Cohen; Howard A. Newman; Charles W. Morris; Hamblett, Kerrigan & Hamblett), 1926-1960 | series 1.1 | box 4 | folder 1 | |
| Edmund Leites, 1959 | series 1.1 | box 4 | folder 2 | |
| Mike Lewis (son of Sinclair Lewis), 1930 | series 1.1 | box 4 | folder 3 | |
| Sinclair and Dorothy Lewis, 1928-1953 | series 1.1 | box 4 | folder 4 | |
| Liberty -- New York, New York, 1931 | series 1.1 | box 4 | folder 5 | |
| Liebling & Wood Inc. -- New York, New York, 1940-1941, 1950 | series 1.1 | box 4 | folder 6 | |
| Fred Lightfoot, 1948-1949 | series 1.1 | box 4 | folder 7 | |
| J. B. Lippincott Co. -- New York, New York, 1953-1962 | series 1.1 | box 4 | folder 8 | |
| Little, Brown, & Company -- Boston, Massachusetts, 1944-1962 | series 1.1 | box 4 | folder 9 | |
| Pierre Loving, 1917 | series 1.1 | box 4 | folder 10 | |
| Jennie Lorenz, 1950 | series 1.1 | box 4 | folder 11 | |
| Leland Lovette, 1953 | series 1.1 | box 4 | folder 12 | |
| David Low Booksellers -- London, England, 1946 | series 1.1 | box 4 | folder 13 | |
| Walter Lustig, 1938 | series 1.1 | box 4 | folder 14 | |
| Lyons, Inc. -- Beverly Hills, California, 1938, 1939 | series 1.1 | box 4 | folder 15 | |
| M., undated | series 1.1 | box 4 | folder 16 | |
| Peter Maas, undated | series 1.1 | box 4 | folder 17 | |
| MacDowell Colony -- Peterborough, New Hampshire, 1914, 1949-1956, 1964 | series 1.1 | box 4 | folder 18 | |
| Mae, 1918 | series 1.1 | box 4 | folder 19 | |
| Henrietta Malkiel, 1938 | series 1.1 | box 4 | folder 20 | |
| The Man, the Tiger, and the Snake, correspondence relating to -- (Brady Metro Pictures; Morton J. Stein), 1928 and undated | series 1.1 | box 4 | folder 21 | |
| Manya, undated | series 1.1 | box 4 | folder 22 | |
| Marjorie, 1960 and undated | series 1.1 | box 4 | folder 23 | |
| Betty Marshall, 1954 | series 1.1 | box 4 | folder 24 | |
| Zeppo Marx -- Zeppo Marx, Inc., Hollywood, California, 1935 | series 1.1 | box 4 | folder 25 | |
| Massachusetts Institute of Technology, 1941 | series 1.1 | box 4 | folder 26 | |
| Maurie and Doris, undated | series 1.1 | box 4 | folder 27 | |
| Maverick Theatre -- Woodstock, New York, 1929 | series 1.1 | box 4 | folder 28 | |
| Max, undated | series 1.1 | box 4 | folder 29 | |
| MCA Artists -- New York, New York, 1955 | series 1.1 | box 4 | folder 30 | |
| Monica McCall, Inc. -- New York, New York, 1962 | series 1.1 | box 4 | folder 31 | |
| Bruce McClure, 1936 | series 1.1 | box 4 | folder 32 | |
| McClure's Magazine -- New York, New York, 1923, 1925 | series 1.1 | box 4 | folder 33 | |
| John McCormick, Inc -- Hollywood, California, 1939-1940 | series 1.1 | box 4 | folder 34 | |
| McIntosh & Otis, Inc -- New York, New York, 1954 | series 1.1 | box 4 | folder 35 | |
| Hilda McNulty, 1928 | series 1.1 | box 4 | folder 36 | |
| Menorah Journal -- New York, New York, 1929, 1930 | series 1.1 | box 4 | folder 37 | |
| Mrs. Lawrence Messner, 1923 | series 1.1 | box 4 | folder 38 | |
| Metropolitan -- New York, New York, 1918 and undated | series 1.1 | box 4 | folder 39 | |
| Midland Rare Book Company -- Mansfield, Ohio, 1947 | series 1.1 | box 4 | folder 40 | |
| Mignonette, correspondence relating to -- (Ina Ha[?]er Ho[r?]ds), 1923 | series 1.1 | box 4 | folder 41 | |
| Mil and Howard, undated | series 1.1 | box 4 | folder 42 | |
| Clarence Mil[p?]inson, 1953 | series 1.1 | box 4 | folder 43 | |
| Sylvia Wright Mitarochi, undated | series 1.1 | box 4 | folder 44 | |
| Catherine Mitchell, 1937 | series 1.1 | box 4 | folder 45 | |
| Patricia Mitchell, 1937 and undated | series 1.1 | box 4 | folder 46 | |
| Florence and Henry Mitchson, 1920 | series 1.1 | box 4 | folder 47 | |
| Martha Kate Moore, undated | series 1.1 | box 4 | folder 48 | |
| William Morrow and Company -- New York, New York, 1931 | series 1.1 | box 4 | folder 49 | |
| Moscow Narodny Bank -- Moscow Miasnitzkaya, 1918 | series 1.1 | box 4 | folder 50 | |
| Motion Picture Artist's Committee, 1938 | series 1.1 | box 4 | folder 51 | |
| Henry M[ull?], 1945 | series 1.1 | box 4 | folder 52 | |
| Frank A. Munsey Company -- New York, New York, 1917-1923 | series 1.1 | box 4 | folder 53 | |
| Museum of the City of New York, 1950 | series 1.1 | box 4 | folder 54 | |
| Edith Myers, 1955 | series 1.1 | box 4 | folder 55 | |
| Margaret and Milton Myers, 1959-1964 and undated | series 1.1 | box 4 | folder 56 | |
| William Allen (W. A.) Nielson, 1917, 1918 | series 1.1 | box 4 | folder 57 | |
| Naomi, undated | series 1.1 | box 4 | folder 58 | |
| Daisy Nejdl, 1941 | series 1.1 | box 4 | folder 59 | |
| Nelroy, undated | series 1.1 | box 4 | folder 60 | |
| Eleanor (Taylor) Nelson, undated | series 1.1 | box 4 | folder 61 | |
| New Fiction Publishing Agency -- New York, New York, 1917 | series 1.1 | box 4 | folder 62 | |
| Maurice Newfield, undated | series 1.1 | box 4 | folder 63 | |
| Beaumont Newhall, 1949-1965 and undated | series 1.1 | box 4 | folder 64 | |
| Howard A. Newman, 1937 | series 1.1 | box 4 | folder 65 | |
| New Republic -- New York, New York, 1915-1923 | series 1.1 | box 4 | folder 66 | |
| New Yorker -- New York, New York, 1946 | series 1.1 | box 4 | folder 67 | |
| New York Times -- New York, New York, 1921 | series 1.1 | box 4 | folder 68 | |
| Miss Norton, 1938 | series 1.1 | box 4 | folder 69 | |
| Walter Nubel, 1949-1959 and undated | series 1.1 | box 4 | folder 70 | |
| Hilda (Hilde) Nussbaum, 1938-1941 | series 1.1 | box 4 | folder 71 | |
| Max and Erna Nussbaum, 1926, 1928, 1939 | series 1.1 | box 4 | folder 72 | |
| Harold Ober and Paul Reynolds -- New York, New York, 1920-1923, 1940-1941, 1956, 1959, 1961 | series 1.1 | box 5 | folder 1 | |
| Dr. Frank O'Brien, undated | series 1.1 | box 5 | folder 2 | |
| Tillie Olsen, undated | series 1.1 | box 5 | folder 3 | |
| Kathleen Osborne, 1938 | series 1.1 | box 5 | folder 4 | |
| Pat -- (See also Irving P. Seery, Series 1.1, Box 9), 1917-1918, 1920-1921, 1939 and undated | series 1.1 | box 5 | folder 5 | |
| B. J. Perkins, 1922 | series 1.1 | box 5 | folder 6 | |
| Molly and Paul Perez, 1936 | series 1.1 | box 5 | folder 7 | |
| Wolf Pewall, 1921, 1922 | series 1.1 | box 5 | folder 8 | |
| Phillips Academy -- Andover, Massachusetts, 1952 | series 1.1 | box 5 | folder 9 | |
| James Phillips, 1959-1960, 1964 | series 1.1 | box 5 | folder 10 | |
| Philobiblon -- Hertford, England, 1950 | series 1.1 | box 5 | folder 11 | |
| Vivian Pierce, 1939 | series 1.1 | box 5 | folder 12 | |
| Photo League, undated | series 1.1 | box 5 | folder 13 | |
| Photo Notes -- New York, New York, 1949 | series 1.1 | box 5 | folder 14 | |
| Phyllis, 1954 | series 1.1 | box 5 | folder 15 | |
| Doris and Abel Plenn, 1959 and undated | series 1.1 | box 5 | folder 16 | |
| John Ploychill, undated | series 1.1 | box 5 | folder 17 | |
| Seymour Poe, 1950 | series 1.1 | box 5 | folder 18 | |
| Poetry, A Magazine of Verse -- Chicago, Illinois, 1920 | series 1.1 | box 5 | folder 19 | |
| Dorothy Pound, 1921 | series 1.1 | box 5 | folder 20 | |
| Ezra Pound, Possibly 1921 | series 1.1 | box 5 | folder 21 | |
| Agnes Powers, 1927 | series 1.1 | box 5 | folder 22 | |
| Production Man, correspondence relating to -- (Stanley Bergerman), 1941 | series 1.1 | box 5 | folder 23 | |
| G. P. Putnam and Sons -- New York, New York, 1922 and undated | series 1.1 | box 5 | folder 24 | |
| Herbert Quick, undated | series 1.1 | box 5 | folder 25 | |
| Marianne Rais, 1940, 1946-1950 | series 1.1 | box 5 | folder 26 | |
| Raph, 1926 | series 1.1 | box 5 | folder 27 | |
| Stephen Rathb[?], 1923 | series 1.1 | box 5 | folder 28 | |
| Redbook Magazine -- Chicago, Illinois, 1919 | series 1.1 | box 5 | folder 29 | |
| S. Re[e? s?]ck, 1922 | series 1.1 | box 5 | folder 30 | |
| John Reed, undated | series 1.1 | box 5 | folder 31 | |
| Rels, undated | series 1.1 | box 5 | folder 32 | |
| Eleanor and Arlee Reno, 1944 and undated | series 1.1 | box 5 | folder 33 | |
| Caroline (Lina) and Maximillian Reyher, 1901 | series 1.1 | box 5 | folder 34 | |
| Caroline (Lina) and Maximillian Reyher, 1912 | series 1.1 | box 5 | folder 35 | |
| Caroline (Lina) and Maximillian Reyher, 1913 | series 1.1 | box 5 | folder 36 | |
| Caroline (Lina) and Maximillian Reyher, 1914 | series 1.1 | box 5 | folder 37 | |
| Caroline (Lina) and Maximillian Reyher, 1915 | series 1.1 | box 5 | folder 38 | |
| Caroline (Lina) and Maximillian Reyher, 1916 | series 1.1 | box 5 | folder 39 | |
| Caroline (Lina) and Maximillian Reyher, 1917 | series 1.1 | box 5 | folder 40 | |
| Caroline (Lina) and Maximillian Reyher, 1918 | series 1.1 | box 5 | folder 41 | |
| Caroline (Lina) and Maximillian Reyher, 1919 | series 1.1 | box 5 | folder 42 | |
| Caroline (Lina) and Maximillian Reyher, 1921 | series 1.1 | box 5 | folder 43 | |
| Caroline (Lina) and Maximillian Reyher, 1922 | series 1.1 | box 5 | folder 44 | |
| Caroline (Lina) and Maximillian Reyher, 1923 | series 1.1 | box 5 | folder 45 | |
| Caroline (Lina) and Maximillian Reyher, 1929 | series 1.1 | box 5 | folder 46 | |
| Caroline (Lina) and Maximillian Reyher, 1931 | series 1.1 | box 5 | folder 47 | |
| Caroline (Lina) and Maximillian Reyher, 1933 | series 1.1 | box 5 | folder 48 | |
| Caroline (Lina) and Maximillian Reyher, 1934 | series 1.1 | box 5 | folder 49 | |
| Caroline (Lina) and Maximillian Reyher, 1935 | series 1.1 | box 5 | folder 50 | |
| Caroline (Lina) and Maximillian Reyher, 1936 | series 1.1 | box 5 | folder 51 | |
| Caroline (Lina) and Maximillian Reyher, 1937 | series 1.1 | box 5 | folder 52 | |
| Caroline (Lina) and Maximillian Reyher, 1938 | series 1.1 | box 5 | folder 53 | |
| Caroline (Lina) and Maximillian Reyher, 1939 | series 1.1 | box 5 | folder 54 | |
| Caroline (Lina) and Maximillian Reyher, 1940 | series 1.1 | box 5 | folder 55 | |
| Caroline (Lina) and Maximillian Reyher, 1941 | series 1.1 | box 5 | folder 56 | |
| Caroline (Lina) and Maximillian Reyher, undated | series 1.1 | box 5 | folder 57 | |
| Klara Reyher, undated | series 1.1 | box 5 | folder 58 | |
| Dr. Paul Reyher, 1921 | series 1.1 | box 5 | folder 59 | |
| Rebecca Hourwich Reyher, July 1917 | series 1.1 | box 5 | folder 60 | |
| Rebecca Hourwich Reyher, August 1917 | series 1.1 | box 5 | folder 61 | |
| Rebecca Hourwich Reyher, September 1917 | series 1.1 | box 6 | folder 1 | |
| Rebecca Hourwich Reyher, October 1917 | series 1.1 | box 6 | folder 2 | |
| Rebecca Hourwich Reyher, October 1917 | series 1.1 | box 6 | folder 3 | |
| Rebecca Hourwich Reyher, November 1917 | series 1.1 | box 6 | folder 4 | |
| Rebecca Hourwich Reyher, December 1917 | series 1.1 | box 6 | folder 5 | |
| Rebecca Hourwich Reyher, February 1918 | series 1.1 | box 6 | folder 6 | |
| Rebecca Hourwich Reyher, March 1918 | series 1.1 | box 6 | folder 7 | |
| Rebecca Hourwich Reyher, April 1918 | series 1.1 | box 6 | folder 8 | |
| Rebecca Hourwich Reyher, May 1918 | series 1.1 | box 7 | folder 1 | |
| Rebecca Hourwich Reyher, June 1918 | series 1.1 | box 7 | folder 2 | |
| Rebecca Hourwich Reyher, August 1918 | series 1.1 | box 7 | folder 3 | |
| Rebecca Hourwich Reyher, November 1918 | series 1.1 | box 7 | folder 4 | |
| Rebecca Hourwich Reyher, 1920 | series 1.1 | box 7 | folder 5 | |
| Rebecca Hourwich Reyher, 1921 | series 1.1 | box 7 | folder 6 | |
| Rebecca Hourwich Reyher, 1922 | series 1.1 | box 7 | folder 7 | |
| Rebecca Hourwich Reyher, circa 1923-1924 | series 1.1 | box 7 | folder 8 | |
| Rebecca Hourwich Reyher, circa 1924-1925 | series 1.1 | box 7 | folder 9 | |
| Rebecca Hourwich Reyher, circa 1927-1928 | series 1.1 | box 7 | folder 10 | |
| Rebecca Hourwich Reyher, 1929-1931 | series 1.1 | box 7 | folder 11 | |
| Rebecca Hourwich Reyher, 1932 | series 1.1 | box 7 | folder 12 | |
| Rebecca Hourwich Reyher, 1934 | series 1.1 | box 7 | folder 13 | |
| Rebecca Hourwich Reyher, circa 1934-1939 | series 1.1 | box 7 | folder 14 | |
| Rebecca Hourwich Reyher, 1936 | series 1.1 | box 7 | folder 15 | |
| Rebecca Hourwich Reyher, 1937 | series 1.1 | box 8 | folder 1 | |
| Rebecca Hourwich Reyher, 1940 | series 1.1 | box 8 | folder 2 | |
| Rebecca Hourwich Reyher, circa 1940-1945 | series 1.1 | box 8 | folder 3 | |
| Rebecca Hourwich Reyher, 1943 | series 1.1 | box 8 | folder 4 | |
| Rebecca Hourwich Reyher, 1947 | series 1.1 | box 8 | folder 5 | |
| Rebecca Hourwich Reyher, undated | series 1.1 | box 8 | folder 6 | |
| Rebecca Hourwich Reyher, undated | series 1.1 | box 8 | folder 7 | |
| Rebecca Hourwich Reyher, undated | series 1.1 | box 8 | folder 8 | |
| Rebecca Hourwich Reyher, undated | series 1.1 | box 8 | folder 9 | |
| Rebecca Hourwich Reyher, undated | series 1.1 | box 8 | folder 10 | |
| Rebecca Hourwich Reyher, undated | series 1.1 | box 8 | folder 11 | |
| Rebecca Hourwich Reyher, undated | series 1.1 | box 8 | folder 12 | |
| George Reynolds, 1947 | series 1.1 | box 9 | folder 1 | |
| RKO Radio Pictures, Inc. -- Los Angeles, California, 1936-1948 | series 1.1 | box 9 | folder 2 | |
| Madeleine Roberts, undated | series 1.1 | box 9 | folder 3 | |
| Mary L. Roberts, 1927 | series 1.1 | box 9 | folder 4 | |
| Marie Rodell and Joan Daves, Inc. -- New York, New York, 1961, 1964 and undated | series 1.1 | box 9 | folder 5 | |
| Joan Rodker, 1930, 1940-1941 and undated | series 1.1 | box 9 | folder 6 | |
| John Rodker, 1920-1921 | series 1.1 | box 9 | folder 7 | |
| John Rodker, 1922-1923 | series 1.1 | box 9 | folder 8 | |
| John Rodker, 1926-1929 | series 1.1 | box 9 | folder 9 | |
| John Rodker, 1930-1931 | series 1.1 | box 9 | folder 10 | |
| John Rodker, 1934-1935 | series 1.1 | box 9 | folder 11 | |
| John Rodker, 1937-1938 | series 1.1 | box 9 | folder 12 | |
| John Rodker, 1939 | series 1.1 | box 9 | folder 13 | |
| John Rodker, 1940 | series 1.1 | box 9 | folder 14 | |
| John Rodker, 1941-1944 | series 1.1 | box 9 | folder 15 | |
| John Rodker, 1945-1949 | series 1.1 | box 9 | folder 16 | |
| John Rodker, 1950-1951 | series 1.1 | box 9 | folder 17 | |
| John Rodker, undated | series 1.1 | box 9 | folder 18 | |
| W. G. Rogers, 1953, 1954, 1959 | series 1.1 | box 9 | folder 19 | |
| Lawrence B. Romaine, 1947 | series 1.1 | box 9 | folder 20 | |
| Ann Ronell, 1931 and undated | series 1.1 | box 9 | folder 21 | |
| Bill Roope, undated | series 1.1 | box 9 | folder 22 | |
| Roosters of Laredo, correspondence relating to -- H. C. Paxton, Arthur Jenkins, 1931 | series 1.1 | box 9 | folder 23 | |
| Lucy Rubin, 1943 | series 1.1 | box 9 | folder 24 | |
| Samudel Rudens, 1911-1913 | series 1.1 | box 9 | folder 25 | |
| Ruth (I), undated | series 1.1 | box 9 | folder 26 | |
| Ruth (II), 1922 | series 1.1 | box 9 | folder 27 | |
| Jeanie S., undated | series 1.1 | box 9 | folder 28 | |
| Leah Salisbury, Inc. -- New York, New York, 1925, 1927, 1940-1941, 1961 | series 1.1 | box 9 | folder 29 | |
| Saturday Review -- New York, New York, 1930 | series 1.1 | box 9 | folder 30 | |
| Lyle Saxon, 1931, 1936-1938 | series 1.1 | box 9 | folder 31 | |
| Amram Scheinfeld, 1931 and undated | series 1.1 | box 9 | folder 32 | |
| James Schevill, 1959 | series 1.1 | box 9 | folder 33 | |
| Mark Schorer, 1959 | series 1.1 | box 9 | folder 34 | |
| Christian Schysler Schreinermeister, 1925 | series 1.1 | box 9 | folder 35 | |
| Adelaide Schulberg, 1936-1939 | series 1.1 | box 9 | folder 36 | |
| Sigrid Schultz, undated | series 1.1 | box 9 | folder 37 | |
| Screen Writers Guild, 1937-1942, 1953, 1955 | series 1.1 | box 9 | folder 38 | |
| Charles Scribners' Sons -- New York, New York, 1931; 1954-1961 | series 1.1 | box 9 | folder 39 | |
| Irving P. Seery, undated | series 1.1 | box 9 | folder 40 | |
| George Seldes, 1917-1920 | series 1.1 | box 9 | folder 41 | |
| George Seldes, 1921 | series 1.1 | box 9 | folder 42 | |
| George Seldes, 1922 | series 1.1 | box 9 | folder 43 | |
| George Seldes, 1924, 1925-1926, 1927-1929 | series 1.1 | box 9 | folder 44 | |
| George Seldes, 1930-1931 | series 1.1 | box 9 | folder 45 | |
| George Seldes, 1936-1938 | series 1.1 | box 9 | folder 46 | |
| George Seldes, 1940-1943 | series 1.1 | box 9 | folder 47 | |
| George Seldes, 1950-1958 | series 1.1 | box 9 | folder 48 | |
| George Seldes, circa 1958-1962 | series 1.1 | box 9 | folder 49 | |
| George Seldes, 1959-1963 | series 1.1 | box 9 | folder 50 | |
| George Seldes, undated | series 1.1 | box 9 | folder 51 | |
| Gilbert Seldes, 1918 and undated | series 1.1 | box 10 | folder 1 | |
| Myron Selznick and Company, Inc -- Beverly Hills, California, 1941 | series 1.1 | box 10 | folder 2 | |
| Sal and Alice Sendejas, 1960, 1961 | series 1.1 | box 10 | folder 3 | |
| Robert Shannon, 1928 | series 1.1 | box 10 | folder 4 | |
| Dorothy Sherry, undated | series 1.1 | box 10 | folder 5 | |
| J. R. Smart, 1921 | series 1.1 | box 10 | folder 6 | |
| James Spoerri, 1959 | series 1.1 | box 10 | folder 7 | |
| Jack Starr-Hunt, 1928 | series 1.1 | box 10 | folder 8 | |
| John S. Steele -- Chicago Tribune, undated | series 1.1 | box 10 | folder 9 | |
| Irving Steinberg, 1960 | series 1.1 | box 10 | folder 10 | |
| Stella, undated | series 1.1 | box 10 | folder 11 | |
| Stereocraft -- Boston, Massachusetts, 1949 | series 1.1 | box 10 | folder 12 | |
| Wallace Stevens, 1916, 1917, 1920-1921, 1923, 1939 and undated | series 1.1 | box 10 | folder 13 | |
| Paul Strand, undated | series 1.1 | box 10 | folder 14 | |
| A. Stransky, 1954 | series 1.1 | box 10 | folder 15 | |
| H. N. Swanson, Inc. -- Hollywood, California, 1940, 1959 | series 1.1 | box 10 | folder 16 | |
| Otis Swift, undated | series 1.1 | box 10 | folder 17 | |
| Helen Szold, 1944, 1945 and undated | series 1.1 | box 10 | folder 18 | |
| Mary Caroline Taylor, undated | series 1.1 | box 10 | folder 19 | |
| John A. Tennant -- Tennant and Ward, New York, New York, 1947 | series 1.1 | box 10 | folder 20 | |
| Theatre Guild, 1930 | series 1.1 | box 10 | folder 21 | |
| Jean Thomas, 1927, 1928, 1930 | series 1.1 | box 10 | folder 22 | |
| A. R. Tindall, 1910 | series 1.1 | box 10 | folder 23 | |
| Dorothy Titkin, 1954 | series 1.1 | box 10 | folder 24 | |
| "A Tragedy of Thrift, correspondence relating to -- (Ernest Minor Patterson), 1924 | series 1.1 | box 10 | folder 25 | |
| Leurs B. Trapton, 1927 | series 1.1 | box 10 | folder 26 | |
| True Detective Mysteries -- New York, New York, 1927 | series 1.1 | box 10 | folder 27 | |
| Lee [Tuberthson?], 1954 | series 1.1 | box 10 | folder 28 | |
| Jim Tully, undated | series 1.1 | box 10 | folder 29 | |
| Unidentified Correspondents, 1885, 1901, 1902, 1909, 1913, 1921, 1922, 1930, 1931, 1936, 1938, 1939, 1941, 1959, 1961 and undated | series 1.1 | box 10 | folder 30 | |
| United States Bureau of Education, 1919 | series 1.1 | box 10 | folder 31 | |
| United States High Commissioner for Germany, Office of, 1950 | series 1.1 | box 10 | folder 32 | |
| USSR, Embassy of, 1950 | series 1.1 | box 10 | folder 33 | |
| R. W. G. Vail, 1930 | series 1.1 | box 10 | folder 34 | |
| Dale Van Every, 1938-1946 | series 1.1 | box 10 | folder 35 | |
| Nicole Vedres (Villa), 1939, 1947 and undated | series 1.1 | box 10 | folder 36 | |
| Tony Veiller, 1937 | series 1.1 | box 10 | folder 37 | |
| Vera, 1921 | series 1.1 | box 10 | folder 38 | |
| Ernst Rowohlt Verlag -- Berlin, Germany, 1930 | series 1.1 | box 10 | folder 39 | |
| Vermont Transit Company, 1959 | series 1.1 | box 10 | folder 40 | |
| Larry and Dorothy Verry, 1952 and undated | series 1.1 | box 10 | folder 41 | |
| Virginia, 1910 | series 1.1 | box 10 | folder 42 | |
| Leo Waldman, 1950-1954 and undated | series 1.1 | box 10 | folder 43 | |
| Ann Watkins, Inc. -- New York, New York, 1925, 1929, 1941 | series 1.1 | box 10 | folder 44 | |
| Race W. Way, undated | series 1.1 | box 10 | folder 45 | |
| Frank Wead, circa 1937-1948 and undated | series 1.1 | box 10 | folder 46 | |
| Todd Webb, 1948-1950 | series 1.1 | box 10 | folder 47 | |
| Walter E. Weyl, 1916 | series 1.1 | box 10 | folder 48 | |
| John Wheeler, 1947, 1954, 1955 | series 1.1 | box 10 | folder 49 | |
| Monroe Wheeler -- Museum of Modern Art, New York, New York, 1949 | series 1.1 | box 10 | folder 50 | |
| "Wicked Eyes", undated | series 1.1 | box 10 | folder 51 | |
| Bunny (Lawson) Wickerhauser, undated | series 1.1 | box 10 | folder 52 | |
| Karl Wickerhauser, 1943 | series 1.1 | box 10 | folder 53 | |
| Peter Wickw[eave?], 1960 | series 1.1 | box 10 | folder 54 | |
| Laura D. Wilck -- Hollywood, California, 1941, 1942 | series 1.1 | box 10 | folder 55 | |
| Annie Laurie Williams, Inc. -- New York, New York, 1954 | series 1.1 | box 10 | folder 56 | |
| Grove Wilson, 1941 | series 1.1 | box 11 | folder 1 | |
| O. Winkler, 1953 | series 1.1 | box 11 | folder 2 | |
| Al Worchester, 1959, 1960 | series 1.1 | box 11 | folder 3 | |
| F. O. [W? H?]oyt, 1928 and undated | series 1.1 | box 11 | folder 4 | |
| Writeabout Club, 1917 | series 1.1 | box 11 | folder 5 | |
| The Writers, 1917 | series 1.1 | box 11 | folder 6 | |
| Henry Yelvington, 1927 | series 1.1 | box 11 | folder 7 | |
| Youth Will Dance, correspondence relating to -- (B[o? a?]ker), 1914 | series 1.1 | box 11 | folder 8 | |
| Yvonne, circa 1930s | series 1.1 | box 11 | folder 9 | |
| Alice Zecher, 1936 | series 1.1 | box 11 | folder 10 | |
| George Zelfner, 1954 | series 1.1 | box 11 | folder 11 | |
| Thelma and Otto Zeimer, 1947, 1950 | series 1.1 | box 11 | folder 12 | |
| William and Marguerite Zorach, 1923, 1926, 1931 and undated | series 1.1 | box 11 | folder 13 | |
| Bill Zykstra, 1931 | series 1.1 | box 11 | folder 14 | |
Subseries 1.2: Correspondence of Faith Reyher Jackson, 1927-1996 (18 folders)
This subseries consists of the correspondence of Faith Reyher Jackson related to her father. The bulk of it was conducted with James K. Lyon as he completed research for his book about Reyher and Brecht's friendship, Bertolt Brecht's American Cicerone (1978). Also included is a portion of the photocopied typescript of Lyon's book. The other notable correspondent is Holly Stevens, the daughter of poet Wallace Stevens. The subject of the Stevens-Jackson correspondence is the friendship of their fathers.
| Description | Series | Box / Reel | Folder / Frame | |
|---|---|---|---|---|
| Mary Benjamin, 1971 | series 1.2 | box 11 | folder 1 | |
| Stephen Cheng, 1986-1996 | series 1.2 | box 11 | folder 2 | |
| Eleanor, undated | series 1.2 | box 11 | folder 3 | |
| Donald Gallup, 1971 | series 1.2 | box 11 | folder 4 | |
| Ena [Hourwich], 1927 | series 1.2 | box 11 | folder 5 | |
| Ernst Halberstadt, 1969, 1980, 1986 and undated | series 1.2 | box 11 | folder 6 | |
| James K. Lyon, 1970-1972 | series 1.2 | box 11 | folder 7 | |
| James K. Lyon, 1973 | series 1.2 | box 11 | folder 8 | |
| James K. Lyon, 1974, 1976-1982 | series 1.2 | box 11 | folder 9 | |
| James K. Lyon, Bertolt Brecht's American Cicerone, correspondence relating to -- (Eileen Chang Reyher; Ernst Halberstadt; Beaumont Newhall; Dale Van Every; James K. Lyon), 1969; 1971-1972 | series 1.2 | box 11 | folder 10 | |
| James K. Lyon, Bertolt Brecht's American Cicerone, photocopy of typescript, undated | series 1.2 | box 11 | folder 11 | |
| John Martin, 1927 | series 1.2 | box 11 | folder 12 | |
| Barbara Michaels, 1986, 1988 | series 1.2 | box 11 | folder 13 | |
| Beaumont Newhall, 1968 | series 1.2 | box 11 | folder 14 | |
| Roy Harvey Pearce, 1979 | series 1.2 | box 11 | folder 15 | |
| Kenneth Rendell, 1971 | series 1.2 | box 11 | folder 16 | |
| Holly Stevens, 1971, 1980 | series 1.2 | box 11 | folder 17 | |
Subseries 1.3: Correspondence of Maximillian and Caroline (Lina) Reyher, 1894-1935 (4 folders)
Correspondence in this subseries consists of letters and postcards sent and received by Ferdinand Reyher's parents, Maximillian and Caroline (Lina), some of which are in German.
| Description | Series | Box / Reel | Folder / Frame | |
|---|---|---|---|---|
| Correspondence of Maximillian and Caroline Reyher, 1894, 1896, 1899 | series 1.3 | box 11 | folder 1 | |
| Correspondence of Maximillian and Caroline Reyher, 1901-1905 | series 1.3 | box 11 | folder 2 | |
| Correspondence of Maximillian and Caroline Reyher, 1906-1909, 1911, 1913 | series 1.3 | box 11 | folder 3 | |
| Correspondence of Maximillian and Caroline Reyher, 1922-1924, 1935, 1944 | series 1.3 | box 11 | folder 4 | |
Subseries 1.4: Correspondence of Rebecca Hourwich Reyher, 1920-1980 (21 folders)
This subseries contains letters and postcards to and from Ferdinand Reyher's first wife, Rebecca Hourwich Reyher. It also includes letters to Ferdinand Reyher's parents, correspondence pertaining to her role and activities in the National Women's Party, and correspondence with James K. Lyon regarding her relationship with Ferdinand Reyher. Filed with "Unidentified Correspondents" are Rebecca Hourwich Reyher's resumé, circa 1942, and an undated typing exercise.
| Description | Series | Box / Reel | Folder / Frame | |
|---|---|---|---|---|
| Peter Brazeau, 1979 | series 1.4 | box 11 | folder 1 | |
| Barbara Crowl, 1959 | series 1.4 | box 11 | folder 2 | |
| First Federal Savings and Loan, 1936 | series 1.4 | box 11 | folder 3 | |
| Edward Frazier, 1921 | series 1.4 | box 11 | folder 4 | |
| Genevieve, undated | series 1.4 | box 11 | folder 5 | |
| Eliza [Glover?], 1921 | series 1.4 | box 11 | folder 6 | |
| Hat[erne?], 1943 | series 1.4 | box 11 | folder 7 | |
| Faith Reyher Jackson, 1925 | series 1.4 | box 11 | folder 8 | |
| Margaret Kellog-Smith, 1927 | series 1.4 | box 11 | folder 9 | |
| James K. Lyon, 1971-1973 1971-1973 | series 1.4 | box 11 | folder 10 | |
| Glen MacLeod, 1980 | series 1.4 | box 11 | folder 11 | |
| Mayor of Belmar, New Jersey, 1943 | series 1.4 | box 11 | folder 12 | |
| Hilda McNulty, undated | series 1.4 | box 11 | folder 13 | |
| Charles Morris, 1943 | series 1.4 | box 11 | folder 14 | |
| Alice Paul, 1926 | series 1.4 | box 11 | folder 15 | |
| Elizabeth Quereau, undated | series 1.4 | box 11 | folder 16 | |
| Samson Raphaelson, 1934 | series 1.4 | box 11 | folder 17 | |
| Blair Reiley, 1920 | series 1.4 | box 11 | folder 18 | |
| Maximillian and Caroline Reyher, 1935, 1943 and undated | series 1.4 | box 11 | folder 19 | |
| Unidentified correspondents and personal materials, 1921, 1942, 1943 and undated | series 1.4 | box 11 | folder 20 | |
| Marguerite Zorach, 1938 and undated | series 1.4 | box 11 | folder 21 | |
Series 2: Writings of Ferdinand Reyher, 1909-1962 and undated (11.5 linear feet)
Series 2 consists of two subseries: manuscripts and notes. Both are arranged alphabetically.
Subseries 2.1: Manuscripts of Ferdinand Reyher, 1909-1962 and undated (9.25 linear feet)
This subseries contains drafts of and notes related to Reyher's fiction, stage plays, and screenwriting as well as his collaborations with others. Some of Reyher's works have variant titles, and, where applicable, both titles are provided. When possible, a genre was assigned to untitled writings. Dated drafts of individual works are arranged chronologically. Notes clearly related to a particular work have been filed with or adjacent to that work. Unless otherwise noted, items in this subseries are typescripts. The collection does not contain manuscripts for all of Reyher's published works, most notably I Heard Them Sing.
| Description | Series | Box / Reel | Folder / Frame | |
|---|---|---|---|---|
| Air Raid, 1938 | series 2.1 | box 1 | folder 1 | |
| All America -- Produced as The All-American, Universal Pictures, 1932, 1932 | series 2.1 | box 1 | folder 2 | |
| Ban, undated | series 2.1 | box 1 | folder 3 | |
| Be Your Age, circa 1920s | series 2.1 | box 1 | folder 4 | |
| The Big Cage, 1932 | series 2.1 | box 1 | folder 5 | |
| Black Market, 1942 | series 2.1 | box 1 | folder 6 | |
| Blind Money, undated | series 2.1 | box 1 | folder 7 | |
| Blonde Poison, [1933] | series 2.1 | box 1 | folder 8 | |
| Blow the Man Down, circa 1931-1943 | series 2.1 | box 1 | folder 9 | |
| Boxer -- In German. See also Fighter; See also Don't Bet on Fights, circa 1927-1930 | series 2.1 | box 1 | folder 10 | |
| Summary of Boxer -- In German. Possibly prepared by Elisabeth Hauptmann, circa 1928-1930 | series 2.1 | box 2 | folder 1 | |
| The Boy from Stalingrad -- Produced by Columbia Pictures, 1943, 1942 | series 2.1 | box 2 | folder 2 | |
| Carty McCarty, undated | series 2.1 | box 2 | folder 3 | |
| Castle Israel -- Notebook, circa 1950-1962 | series 2.1 | box 2 | folder 4 | |
| Castle Israel -- Notes, circa 1950-1962 | series 2.1 | box 2 | folder 5 | |
| Castle Israel -- Notes, circa 1950-1962 | series 2.1 | box 2 | folder 6 | |
| Castle Israel -- Draft 1, Partial autograph manuscript, circa 1950-1962 | series 2.1 | box 2 | folder 7 | |
| Castle Israel -- Draft 2 (Act 1), circa 1960-1962 | series 2.1 | box 2 | folder 8 | |
| Castle Israel -- Draft 2 (Act 2), circa 1960-1962 | series 2.1 | box 2 | folder 9 | |
| Castle Israel -- Draft 2 (Act 3), circa 1960-1962 | series 2.1 | box 2 | folder 10 | |
| Castle Israel -- Draft 2 (Act 4), circa 1960-1962 | series 2.1 | box 2 | folder 11 | |
| Castle Israel -- Draft 2 (Act 5), circa 1960-1962 | series 2.1 | box 2 | folder 12 | |
| Castle Israel -- Draft 2 (Act 6), circa 1960-1962 | series 2.1 | box 2 | folder 13 | |
| Castle Israel -- Draft 2 Photocopy, circa 1960-1962 | series 2.1 | box 2 | folder 14 | |
| Children, undated | series 2.1 | box 3 | folder 1 | |
| Christ in Philadelphia, undated | series 2.1 | box 3 | folder 2 | |
| Coming Back, undated | series 2.1 | box 3 | folder 3 | |
| Coney Island, U. S. A., undated | series 2.1 | box 3 | folder 4 | |
| The Crop of the Treaty, circa 1921 | series 2.1 | box 3 | folder 5 | |
| David Farragut, Boy Sailor -- Notebook, circa 1930-1954 | series 2.1 | box 3 | folder 6 | |
| David Farragut, Boy Sailor -- Notebook, circa 1930-1954 | series 2.1 | box 3 | folder 7 | |
| David Farragut, Boy Sailor -- Clippings and notes, circa 1930-1954 | series 2.1 | box 3 | folder 8 | |
| David Farragut, Boy Sailor -- Lyrics, circa 1930-1954 | series 2.1 | box 3 | folder 9 | |
| David Farragut, Boy Sailor -- Draft 1, circa 1930-1954 | series 2.1 | box 3 | folder 10 | |
| David Farragut, Boy Sailor -- Draft 2, circa 1930-1954 | series 2.1 | box 3 | folder 11 | |
| David Farragut, Boy Sailor -- Draft 3, circa 1930-1954 | series 2.1 | box 3 | folder 12 | |
| David Farragut, Boy Sailor -- Chapters Waiting and War, circa 1930-1954 | series 2.1 | box 4 | folder 1 | |
| David Farragut, Boy Sailor -- Synopsis, circa 1930-1954 | series 2.1 | box 4 | folder 2 | |
| David Farragut, Boy Sailor -- Notes for play, circa 1930-1954 | series 2.1 | box 4 | folder 3 | |
| David Farragut, Boy Sailor -- Manuscript of play, circa 1930-1954 | series 2.1 | box 4 | folder 4 | |
| Defense Town -- By Ferdinand Reyher and Czenzi Ormonde, circa 1931-1943 | series 2.1 | box 4 | folder 5 | |
| The Devil's Opera -- Dramatization of Furcht und Elend des Dritten Reiches by Bertolt Brecht, 1939 | series 2.1 | box 4 | folder 6 | |
| The Devil's Sunday -- Dramatization of Furcht und Elend des Dritten Reiches by Bertolt Brecht, 1939 | series 2.1 | box 4 | folder 7 | |
| The Diary, undated | series 2.1 | box 4 | folder 8 | |
| The Difficult Garden -- Autograph manuscript, undated | series 2.1 | box 4 | folder 9 | |
| The Difficult Garden -- Typescript, undated | series 2.1 | box 4 | folder 10 | |
| Don't Bet on Fights -- Stage plans. English version of Boxer; see also Fighter, circa 1927-1930 | series 2.1 | box 4 | folder 11 | |
| Don't Bet on Fights, circa 1927-1930 | series 2.1 | box 5 | folder 1 | |
| Don't Bet on Fights, circa 1927-1930 | series 2.1 | box 5 | folder 2 | |
| Don't Turn Em Loose -- Second draft, 1936 | series 2.1 | box 5 | folder 3 | |
| Drawn from Life, the Bud Fisher Story -- Notes and clippings, 1932, 1941 and undated | series 2.1 | box 5 | folder 4 | |
| Drawn from Life, the Bud Fisher Story -- Draft 1, circa 1932-1950s | series 2.1 | box 5 | folder 5 | |
| Drawn from Life, the Bud Fisher Story -- Draft 2, circa 1932-1950s | series 2.1 | box 5 | folder 6 | |
| Easter Thoughts in Berlin, undated | series 2.1 | box 5 | folder 7 | |
| The End of the World -- See also The Last Man; see also Purple Cloud. Produced as The World, the Flesh, and the Devil, HarBel, 1959, circa 1931-1943 | series 2.1 | box 5 | folder 8 | |
| The Eternal Lamps, circa 1920-1923 | series 2.1 | box 5 | folder 9 | |
| The Eternal Lamps, circa 1920-1923 | series 2.1 | box 6 | folder 1 | |
| The Fifth Hand, circa 1917-1920 | series 2.1 | box 6 | folder 2 | |
| A Fig for Murder -- Notes, circa 1950-1954 | series 2.1 | box 6 | folder 3 | |
| A Fig for Murder, circa 1950-1954 | series 2.1 | box 6 | folder 4 | |
| Fighter -- See also Don't Bet on Fights and Boxer, circa 1927-1930 | series 2.1 | box 6 | folder 5 | |
| Frankie & Johnnie, circa 1929 | series 2.1 | box 6 | folder 6 | |
| Freedom of the Press, undated | series 2.1 | box 6 | folder 7 | |
| The Front Lawn, undated | series 2.1 | box 6 | folder 8 | |
| A Glimpse of Heaven -- Draft 1, circa 1939 | series 2.1 | box 6 | folder 9 | |
| A Glimpse of Heaven -- Draft 2 by Hugh Herbert and Ferdinand Reyher, circa 1939 | series 2.1 | box 6 | folder 10 | |
| Going Down -- By Czenzi Ormonde and Ferdinand Reyher, circa 1931-1943 | series 2.1 | box 6 | folder 11 | |
| Gold Bullets, 1936 | series 2.1 | box 6 | folder 12 | |
| Golden Harvest, 1933 | series 2.1 | box 6 | folder 13 | |
| The Great American Tomboy, circa 1920s | series 2.1 | box 6 | folder 14 | |
| The Greatest Performance -- Autograph manuscript, undated | series 2.1 | box 6 | folder 15 | |
| The Guessing Fool, circa 1920s | series 2.1 | box 6 | folder 16 | |
| Hearts & Flowers, undated | series 2.1 | box 6 | folder 17 | |
| Heaven Is Here -- Draft 1, circa 1931-1943 | series 2.1 | box 7 | folder 1 | |
| Heaven Is Here -- Draft 2, circa 1931-1943 | series 2.1 | box 7 | folder 2 | |
| Hell in America -- Notes and Research, undated | series 2.1 | box 7 | folder 3 | |
| Hell in America, undated | series 2.1 | box 7 | folder 4 | |
| Hollywood Lovers, undated | series 2.1 | box 7 | folder 5 | |
| Hollywood View, undated | series 2.1 | box 7 | folder 6 | |
| The Horrors of Limehouse, circa 1920s | series 2.1 | box 7 | folder 7 | |
| An Interlude at Twelve, undated | series 2.1 | box 7 | folder 8 | |
| An Interview with Ferdinand Reyher, circa 1920-1924 | series 2.1 | box 7 | folder 9 | |
| The Ivory Virgin, undated | series 2.1 | box 7 | folder 10 | |
| Jazz Bo, undated | series 2.1 | box 7 | folder 11 | |
| The Journal of a Little Man, undated | series 2.1 | box 7 | folder 12 | |
| Jubb, undated | series 2.1 | box 7 | folder 13 | |
| Kassan -- Notes, undated | series 2.1 | box 7 | folder 14 | |
| Kassan -- Notes, undated | series 2.1 | box 7 | folder 15 | |
| Kassan, undated | series 2.1 | box 7 | folder 16 | |
| Keep on Dancing, undated | series 2.1 | box 7 | folder 17 | |
| Kids with Wings, circa 1931-1943 | series 2.1 | box 7 | folder 18 | |
| The King's Bread -- Notes and translation, circa 1940-1941 | series 2.1 | box 7 | folder 19 | |
| The King's Bread -- By Bertolt Brecht and Ferdinand Reyher, synopsis, circa 1940-1941 | series 2.1 | box 7 | folder 20 | |
| The King's Bread, circa 1940-1941 | series 2.1 | box 7 | folder 21 | |
| The Kiss, undated | series 2.1 | box 7 | folder 22 | |
| Kristin -- Notes; see also Production Man, circa 1954-1962 | series 2.1 | box 8 | folder 1 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 2 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 3 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 4 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 5 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 6 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 7 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 8 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 9 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 10 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 11 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 8 | folder 12 | |
| Kristin -- Notes, Part 1, circa 1954-1962 | series 2.1 | box 8 | folder 13 | |
| Kristin -- Notes, Part 2, circa 1954-1962 | series 2.1 | box 9 | folder 1 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 9 | folder 2 | |
| Kristin -- Notes, circa 1954-1962 | series 2.1 | box 9 | folder 3 | |
| Kristin -- Notebook, circa 1954-1962 | series 2.1 | box 9 | folder 4 | |
| Kristin -- Notebook, circa 1954-1962 | series 2.1 | box 9 | folder 5 | |
| Kristin -- Notebook, circa 1954-1962 | series 2.1 | box 9 | folder 6 | |
| Kristin -- Notebook A, circa 1954-1962 | series 2.1 | box 9 | folder 7 | |
| Kristin -- Notebook B, circa 1954-1962 | series 2.1 | box 9 | folder 8 | |
| Kristin -- Draft 1, autograph manuscript, circa 1954-1962 | series 2.1 | box 9 | folder 9 | |
| Kristin -- Draft 1, autograph manuscript, circa 1954-1962 | series 2.1 | box 9 | folder 10 | |
| Kristin -- Draft 1, autograph manuscript, circa 1954-1962 | series 2.1 | box 9 | folder 11 | |
| Kristin -- Draft 1, autograph manuscript, circa 1954-1962 | series 2.1 | box 9 | folder 12 | |
| Kristin -- Draft 1, autograph manuscript, circa 1954-1962 | series 2.1 | box 9 | folder 13 | |
| Kristin -- Draft 1, autograph manuscript, circa 1954-1962 | series 2.1 | box 9 | folder 14 | |
| Kristin -- Draft 2, autograph manuscript, circa 1954-1962 | series 2.1 | box 10 | folder 1 | |
| Kristin -- Draft 2, autograph manuscript, circa 1954-1962 | series 2.1 | box 10 | folder 2 | |
| Kristin -- Draft 2, autograph manuscript, circa 1954-1962 | series 2.1 | box 10 | folder 3 | |
| Kristin -- Draft 3, circa 1954-1962 | series 2.1 | box 10 | folder 4 | |
| Kristin -- Draft 4, circa 1954-1962 | series 2.1 | box 10 | folder 5 | |
| Kristin -- Draft 5, circa 1954-1962 | series 2.1 | box 10 | folder 6 | |
| Lady in G, circa 1931-1943 | series 2.1 | box 10 | folder 7 | |
| Landscapes and Manners, Comparative Paragraphs on England, France and Germany, undated | series 2.1 | box 11 | folder 1 | |
| The Last Man -- Notes. See also The End of the World; see also Purple Cloud, circa 1931-1943 | series 2.1 | box 11 | folder 2 | |
| The Last Man -- Draft 1, circa 1931-1943 | series 2.1 | box 11 | folder 3 | |
| The Last Man -- Draft 1, circa 1931-1943 | series 2.1 | box 11 | folder 4 | |
| The Last Man -- Draft 1, circa 1931-1943 | series 2.1 | box 11 | folder 5 | |
| Leopold Jessner, undated | series 2.1 | box 11 | folder 6 | |
| Love, undated | series 2.1 | box 11 | folder 7 | |
| Love Songs, circa 1917-1920 | series 2.1 | box 11 | folder 8 | |
| The Luck of the Irish -- Notes, undated | series 2.1 | box 11 | folder 9 | |
| The Luck of the Irish, undated | series 2.1 | box 11 | folder 10 | |
| Maine, undated | series 2.1 | box 11 | folder 11 | |
| A Man of Honor -- by Frank Wead and Ferdinand Reyher, circa 1931-1943 | series 2.1 | box 11 | folder 12 | |
| The Man Who Found Himself, circa 1935-1936 | series 2.1 | box 11 | folder 13 | |
| The Man Who Found Himself, February 24, 1936 | series 2.1 | box 11 | folder 14 | |
| The Man Who Found Himself -- Screenplay, July 7, 1936 | series 2.1 | box 12 | folder 1 | |
| The Man Who Saw Spring, circa 1920s | series 2.1 | box 12 | folder 2 | |
| A Man's Will, circa 1945 | series 2.1 | box 12 | folder 3 | |
| Means to an End, undated | series 2.1 | box 12 | folder 4 | |
| Michel, undated | series 2.1 | box 12 | folder 5 | |
| Michel, undated | series 2.1 | box 12 | folder 6 | |
| Mignonette -- Draft 1, circa 1916-1917 | series 2.1 | box 12 | folder 7 | |
| Mignonette -- Draft 2, circa 1916-1917 | series 2.1 | box 12 | folder 8 | |
| Money, undated | series 2.1 | box 12 | folder 9 | |
| Mother and Daughter, undated | series 2.1 | box 12 | folder 10 | |
| Nathaniel Comes to Town -- Draft 1, undated | series 2.1 | box 12 | folder 11 | |
| Nathaniel Comes to Town -- Draft 2, undated | series 2.1 | box 12 | folder 12 | |
| New EnglandChina -- (title obscured), undated | series 2.1 | box 12 | folder 13 | |
| New York Times articles -- Ferdinand Reyher and Cyril Brown, circa 1921 | series 2.1 | box 12 | folder 14 | |
| Night Sky -- Draft 1, undated | series 2.1 | box 12 | folder 15 | |
| Night Sky -- Draft 2, undated | series 2.1 | box 12 | folder 16 | |
| Nobody Grows Old -- Notes. By Ferdinand Reyher and Faith Reyher Jackson, circa 1948 | series 2.1 | box 12 | folder 17 | |
| Nobody Grows Old -- Draft 1. By Ferdinand Reyher and Faith Reyher Jackson, circa 1948 | series 2.1 | box 12 | folder 18 | |
| Nobody Grows Old -- Draft 2. By Ferdinand Reyher and Faith Reyher Jackson, circa 1948 | series 2.1 | box 12 | folder 19 | |
| Nobody Grows Old -- Draft 3. By Ferdinand Reyher and Faith Reyher Jackson, circa 1948 | series 2.1 | box 13 | folder 1 | |
| Observation Platform, undated | series 2.1 | box 13 | folder 2 | |
| Oil -- Notes, circa 1920s | series 2.1 | box 13 | folder 3 | |
| Oil -- Draft 1, circa 1920s | series 2.1 | box 13 | folder 4 | |
| Oil -- Draft 2, circa 1920s | series 2.1 | box 13 | folder 5 | |
| Oil -- Draft 3, circa 1920s | series 2.1 | box 13 | folder 6 | |
| Old Men, undated | series 2.1 | box 13 | folder 7 | |
| Once Over Lightly -- (I Heard Them Sing), circa 1944 | series 2.1 | box 13 | folder 8 | |
| One-Five-Eight, A Comedy -- Notes, circa 1931-1943 | series 2.1 | box 13 | folder 9 | |
| One-Five-Eight, A Comedy, circa 1931-1943 | series 2.1 | box 13 | folder 10 | |
| Out of This World -- Draft 1. See also Riddle Island, circa 1931-1943 | series 2.1 | box 13 | folder 11 | |
| Out of This World -- Draft 2, circa 1931-1943 | series 2.1 | box 13 | folder 12 | |
| Out of This World -- Draft 3, circa 1931-1943 | series 2.1 | box 13 | folder 13 | |
| Out of This World -- Draft 4, circa 1931-1943 | series 2.1 | box 13 | folder 14 | |
| Out of This World -- Draft 5, circa 1931-1943 | series 2.1 | box 13 | folder 15 | |
| Out of This World -- Draft 6, circa 1931-1943 | series 2.1 | box 13 | folder 16 | |
| Palace Bound -- Draft 1, circa 1931-1943 | series 2.1 | box 13 | folder 17 | |
| Palace Bound -- Draft 2, circa 1931-1943 | series 2.1 | box 13 | folder 18 | |
| Personal History -- Draft 1, circa 1936-1938 | series 2.1 | box 13 | folder 19 | |
| Personal History -- Draft 2, circa 1936-1938 | series 2.1 | box 13 | folder 20 | |
| The Perfect Alibi, circa 1920s | series 2.1 | box 14 | folder 1 | |
| Poetry and Lyrics, circa 1909, 1917-1921 and undated | series 2.1 | box 14 | folder 2 | |
| Poetry and Lyrics, 1916, circa 1920 and undated | series 2.1 | box 14 | folder 3 | |
| Poetry and Lyrics, undated | series 2.1 | box 14 | folder 4 | |
| Poetry and Lyrics, undated | series 2.1 | box 14 | folder 5 | |
| Prince of Darkness, undated | series 2.1 | box 14 | folder 6 | |
| Production Man -- Draft 1. See also Kristin, circa 1931-1943 | series 2.1 | box 14 | folder 7 | |
| Production Man -- Draft 2, circa 1931-1943 | series 2.1 | box 14 | folder 8 | |
| Purple Cloud screenplay -- Draft 1. See also The End of the World; see also Last Man, August 21, 1939 | series 2.1 | box 14 | folder 9 | |
| Purple Cloud screenplay -- Draft 2, December 7, 1939 | series 2.1 | box 14 | folder 10 | |
| Review -- The Devil's Bridge (1930) by John Spivak, circa 1930 circa 1930 | series 2.1 | box 14 | folder 11 | |
| Riddle Island -- See also Out of This World, circa 1931-1943 | series 2.1 | box 15 | folder 1 | |
| Ride a Crooked Mile -- See also Escape from Yesterday, 1938 | series 2.1 | box 15 | folder 2 | |
| The Ride from the Station, undated | series 2.1 | box 15 | folder 3 | |
| A Room With a View, undated | series 2.1 | box 15 | folder 4 | |
| The Roosters of Laredo, circa 1920s | series 2.1 | box 15 | folder 5 | |
| The Rosebush in the Roundhouse, circa 1920s | series 2.1 | box 15 | folder 6 | |
| The Saga of Poker -- Notes, circa 1930-1934 | series 2.1 | box 15 | folder 7 | |
| The Saga of Poker -- Notes, circa 1930-1934 | series 2.1 | box 15 | folder 8 | |
| The Saga of Poker -- Synopsis of chapters, circa 1930-1934 | series 2.1 | box 15 | folder 9 | |
| Sal -- Notes, undated | series 2.1 | box 15 | folder 10 | |
| Sal, undated | series 2.1 | box 15 | folder 11 | |
| Salome, circa 1909-1910 | series 2.1 | box 15 | folder 12 | |
| Spring-Fire, circa 1917-1920 | series 2.1 | box 15 | folder 13 | |
| The Store, undated | series 2.1 | box 15 | folder 14 | |
| Streets of New York, circa 1945-1954 | series 2.1 | box 16 | folder 1 | |
| This Man and This Woman -- Notes, undated | series 2.1 | box 16 | folder 2 | |
| This Man and This Woman, undated | series 2.1 | box 16 | folder 3 | |
| Thoroughbreds All, undated | series 2.1 | box 16 | folder 4 | |
| Tonight -- Draft 1, circa 1920s | series 2.1 | box 16 | folder 5 | |
| Tonight -- Draft 2, circa 1920s | series 2.1 | box 16 | folder 6 | |
| Tonight -- Draft 3, circa 1920s | series 2.1 | box 16 | folder 7 | |
| Too Old to Die, circa 1931-1943 | series 2.1 | box 16 | folder 8 | |
| Transcontinental Bus -- By Ferdinand Reyher and Frank Wead. Produced as Fugitive Lovers MGM, 1934, 1933-1934 | series 2.1 | box 16 | folder 9 | |
| The Twelfth Man, undated | series 2.1 | box 16 | folder 10 | |
| Two Alone, circa 1931-1943 | series 2.1 | box 17 | folder 1 | |
| The Two Dancers Downstairs, undated | series 2.1 | box 17 | folder 2 | |
| Unconditional Surrender, circa 1920-1923 | series 2.1 | box 17 | folder 3 | |
| The Voice, circa 1920s | series 2.1 | box 17 | folder 4 | |
| Water, 1932 | series 2.1 | box 17 | folder 5 | |
| Way Down East, circa 1920s | series 2.1 | box 17 | folder 6 | |
| The Way of All Love, circa 1945 | series 2.1 | box 17 | folder 7 | |
| We Have No Earthquakes, circa 1920s | series 2.1 | box 17 | folder 8 | |
| A Window in My House, undated | series 2.1 | box 17 | folder 9 | |
| The Woman By the Road, circa 1909-1912 | series 2.1 | box 17 | folder 10 | |
| Youth Will Dance, circa 1912 | series 2.1 | box 17 | folder 11 | |
| Untitled manuscript -- Fragment, undated | series 2.1 | box 17 | folder 12 | |
| Untitled manuscript -- Fragment, undated | series 2.1 | box 17 | folder 13 | |
| Untitled manuscript -- Fragment, undated | series 2.1 | box 17 | folder 14 | |
| Untitled manuscript -- Fragment, undated | series 2.1 | box 17 | folder 15 | |
| Untitled manuscript -- Fragment, undated | series 2.1 | box 17 | folder 16 | |
| Untitled manuscript -- Fragment, undated | series 2.1 | box 17 | folder 17 | |
| Untitled manuscript -- Fragment plus notes, undated | series 2.1 | box 17 | folder 18 | |
| Untitled manuscript -- Fragment, undated | series 2.1 | box 17 | folder 19 | |
| Untitled manuscript, undated | series 2.1 | box 18 | folder 1 | |
| Untitled manuscript -- Fragment, undated | series 2.1 | box 18 | folder 2 | |
| Untitled manuscript -- Fragment, undated | series 2.1 | box 18 | folder 3 | |
| Untitled script -- Draft 1, undated | series 2.1 | box 18 | folder 4 | |
| Untitled script -- Draft 1, undated | series 2.1 | box 18 | folder 5 | |
| Untitled script, undated | series 2.1 | box 18 | folder 6 | |
| Untitled script, undated | series 2.1 | box 18 | folder 7 | |
| Untitled script, undated | series 2.1 | box 18 | folder 8 | |
| Untitled script -- Notes, undated | series 2.1 | box 18 | folder 9 | |
Subseries 2.2: Notes, 1909, 1950 and undated (2.25 linear feet)
The second subseries consists of notes and research compiled by Reyher that are not related to any of his published or unpublished work in Series 2.1. Reyher conducted extensive research on many topics that interested him and fueled writing ideas, from dreams to the history of poker. Reyher's system of notes was complex, and he often labeled them with initials or symbols. There are some places, for example, in Reyher's lists of his own works, where partial "keys" to the cryptic code appear. All notes, which include both loose notes and notebooks, are arranged alphabetically by name, if named by Reyher, or by topic, if discernible.
| Description | Series | Box / Reel | Folder / Frame | |
|---|---|---|---|---|
| A and MW, undated | series 2.2 | box 19 | folder 1 | |
| Atget, undated | series 2.2 | box 19 | folder 2 | |
| The Belles of Hell, undated | series 2.2 | box 19 | folder 3 | |
| Bibliographies -- With list of Reyher's works, undated | series 2.2 | box 19 | folder 4 | |
| Bibliographies and Notes -- With incomplete list of initials Reyher used in his notes, also includes "Tin", undated | series 2.2 | box 19 | folder 5 | |
| Bibliographies -- 3 small notebooks, undated | series 2.2 | box 19 | folder 6 | |
| Bibliography/Inventory of Reyher's works, undated | series 2.2 | box 19 | folder 7 | |
| Bill Slater, undated | series 2.2 | box 19 | folder 8 | |
| Blues, undated | series 2.2 | box 19 | folder 9 | |
| Box, undated | series 2.2 | box 19 | folder 10 | |
| Christ in Oberagammergau, undated | series 2.2 | box 19 | folder 11 | |
| Dante, undated | series 2.2 | box 19 | folder 12 | |
| Dover Books Notebook, undated | series 2.2 | box 19 | folder 13 | |
| Dreams, undated | series 2.2 | box 19 | folder 14 | |
| DSS, undated | series 2.2 | box 19 | folder 15 | |
| DSS, undated | series 2.2 | box 19 | folder 16 | |
| DSS, undated | series 2.2 | box 19 | folder 17 | |
| Faust, undated | series 2.2 | box 19 | folder 18 | |
| Faust, undated | series 2.2 | box 19 | folder 19 | |
| France, circa 1950 | series 2.2 | box 20 | folder 1 | |
| General 3 -- Notebook, undated | series 2.2 | box 20 | folder 2 | |
| General 3b -- Notebook, undated | series 2.2 | box 20 | folder 3 | |
| General 3c -- Notebook, undated | series 2.2 | box 20 | folder 4 | |
| General 3d -- Notebook, undated | series 2.2 | box 20 | folder 5 | |
| General 4 -- Notebook, undated | series 2.2 | box 20 | folder 6 | |
| General 8 -- Notebook, undated | series 2.2 | box 20 | folder 7 | |
| General 9 -- Notebook, undated | series 2.2 | box 20 | folder 8 | |
| General 10, undated | series 2.2 | box 20 | folder 9 | |
| Green Notebook -- Includes notes on "Atg" and "Tin", undated | series 2.2 | box 20 | folder 10 | |
| Harbor View Notebook, undated | series 2.2 | box 20 | folder 11 | |
| Highest Merit Notebook -- Possibly Kristin, undated | series 2.2 | box 20 | folder 12 | |
| Hindenburg -- Also includes A notes, undated | series 2.2 | box 20 | folder 13 | |
| Historical Women, undated | series 2.2 | box 20 | folder 14 | |
| Hollywood, undated | series 2.2 | box 20 | folder 15 | |
| Honore Sicard, undated | series 2.2 | box 21 | folder 1 | |
| Houdini, undated | series 2.2 | box 21 | folder 2 | |
| HP, undated | series 2.2 | box 21 | folder 3 | |
| I Heard Them Sing -- Notebook, undated | series 2.2 | box 21 | folder 4 | |
| I Heard Them Sing -- Notes and lyrics, undated | series 2.2 | box 21 | folder 5 | |
| Irish Theatre, undated | series 2.2 | box 21 | folder 6 | |
| Lit, undated | series 2.2 | box 21 | folder 7 | |
| London Notebooks, undated | series 2.2 | box 21 | folder 8 | |
| Lyrical Poetry, undated | series 2.2 | box 21 | folder 9 | |
| Lyrics, undated | series 2.2 | box 21 | folder 10 | |
| Misc., undated | series 2.2 | box 21 | folder 11 | |
| MM (Traven), undated | series 2.2 | box 21 | folder 12 | |
| MP N, undated | series 2.2 | box 21 | folder 13 | |
| N -- Notes, undated | series 2.2 | box 21 | folder 14 | |
| N -- Notebook, undated | series 2.2 | box 21 | folder 15 | |
| Names Names Names, undated | series 2.2 | box 21 | folder 16 | |
| Nonsense about Jazz, undated | series 2.2 | box 21 | folder 17 | |
| Nosebleed, undated | series 2.2 | box 21 | folder 18 | |
| The Odyssey, undated | series 2.2 | box 21 | folder 19 | |
| "Pan Over Broadway", undated | series 2.2 | box 21 | folder 20 | |
| Poetry, July 9, 1909 | series 2.2 | box 21 | folder 21 | |
| Proust, undated | series 2.2 | box 21 | folder 22 | |
| Proust, undated | series 2.2 | box 21 | folder 23 | |
| Proust Proust, undated | series 2.2 | box 21 | folder 24 | |
| Psychoanalysis, undated | series 2.2 | box 21 | folder 25 | |
| Quotations, undated | series 2.2 | box 22 | folder 1 | |
| Items Removed from Quotations (Folder 1), undated | series 2.2 | box 22 | folder 2 | |
| Quotations, undated | series 2.2 | box 22 | folder 3 | |
| Quotations, undated | series 2.2 | box 22 | folder 4 | |
| Saroyan, undated | series 2.2 | box 22 | folder 5 | |
| Semantics, undated | series 2.2 | box 22 | folder 6 | |
| Short Writings, undated | series 2.2 | box 22 | folder 7 | |
| Spoon River Anthology, undated | series 2.2 | box 22 | folder 8 | |
| ST (possible Michel), undated | series 2.2 | box 22 | folder 9 | |
| Stories Gone Astray, undated | series 2.2 | box 22 | folder 10 | |
| STY, undated | series 2.2 | box 22 | folder 11 | |
| Sums, undated | series 2.2 | box 22 | folder 12 | |
| T, undated | series 2.2 | box 22 | folder 13 | |
| TB, undated | series 2.2 | box 22 | folder 14 | |
| Tin, 1946, 1947 and undated | series 2.2 | box 23 | folder 1 | |
| Tin, undated | series 2.2 | box 23 | folder 2 | |
| Tin, undated | series 2.2 | box 23 | folder 3 | |
| A Window on the Quai de Jemmapes -- Notebook A, circa 1950 | series 2.2 | box 23 | folder 4 | |
| A Window on the Quai de Jemmapes -- Notebook C, circa 1950 | series 2.2 | box 23 | folder 5 | |
| A Window on the Quai de Jemmapes -- Notebook D, circa 1950 | series 2.2 | box 23 | folder 6 | |
| A Window on the Quai de Jemmapes -- Notebook F, circa 1950 | series 2.2 | box 23 | folder 7 | |
| A Window on the Quai de Jemmapes -- Notebook G, circa 1950 | series 2.2 | box 23 | folder 8 | |
| A Window on the Quai de Jemmapes, circa 1950 | series 2.2 | box 23 | folder 9 | |
| A Window on the Quai de Jemmapes, circa 1950 | series 2.2 | box 23 | folder 10 | |
| A Window on the Quai de Jemmapes, circa 1950 | series 2.2 | box 23 | folder 11 | |
| A Window on the Quai de Jemmapes, circa 1950 | series 2.2 | box 23 | folder 12 | |
| A Window on the Quai de Jemmapes, circa 1950 | series 2.2 | box 23 | folder 13 | |
| A Window on the Quai de Jemmapes, circa 1950 | series 2.2 | box 23 | folder 14 | |
| A Window on the Quai de Jemmapes, circa 1950 | series 2.2 | box 23 | folder 15 | |
| Writing, undated | series 2.2 | box 23 | folder 16 | |
| Unidentified Notes -- Notebook and loose notes. Possibly Kristin, undated | series 2.2 | box 23 | folder 17 | |
| Unidentified Notes -- Notebook. Possibly Kristin, undated | series 2.2 | box 23 | folder 18 | |
| Unidentified Notes -- Notebook. Also includes MP, undated | series 2.2 | box 23 | folder 19 | |
| Unidentified Notes -- Notebook, undated | series 2.2 | box 23 | folder 20 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 1 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 2 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 3 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 4 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 5 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 6 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 7 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 8 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 9 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 10 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 11 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 12 | |
| Unidentified Notes, undated | series 2.2 | box 24 | folder 13 | |
| Unidentified Notes -- With manuscript fragments, undated | series 2.2 | box 24 | folder 14 | |
Series 3: Writings by Others, 1939, 1942, 1946-1947, 1967, 1975, and undated (0.5 linear feet)
This series contains manuscripts of other authors with whom Reyher was acquainted, including John Rodker, Walter Nubel, Bertolt Brecht, and Eileen Chang. The manuscripts are arranged alphabetically by the author's surname. Most of the items are undated, but approximate dates have been provided for some.
| Description | Series | Box / Reel | Folder / Frame | |
|---|---|---|---|---|
| Bertolt Brecht -- Fear and Misery of the Third Reich, circa 1942 | series 3 | box 1 | folder 1 | |
| Bertolt Brecht -- Life of Galilei -- Notes, Possibly 1939 or 1946 | series 3 | box 1 | folder 2 | |
| Bertolt Brecht -- Life of Galilei, Possibly 1939 or 1946 | series 3 | box 1 | folder 3 | |
| Peter Bunnel -- Halberstadt on Reyher -- Interview of Ernst Halberstadt, circa 1975 | series 3 | box 1 | folder 4 | |
| Eileen Chang -- Memoir, unpublished, undated | series 3 | box 1 | folder 5 | |
| Eileen Chang -- Chapter of The Rouge of the North, undated | series 3 | box 1 | folder 6 | |
| Victor S. Frank -- Juan de la Cosa, circa 1920 | series 3 | box 1 | folder 7 | |
| Dorothy Huston -- Cherchez La Femme, undated | series 3 | box 1 | folder 8 | |
| Walter Nubel -- Bertolt Brecht: Bibliography, undated | series 3 | box 1 | folder 9 | |
| John Rodker -- The Switchback, undated | series 3 | box 1 | folder 10 | |
| John Rodker and Ethel Colhern [Krayne?] -- Untitled, undated | series 3 | box 1 | folder 11 | |
| John Stone -- Houdini, undated | series 3 | box 1 | folder 12 | |
| John Wheeler -- The World Is Mine: Story of Bud Fisher, Cartoonist, undated | series 3 | box 1 | folder 13 | |
Series 4: Personal, Financial and Legal, circa 1868-1964 (4 linear feet)
This series is comprised of personal materials and financial and legal documents. The series is arranged into two groupings: "Personal," followed by "Financial and Legal." Within these groupings, the materials are arranged alphabetically by document type or subject. Further arrangement within file headings (such as the diaries) is chronological.
The bulk of the series consists of Reyher's diaries dating from 1921 to 1963. Other personal items include drawings by Reyher, programs, press passes, and ration stamps. Contracts, or agreements, for Reyher and collaborators' scripts and manuscripts are filed in the "Financial and Legal" grouping. Also included are insurance policies, tax forms, financial and legal documentation of Reyher's 1934 divorce from Rebecca Hourwich Reyher, the wills of Ferdinand Reyher and Caroline Reyher, and an account of the personal possessions of Max Reyher.
| Description | Series | Box / Reel | Folder / Frame | |
|---|---|---|---|---|
| Personal -- Address Books, undated | series 4 | box 1 | folder 1 | |
| Personal -- Address Books, undated | series 4 | box 1 | folder 2 | |
| Personal -- Address Books, undated | series 4 | box 1 | folder 3 | |
| Personal -- Address Books, undated | series 4 | box 1 | folder 4 | |
| Personal -- Address Books, undated | series 4 | box 1 | folder 5 | |
| Personal -- Address Books, undated | series 4 | box 1 | folder 6 | |
| Personal -- Address Books, undated | series 4 | box 1 | folder 7 | |
| Personal -- Air Raid Guidelines (Czech) -- Oversize, 1938 | series 4 | box 1 | folder 8 | |
| Personal -- Appointment Book, December 1950-December 1951 | series 4 | box 1 | folder 9 | |
| Personal -- Appointment Book, December 1951-December 1952 | series 4 | box 1 | folder 10 | |
| Personal -- Appointment Book, undated | series 4 | box 1 | folder 11 | |
| Personal -- Automotive, 1927, 1934, 1936-1937, 1943, 1947, 1957 | series 4 | box 1 | folder 12 | |
| Personal -- Business Cards, undated | series 4 | box 1 | folder 13 | |
| Personal -- Calendar, 1933 | series 4 | box 1 | folder 14 | |
| Personal -- Calendar, 1935 | series 4 | box 1 | folder 15 | |
| Personal -- Calendar, 1938 | series 4 | box 2 | folder 1 | |
| Personal -- Diary, 1921 | series 4 | box 2 | folder 2 | |
| Personal -- Diary, January-February 1925 | series 4 | box 2 | folder 3 | |
| Personal -- Diary, 1926 | series 4 | box 2 | folder 4 | |
| Personal -- Diary, January, February 1929 | series 4 | box 2 | folder 5 | |
| Personal -- Diary, 1934 | series 4 | box 2 | folder 6 | |
| Personal -- Diary, January-June 1935 | series 4 | box 2 | folder 7 | |
| Personal -- Diary, September 1937-January 1938 | series 4 | box 2 | folder 8 | |
| Personal -- Diary, January-October [1939] | series 4 | box 2 | folder 9 | |
| Personal -- Diary, January 1-February 7, 1944 | series 4 | box 3 | folder 1 | |
| Personal -- Diary, February 1944 | series 4 | box 3 | folder 2 | |
| Personal -- Diary, February 25-March 12, 1944 | series 4 | box 3 | folder 3 | |
| Personal -- Diary, March 13-April 9, 1944 | series 4 | box 3 | folder 4 | |
| Personal -- Diary, April 10-May 8, 1944 | series 4 | box 3 | folder 5 | |
| Personal -- Diary, May 1944 | series 4 | box 3 | folder 6 | |
| Personal -- Diary, May-June 1944 | series 4 | box 3 | folder 7 | |
| Personal -- Diary, June, July 1944 | series 4 | box 3 | folder 8 | |
| Personal -- Diary, Summer 1944 | series 4 | box 3 | folder 9 | |
| Personal -- Diary, 1946 | series 4 | box 3 | folder 10 | |
| Personal -- Diary, January-February 1947 | series 4 | box 3 | folder 11 | |
| Personal -- Diary, March, April 1948 | series 4 | box 3 | folder 12 | |
| Personal -- Diary, August 24-September 6, 1948 | series 4 | box 3 | folder 13 | |
| Personal -- Diary, 1948-1949 | series 4 | box 4 | folder 1 | |
| Personal -- Diary (European Journals), June 26-October 4, 1950 | series 4 | box 4 | folder 2 | |
| Personal -- Diary (European Journals), July-December 1950 | series 4 | box 4 | folder 3 | |
| Personal -- Diary (European Journals), October 5-29, 1950 | series 4 | box 4 | folder 4 | |
| Personal -- Diary (European Journals), October 29-November 29, 1950 | series 4 | box 4 | folder 5 | |
| Personal -- Diary (European Journals), November 29-December 7, 1950 | series 4 | box 4 | folder 6 | |
| Personal -- Diary, December 7, 1950-May 21, 1951 | series 4 | box 4 | folder 7 | |
| Personal -- Diary, May 21-September 12, 1951 | series 4 | box 4 | folder 8 | |
| Personal -- Diary, 1952 | series 4 | box 5 | folder 1 | |
| Personal -- Diary, January 1, 1952; January 1-February 15, July 1-November 20, 1953; January 1-February 6, April 1, 1954; October 28-December 31, 1955; January 1-July 15, 1956 | series 4 | box 5 | folder 2 | |
| Personal -- Diary, 1953 | series 4 | box 5 | folder 3 | |
| Personal -- Diary, 1954 | series 4 | box 5 | folder 4 | |
| Personal -- Diary, January-November 1955 | series 4 | box 5 | folder 5 | |
| Personal -- Diary, October 1956-August 1957 | series 4 | box 5 | folder 6 | |
| Personal -- Diary, September 1957-April 1958 | series 4 | box 5 | folder 7 | |
| Personal -- Diary, May 1-October 25, 1958 | series 4 | box 5 | folder 8 | |
| Personal -- Diary, February 21, 1959-March 31, 1960 | series 4 | box 6 | folder 1 | |
| Personal -- Diary, April 1, 1960-December 31, 1960 | series 4 | box 6 | folder 2 | |
| Personal -- Diary, Possibly 1961 | series 4 | box 6 | folder 3 | |
| Personal -- Diary, January 1962-July 1963 | series 4 | box 6 | folder 4 | |
| Personal -- Diary and Lists, January-November 1964; 1963-1964 | series 4 | box 6 | folder 5 | |
| Personal -- Diary, undated, possibly 1944 | series 4 | box 6 | folder 6 | |
| Personal -- Diary, undated | series 4 | box 6 | folder 7 | |
| Personal -- Drawings by Ferdinand Reyher, 1946 and undated | series 4 | box 6 | folder 8 | |
| Personal -- Grant application -- [Ford Foundation?], undated | series 4 | box 6 | folder 9 | |
| Personal -- High School Commencement Program -- Central High School, Philadelphia, Pennsylvania, 1909 | series 4 | box 6 | folder 10 | |
| Personal -- Higley Family Ancestry (Genealogical record) -- [MC 9, DR 15], undated | series 4 | box 6 | folder 11 | |
| Personal -- Identification -- Driver's license, passports, press passes, library card, 1918, 1922, 1927, 1938 | series 4 | box 6 | folder 12 | |
| Personal -- Invitations, 1964 and undated | series 4 | box 6 | folder 13 | |
| Personal -- Postcards of Rye -- The Fine Art Studio, London, undated | series 4 | box 7 | folder 1 | |
| Personal -- Press Representative Pin, 1918 | series 4 | box 7 | folder 2 | |
| Personal -- Programs, 1868, 1911, 1953 | series 4 | box 7 | folder 3 | |
| Personal -- Ration Stamps -- World War I, German, 1915, 1918 | series 4 | box 7 | folder 4 | |
| Personal -- Ration Books -- World War II, United States, circa 1941 | series 4 | box 7 | folder 5 | |
| Personal -- Seven Short Plays by Lady Gregory -- Inscribed by Samuel Rudens, undated | series 4 | box 7 | folder 6 | |
| Personal -- Silhouette of Caroline Reyher, 1919 | series 4 | box 7 | folder 7 | |
| Personal -- Ticket Stubs, 1929, 1938 and undated | series 4 | box 7 | folder 8 | |
| Personal -- Travel, 1938, 1959 and undated | series 4 | box 7 | folder 9 | |
| Personal -- Wedding Invitation -- Faith Reyher Cook to Melvin Jackson, 1948 | series 4 | box 7 | folder 10 | |
| Financial and Legal -- Accounts and Lists, 1956, 1957 and undated | series 4 | box 7 | folder 11 | |
| Financial and Legal -- Agreement, David Farragut's Log, 1952 | series 4 | box 7 | folder 12 | |
| Financial and Legal -- Agreement, David Farragut, Boy Sailor, 1953 | series 4 | box 7 | folder 13 | |
| Financial and Legal -- Agreement, Don't Bet on Fights (Crosby Gaige), 1927 | series 4 | box 7 | folder 14 | |
| Financial and Legal -- Agreement, Don't Bet on Fights (Felix Bloch Erben), 1930 | series 4 | box 7 | folder 15 | |
| Financial and Legal -- Agreement, Escape from Yesterday (Ride a Crooked Mile), 1938-1939 | series 4 | box 7 | folder 16 | |
| Financial and Legal -- Agreement, Fear and Misery of the Third Reich, 1939 | series 4 | box 7 | folder 17 | |
| Financial and Legal -- Agreement, A Glimpse of Heaven, 1939 | series 4 | box 7 | folder 18 | |
| Financial and Legal -- Agreement, I Heard Them Sing, 1946 | series 4 | box 7 | folder 19 | |
| Financial and Legal -- Agreement, The King's Bread, 1941 | series 4 | box 7 | folder 20 | |
| Financial and Legal -- Agreement, Quiet, Please!, 1941 | series 4 | box 7 | folder 21 | |
| Financial and Legal -- Bills and Accounts, 1936-1962 and undated | series 4 | box 7 | folder 22 | |
| Financial and Legal -- Birth Certificate (copy), 1942 | series 4 | box 7 | folder 23 | |
| Financial and Legal -- Checks, 1921, 1930, 1932, 1935-1938, 1950, 1954 and undated | series 4 | box 7 | folder 24 | |
| Financial and Legal -- Grant of Copyright for It's a Long Worm That Has No Turning, 1921 | series 4 | box 7 | folder 25 | |
| Financial and Legal -- Guilds Information, 1939-1942, 1949 and undated | series 4 | box 7 | folder 26 | |
| Financial and Legal -- Income Tax, 1938, 1939, 1941 | series 4 | box 7 | folder 27 | |
| Financial and Legal -- Insurance Policies, 1924-1961 | series 4 | box 7 | folder 28 | |
| Financial and Legal -- Lease for an Apartment, 1928 | series 4 | box 8 | folder 1 | |
| Financial and Legal -- Marriage Certificate (Rebecca Hourwich), 1917 | series 4 | box 8 | folder 2 | |
| Financial and Legal -- Permit to carry letters to Constantinople, January 16, 1916 | series 4 | box 8 | folder 3 | |
| Financial and Legal -- Power of Attorney, 1921 | series 4 | box 8 | folder 4 | |
| Financial and Legal -- Power of Attorney, 1934 | series 4 | box 8 | folder 5 | |
| Financial and Legal -- Power of Attorney, 1938 | series 4 | box 8 | folder 6 | |
| Financial and Legal -- Reyher, Caroline, Holographic Will, undated | series 4 | box 8 | folder 7 | |
| Financial and Legal -- Reyher, Ferdinand, Wills, 1927, 1953 | series 4 | box 8 | folder 8 | |
| Financial and Legal -- Reyher, Ferdinand/Rebecca Hourwich Reyher, Divorce papers, 1934 | series 4 | box 8 | folder 9 | |
| Financial and Legal -- Reyher, Ferdinand/Rebecca Hourwich Reyher, Finances, 1932-1937 | series 4 | box 8 | folder 10 | |
| Financial and Legal -- Reyher, Ferdinand/Rebecca Hourwich Reyher, Settlement papers, 1934 | series 4 | box 8 | folder 11 | |
| Financial and Legal -- Reyher, Maximillian , Accounts of Possessions, undated | series 4 | box 8 | folder 12 | |
Series 5: Clippings, 1913-1990 (2.5 linear feet)
Series 5 contains clippings of articles and short fiction that appeared in various magazines and journals by, about, or relating to Ferdinand Reyher. The bulk of the clippings are Reyher's own stories; items not written by Reyher are identified as such.
Materials are arranged into four subgroupings in the following order: By Reyher; About Reyher; Relating to Reyher; and Collected by Reyher. Arrangement within groupings is alphabetical by title or subject.
| Description | Series | Box / Reel | Folder / Frame | |
|---|---|---|---|---|
| By Reyher -- "The Adventures of Many Dishes," Harper's Magazine, November 1916 | series 5 | box 1 | folder 1 | |
| By Reyher -- "And They Believed It," Snappy Stories, January 18, 1918 | series 5 | box 1 | folder 2 | |
| By Reyher -- "Art & the Man," Forum, February 1914 | series 5 | box 1 | folder 3 | |
| By Reyher -- "Astor Place," Saturday Evening Post, April 21,1917 | series 5 | box 1 | folder 4 | |
| By Reyher -- "Atget," Photo Notes, Fall 1948 | series 5 | box 1 | folder 5 | |
| By Reyher -- "Awakening," Snappy Stories, January 4, 1918 | series 5 | box 1 | folder 6 | |
| By Reyher -- "Bag in Cab," Liberty, March 1, 1930 | series 5 | box 1 | folder 7 | |
| By Reyher -- "Chips From the American Block," Elks Magazine, June 1932 | series 5 | box 1 | folder 8 | |
| By Reyher -- "Christ in Oberammergau," Atlantic Monthly, November 1922 | series 5 | box 1 | folder 9 | |
| By Reyher -- "The Crowded Hour," Shrine Magazine, September 1926 | series 5 | box 1 | folder 10 | |
| By Reyher -- "Dante in Verona," Independent, January 12, 1914 | series 5 | box 1 | folder 11 | |
| By Reyher -- "A Dream of Callinan," Forum, October 1913 | series 5 | box 1 | folder 12 | |
| By Reyher -- "Heirlooms," Nation, July 20, 1916 | series 5 | box 1 | folder 13 | |
| By Reyher -- "He Was Only Showing Her," Live Stories, December 1917 | series 5 | box 1 | folder 14 | |
| By Reyher -- "The Humor of Keats," New Republic, October 30, 1915 | series 5 | box 1 | folder 15 | |
| By Reyher -- "An Interlude at Twelve," Ladies Home Journal, May 1926 | series 5 | box 1 | folder 16 | |
| By Reyher -- "It's a Long Worm That Has No Turning," Saturday Evening Post, May 20 and 29, 1920 | series 5 | box 1 | folder 17 | |
| By Reyher -- "The Man, The Tiger, and the Snake," McClure's -- Oversize Box 1, October-December 1920; January 1921 | series 5 | box 1 | folder 18 | |
| By Reyher -- "The Mightier Pen," New Republic, April 15, 1916 | series 5 | box 1 | folder 19 | |
| By Reyher -- "Mothers and Sons," New Republic, June 17, 1916 | series 5 | box 1 | folder 20 | |
| By Reyher -- "The Night in Manhattan," Snappy Stories, November 18, 1917 | series 5 | box 1 | folder 21 | |
| By Reyher -- "Our America," Country Gentleman -- Oversize Box 1, September 1925 | series 5 | box 1 | folder 22 | |
| By Reyher -- "The Play's the Thing," Smart Set, May 1915 | series 5 | box 1 | folder 23 | |
| By Reyher -- "The Prince of the Taxi," Everybody's, March 1923 | series 5 | box 1 | folder 24 | |
| By Reyher -- "Realities," Snappy Stories, November 4, 1917 | series 5 | box 1 | folder 25 | |
| By Reyher -- "The Rosebush in the Roundhouse," Country Gentleman -- Oversize Box 1, November 1925 | series 5 | box 1 | folder 26 | |
| By Reyher -- "The Stars & a Tin Roof," Holland's Magazine -- Oversize Box 1, April 1924 | series 5 | box 1 | folder 27 | |
| By Reyher -- "Taxi," Liberty, July 26, 1930 | series 5 | box 1 | folder 28 | |
| By Reyher -- "A Tragedy of Thrift," Century Magazine, January 1924 | series 5 | box 1 | folder 29 | |
| By Reyher -- "Unconditional Surrender," Tomorrow, February 1944 | series 5 | box 1 | folder 30 | |
| By Reyher -- "An Uninteresting Case," New Republic, May 27, 1916 | series 5 | box 1 | folder 31 | |
| By Reyher -- "Wild Gander," All Story Weekly, August 9, 16, 23, 1919 | series 5 | box 1 | folder 32 | |
| By Reyher -- "Your Job Will Be Waiting When You Get Back," Live Stories, July 1919 | series 5 | box 1 | folder 33 | |
| About Reyher -- "B. B.," by George Steiner. New Yorker, September 10, 1990 | series 5 | box 1 | folder 34 | |
| About Reyher -- "Behind the Scenes of Photographic History: Reyher, Newhall, and Atget," by Barbara L. Michaels. Afterimage -- Oversize Box 1, May 1988 | series 5 | box 1 | folder 35 | |
| About Reyher -- Boxer advertisement/press, Charivari (German) -- Oversize Box 1, September 6, 1929 | series 5 | box 1 | folder 36 | |
| About Reyher -- Boxer advertisement/press, Charivari (German) -- Oversize Box 1, November 30, 1929 | series 5 | box 1 | folder 37 | |
| About Reyher -- Boxer advertisement/press, Charivari (German) -- Oversize Box 1, January 14, 1930 | series 5 | box 1 | folder 38 | |
| About Reyher -- "Middle West Awaits Its Great Novelist," Philadelphia Record, January 26, 1947 | series 5 | box 1 | folder 40 | |
| About to Reyher -- Reviews, 1918, 1921, 1926, 1946, 1950, 1955, and undated | series 5 | box 1 | folder 41 | |
| Relating to Reyher -- Fleischman's Yeast advertisement, featuring Dr. Paul Reyher -- Oversize Box 1, undated | series 5 | box 1 | folder 42 | |
| Relating to Reyher -- "The Painter's Write," by Nahum Tschacbasov, numero, November 30, 1950 | series 5 | box 1 | folder 43 | |
| Relating to Reyher -- Where Art and Science Merge, by Rosemarie Farrier, Asbury Park Sunday Press -- Original in Oversize Box 1, August 22, 1943 | series 5 | box 1 | folder 44 | |
| Collected by Reyher -- General Clippings, 1915, 1923-1925, 1932, 1939, 1940 and undated | series 5 | box 1 | folder 45 | |
Series 6: Photographs, circa 1893-1962 and undated (100 items [2 linear feet])
This series consists of black and white photographs, one of which is hand-painted, taken or collected by Reyher during his lifetime. Subjects include Reyher, friends and family members, Rebecca Hourwich Reyher's trip to South Africa, George Seldes, John Rodker, and Provincetown, Massachusetts. Also included in this series are the photographs taken by George Seldes most likely for the illustratration of Victor S. Frank's manuscript "Juan de la Cosa," an article about the Spanish cartographer and explorer. (See Series 6, Box 1, items 18-35; for the manuscript, see Series 3, Box 1, Folder 7; for Seldes' letter to Reyher regarding the manuscript, see Series 1, Box 9, Folder 41.) Of note are photographs taken and signed by Todd Webb during a trip to Paris, France, between 1948 and 1950. Photographs are arranged chronologically.
| Description | Series | Box / Reel | Folder / Frame | Item | |
|---|---|---|---|---|---|
| Circa 1893-1945 | series 6 | box 1 | folder 1 | ||
| Ferdinand Reyher and unidentified child, circa 1893-1894 | series 6 | box 1 | folder 1 | item 1 | |
| Ferdinand and Caroline Reyher, circa 1893-1894 | series 6 | box 1 | folder 1 | item 2 | |
| Family photo. Caroline and Max Reyher, Katinka and Johanna [Sichel?], circa 1895 | series 6 | box 1 | folder 1 | item 3 | |
| Ferdinand and Caroline Reyher, circa 1895-1897 | series 6 | box 1 | folder 1 | item 4 | |
| Caroline Reyher -- (Back inscription: "C. S. Reyher"), circa 1897-1907 | series 6 | box 1 | folder 1 | item 5 | |
| Caroline Reyher and Ferdinand Reyher -- (Back inscription: "Ferdinand Reyher + Mother"), circa 1900 | series 6 | box 1 | folder 1 | item 6 | |
| Ferdinand Reyher, age 11 or 12, circa 1902-1903 | series 6 | box 1 | folder 1 | item 7 | |
| Max Reyher, Philadelphia, Pennsylvania, circa 1902-1912 | series 6 | box 1 | folder 1 | item 8 | |
| Caroline Reyher -- 2 copies. Philadelphia, Pennsylvania. (Back inscription: "With all the love in my heart, God Bless, Your Mother."), circa 1907-1917 | series 6 | box 1 | folder 1 | item 9 | |
| Ferdinand Reyher -- (Back inscription: "Reyher"), circa 1909-1910 | series 6 | box 1 | folder 1 | item 10 | |
| Ferdinand Reyher, circa 1909-1913 | series 6 | box 1 | folder 1 | item 11 | |
| Unidentified young men, [Cambridge?], Massachusetts, circa 1912-1914 | series 6 | box 1 | folder 1 | item 12 | |
| Unidentified young men, [Cambridge?], Massachusetts, circa 1912-1914 | series 6 | box 1 | folder 1 | item 13 | |
| Max and Caroline Reyher, Philadelphia, Pennsylvania, circa 1915 | series 6 | box 1 | folder 1 | item 14 | |
| Ferdinand Reyher, circa 1915-1920 | series 6 | box 1 | folder 1 | item 15 | |
| Faith Reyher Jackson and nurse -- (Back inscription: "Early Fall 1920. Nurse Glendennin and Faith."), 1920 | series 6 | box 1 | folder 1 | item 16 | |
| Ferdinand Reyher -- (Back inscription: "Ferdinand Reyher, Sept. 1920; To Mother and Father"), 1920 | series 6 | box 1 | folder 1 | item 17 | |
| Faith Reyher, Morsemere, New Jersey, circa 1921-1922 | series 6 | box 1 | folder 1 | item 36 | |
| Bay, Provincetown, Massachusetts, circa 1923 | series 6 | box 1 | folder 1 | item 37 | |
| Homes on bay, Provincetown, Massachusetts, circa 1923 | series 6 | box 1 | folder 1 | item 38 | |
| Rebecca Hourwich Reyher and Faith Reyher, Provincetown, Massachusetts, circa 1923 | series 6 | box 1 | folder 1 | item 39 | |
| Faith Reyher, Provincetown, Massachusetts, circa 1923 | series 6 | box 1 | folder 1 | item 40 | |
| Bay and docks, Provincetown, Massachusetts, circa 1923 | series 6 | box 1 | folder 1 | item 41 | |
| Ostrich shelter -- Photograph by Rebecca Hourwich Reyher. South Africa. (Back inscription: "Ostrich shelter"), circa 1924-1925 | series 6 | box 1 | folder 1 | item 42 | |
| Ostriches -- Photograph by Rebecca Hourwich Reyher. South Africa. (Back inscription: "Baby ostriches one day old"), circa 1924-1925 | series 6 | box 1 | folder 1 | item 43 | |
| Ostrich Shelter -- Photograph by Rebecca Hourwich Reyher. South Africa. (Back inscription: "Ostrich shelter showing farm and Luerne field"), circa 1924-1925 | series 6 | box 1 | folder 1 | item 44 | |
| Man and child -- Photograph by Rebecca Hourwich Reyher. South Africa. (Back inscription: "Guide of Congo Caves and Faye"), circa 1924-1925 | series 6 | box 1 | folder 1 | item 45 | |
| Camel and unidentified persons, South Africa. (Front inscription: "Last glimpse of Keydale"), circa 1924-1925 | series 6 | box 1 | folder 1 | item 46 | |
| Unidentified, two women and one man, South Africa. (Front inscription: "Closeup of K."), circa 1924-1925 | series 6 | box 1 | folder 1 | item 47 | |
| Donkey and travelling party, unidentified, South Africa. (Front inscription: "K holding his Brownie 2A"), circa 1924-1925 | series 6 | box 1 | folder 1 | item 48 | |
| Faith Reyher, circa 1931 | series 6 | box 1 | folder 1 | item 49 | |
| Faith Reyher, Bennington College, Vermont, circa 1935-1939 | series 6 | box 1 | folder 1 | item 50 | |
| John Paul Rodker, son of John Rodker -- (Back inscription: "John Paul Rodker, b. July 29, 1937"), circa 1937 | series 6 | box 1 | folder 1 | item 51 | |
| Illustration for Juan de la Cosa. (Back inscription: "Section of Fortress Facing Laredo, which is across the way from Santona. from Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 18 | |
| Illustration for Juan de la Cosa. (Back inscription: "Santona's Bull Ring is one of the finest in Spain. It commands a view on the ocean of unique beauty. The ring was built by convicts and cost the Santonese more than 100,000 pesetas: a fortune. Its bull fights are shocking, fiendish. From V. S. Frank [undeciperable], Paris France. From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 19 | |
| Illustration for Juan de la Cosa. (Back inscription: "Residence of a Well-to-do Santonese. From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 20 | |
| Illustration for Juan de la Cosa. (Back inscription: "Type of Gitana which is uncivilly directed to Keep a Move On when passing through Santona. From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 21 | |
| Illustration for Juan de la Cosa. (Back inscription: "The Landing (Santona) Pier. From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 22 | |
| Illustration for Juan de la Cosa. (Back inscription: "San Vicente de la Barquera. Famous bridge of 32 [undeciperable] built in the Xth century. From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 23 | |
| Illustration for Juan de la Cosa. (Back inscription: "San Vicente de la Barquera. The modern town. From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 24 | |
| Illustration for Juan de la Cosa. (Back inscription: "The Church of Santona. From Geo. H. Seldes"), circa 19320 | series 6 | box 1 | folder 1 | item 25 | |
| Illustration for Juan de la Cosa. (Back inscription: "A stone slab--a street plate--is all that serves to recall the name of Santona's great son, Juan de la Cosa. He has no bust, no monument. ! From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 26 | |
| Illustration for Juan de la Cosa. (Back inscription: "San Vicente de la Barquera. Human skulls embedded in the cathedral walls and the walls are crumbling away--the skulls remain. From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 27 | |
| Illustration for Juan de la Cosa. (Back inscription: "Guardia Cibil en traje de gala. The Cock of the Village; The Civic Guard in his Sunday outfit. From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 28 | |
| Illustration for Juan de la Cosa. (Back inscription: "San Vicente de la Barquera. Cathedral Walls 'encrusted' with human skulls"), circa 1920 | series 6 | box 1 | folder 1 | item 29 | |
| Illustration for Juan de la Cosa. (Back inscription: "Typical Village of Cautabrican Coast. San Vicente de la Barquera. From Geo. H. Seldes. Fishing is the chief occupation of San Vincent de la Barquera."), circa 1920 | series 6 | box 1 | folder 1 | item 30 | |
| Illustration for Juan de la Cosa. (Back inscription: San Vicente de la Barquera. From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 31 | |
| Illustration for Juan de la Cosa. Reproduction of the Santa Maria, Naval Museum of the Louvre. Back inscription: "Another fact which brings Santona before American interest resides in the fact that the 'vessel' which discovered us was built at Santona with wood from over the way'--Laredo--but designed and built and owned by Juan de La Cosa. When Columbus was fitting out this expedition the Santa-Maria was at Huelva [?]. He promptly spotted her nautical qualities and entered into negotiations for her acquisition with her owner, Juan de La Cosa who was to pilot the Santa-Maria, the Pinta and the Nina to the New World. The photograph of the Santa-Maria is that of the nef' which has just been placed in the Naval Museum of the Louvre and is a faithful reproduction of the all-famous ship--as famous in fact as Noah's ark. From Geo. H. Seldes, circa 1920 | series 6 | box 1 | folder 1 | item 32 | |
| Illustration for Juan de la Cosa. (Back inscription: "Mapa Mundi of Juan de la Cosa. 1500. From Geo. H. Seldes"), circa 1920 | series 6 | box 1 | folder 1 | item 33 | |
| Illustration for Juan de la Cosa. (Back inscription: "Vista General de Santcena[?] Armada desde San Martin. General view of Santona. From Geo. H. Seldes"), circa 19320 | series 6 | box 1 | folder 1 | item 34 | |
| Ferdinand Reyher -- 2 copies. New York, New York. (Back inscription: "Ferd Reyher at Larry Verry's book store; 23rd st., NY. Ferd needed money and sold many of his books at Verry's."), circa 1940-1945 | series 6 | box 1 | folder 1 | item 52 | |
| Larry Verry and Ferdinand Reyher -- 2 copies. New York, New York. (Front inscription: "23rd Street bookstore/ sale of FR's books."), circa 1940-1945 | series 6 | box 1 | folder 1 | item 53 | |
| Ferdinand Reyher, Chelsea Hotel, New York, New York., circa 1940-1945 | series 6 | box 1 | folder 1 | item 54 | |
| Max Reyher, Belmar, New Jersey. This photograph was published in Sidney Janis's book [1942], circa 1940-1942 | series 6 | box 1 | folder 1 | item 56 | |
| Max Reyher, Belmar, New Jersey, circa 1942-1943 | series 6 | box 1 | folder 1 | item 57 | |
| Monica Henreid -- (Back inscription: "Monica, 10 days old"), 1943 | series 6 | box 1 | folder 1 | item 58 | |
| Ferdinand Reyher's desk, Chelsea Hotel, New York, New York, circa 1940-1945 | series 6 | box 1 | folder 1 | item 55 | |
| Lisl and Paul Henreid with daughter Monica -- (Front inscription: "The season's wishes/ Monica, Lisl, Paul"), circa 1944-1945 | series 6 | box 1 | folder 1 | item 59 | |
| Circa 1945-1962 and undated | series 6 | box 2 | folder 1 | ||
| Reba Kaldor, Chelsea Hotel, New York, New York, circa 1945-1950 | series 6 | box 2 | folder 1 | item 60 | |
| Max Reyher painting, The White Heron -- Chelsea Hotel, New York, New York., circa 1945-1950 | series 6 | box 2 | folder 1 | item 61 | |
| Unidentified man and child -- Photograph by Ernst Halberstadt. New York City., circa 1945-1950 | series 6 | box 2 | folder 1 | item 62 | |
| Charles Laughton and wife Elsa Lanchester, 1945-1946 | series 6 | box 2 | folder 1 | item 63 | |
| Photograph of Reyher's drawing of himself and Bertolt Brecht -- 2 copies. Drawing dated December 9, 1946, Chelsea Hotel, New York, New York. No date of print. (Front inscription: "Brecht + Reyher working on ms of play for [Charles] Laughton 'Galileo.' ") [See original drawing in Drawings of Ferdinand Reyher, Series 4, Box 6, Folder 8 ), circa 1946-1947 | series 6 | box 2 | folder 1 | item 64 | |
| Ferdinand Reyher, Chelsea Hotel, New York, New York, circa 1948-1950 | series 6 | box 2 | folder 1 | item 65 | |
| Ferdinand Reyher -- (Attached note: © E. Halberstadt; F. Reyher at rear of Chelsea Hotel looking for photo subject for me to take. E. No date; maybe 48-50"), circa 1948-1950 | series 6 | box 2 | folder 1 | item 66 | |
| Paris Hotel -- Photograph by Todd Webb. Paris, France. (Back inscription: "To Ferd: This is my picture to illustrate that old saying, 'Paris is a city of little hotels.' This is just around the corner from our house at the Impassage Rue des Plantes and Passage Leonidas. Todd Webb"), circa 1948-1950 | series 6 | box 2 | folder 1 | item 67 | |
| French sign -- Photograph by Todd Webb. Paris, France. (Back inscription: "To Ferd: I love these signs that they have on butcher shops on Rue Qriant (?) not far from Porte d'Orleans.--Todd Webb"), circa 1948-1950 | series 6 | box 2 | folder 1 | item 68 | |
| Street scene -- Photograph by Todd Webb. Paris, France. (Back inscription: To Ferd: The old dame driving this cart had just stepped into the café for a vin blanc. The cart loses none of its dignity or humanity by being alone. --Todd Webb), circa 1948-1950 | series 6 | box 2 | folder 1 | item 69 | |
| Ernst Halberstadt -- Photograph by Ferdinand Reyher. (Front inscription: Ferd's one and only photo. EH has neg. While working on 'TIN'--wanted 1st hand personal experience.), January 24, 1949 | series 6 | box 2 | folder 1 | item 70 | |
| Jeremy and Daniel Jackson, circa 1953-1954 | series 6 | box 2 | folder 1 | item 71 | |
| Eileen Chang, 1954 | series 6 | box 2 | folder 1 | item 72 | |
| Eileen Chang and Ferdinand Reyher, circa 1956 | series 6 | box 2 | folder 1 | item 73 | |
| Ferdinand Reyher, circa 1962 | series 6 | box 2 | folder 1 | item 75 | |
| George Seldes [?], undated | series 6 | box 2 | folder 1 | item 76 | |
| Max Reyher[?], undated | series 6 | box 2 | folder 1 | item 77 | |
| Ferdinand Reyher, circa 1920 | series 6 | box 2 | folder 1 | item 35 | |
| George Seldes' farmhouse, Woodstock, Vermont. (Front inscription: Brook Hollow Farm, Woodstock VT"), circa 1960 | series 6 | box 2 | folder 1 | item 74 | |
| John Rodker -- Photograph by E. O. Hoppe [?], Millais House, South Kensington, England., undated | series 6 | box 2 | folder 1 | item 78 | |
| Ernst Halberstadt and Reba Kaldor, Cemetery in Weston, Massachusetts, undated | series 6 | box 2 | folder 1 | item 79 | |
| Headstone, Cemetery in Weston, Massachusetts, undated | series 6 | box 2 | folder 1 | item 80 | |
| Unidentified young woman, undated | series 6 | box 2 | folder 1 | item 81 | |
| Ocean, undated | series 6 | box 2 | folder 1 | item 82 | |
| Unidentified man, undated | series 6 | box 2 | folder 1 | item 83 | |
| Unidentified woman, undated | series 6 | box 2 | folder 1 | item 84 | |
| Unidentified woman, undated | series 6 | box 2 | folder 1 | item 85 | |
| Unidentified young woman and two boys, undated | series 6 | box 2 | folder 1 | item 86 | |
| Unidentified young woman with horse, undated | series 6 | box 2 | folder 1 | item 87 | |
| Unidentified young woman, undated | series 6 | box 2 | folder 1 | item 88 | |
| Unidentified young woman with horse, undated | series 6 | box 2 | folder 1 | item 89 | |
| Black and white abstract, undated | series 6 | box 2 | folder 1 | item 90 | |
| Pinecones and flowers -- (Back inscription: Pinecones; Race Pt on 3), undated | series 6 | box 2 | folder 1 | item 91 | |
| Ice with grass, undated | series 6 | box 2 | folder 1 | item 92 | |
| Ice/Water, undated | series 6 | box 2 | folder 1 | item 93 | |
| Ice, undated | series 6 | box 2 | folder 1 | item 94 | |
| Rock, undated | series 6 | box 2 | folder 1 | item 95 | |
Series 7: Audio Recordings, circa 1950-1955 (0.25 linear feet)
This series contains two audio recordings of Ferdinand Reyher reading from his play Night Sky. (See Series 2.1, Box 12, Folders 15 and 16 for Reyhers manuscript.)
| Description | Series | Box / Reel | Folder / Frame | |
|---|---|---|---|---|
| Night Sky, disc one -- Readings from Acts 1 and 2, circa 1950-1955 | series 7 | box 1 | folder 1 | |
| Night Sky, disc two -- Readings from Act 3, circa 1950-1955 | series 7 | box 1 | folder 2 | |
Related Material
Related materials can be found in the Houghton Library at Harvard University; the Schlesinger Library at Radcliffe College; and at the Harry Ransom Humanities Research Center at the University of Texas at Austin.
For other related archival and manuscript collections, please see the following subject guides.
Bibliography
Lyon, James K. Bertolt Brecht's American Cicerone. Bonn, Germany: Bouvier, 1978.
Janis, Sidney. They Taught Themselves: American Primitive Painters of the Twentieth Century. Port Washington, N.Y., Kennikat Press, 1942.
Selected Search Terms
This collection is indexed under the following headings in the University of Maryland Libraries' Catalog. Researchers desiring related materials about these topics, names, or places may search the Catalog using these headings.
Subjects
- Motion pictures -- Production and direction -- United States -- History -- Sources.
- Publishers and publishing -- United States -- History -- Sources.
- Reporters and reporting -- History -- Sources.
- Reyher, Ferdinand -- Archives.
Names (Added Entries)
- Brecht, Bertolt, 1898-1956.
- Ford, Ford Madox, 1873-1939.
- Lewis, Sinclair, 1885-1951.
- Newhall, Beaumont, 1908-1993.
- Reyher, Rebecca Hourwich, 1897-1987.
- Rodker, John, 1894-1955
- Seldes, George, 1890-1995.
- Stevens, Wallace, 1879-1955.
- Zhang, Ailing, 1920-1995.