Skip to main content

Categories

 


 

The Maryland History and Culture Bibliography

Corrin, Lisa G., ed. Mining the Museum: An Installation by Fred Wilson. Baltimore: The Contemporary in Cooperation with the New Press, New York, 1994.
Notes: This publication documents the landmark Maryland Historical Society and Contemporary exhibit. Included is an interview with the artist and with the docents who worked the exhibit, along with visitor surveys and object checklists.

Cox, Lynn, and Zinkham, Helena. "Picture Research at the Maryland Historical Society: A Guide to the Sources." Maryland Historical Magazine 76 (Spring 1981): 1-21.
Notes: Although the collection descriptions are out-dated, this work still serves as a good introduction for newcomers to picture research. It provides a good overview of the wide range of sources which can be used to locate visual resources in a museum and library setting and provides eight basic questions to consider when preparing for a picture research trip.

DiNoto, Andrea. "A Singular Taste." Connoisseur (November 1984).
Notes: A discussion of the traveling jewelry exhibition -- "Objects of Adornment: Five Thousand Years of Jewelry from the Walters Art Gallery, Baltimore". 213 pieces collected by founder Henry Walters were displayed. Nice glossy color illustrations.

Dixon, Michael L. "Postcards: A Link to Cecil's Past." Bulletin of The Historical Society of Cecil County 77/78 (Autumn/Winter 1998): 7-8.

Dowell, Susan Stiles. "The Harvey Ladew Manor House & Gardens." Maryland Magazine 17 (Summer 1985): 42-45.
Notes: A history of Harvey Ladew and his house and garden, now open to the public. The topiary garden is considered one of the nation's finest.

Dowell, Susan Stiles. "The Maryland Historical Society." Maryland Magazine (Autumn 1984): 15-20.
Notes: A good general history of the Maryland's major private collecting institution written for the general public. Of special interest is an inserted article "In Search of Treasure", by Bonnie Joe Ayers, which explains how museums and special libraries acquire their materials.

Dowell, Susan Stiles. "Villa Pace: Rosa Ponsell's Italianate Estate." Maryland Magazine 16 (Autumn 1983): 25-8.

From a Lighthouse Window: Recipes and Recollections from the Chesapeake Bay Maritime Museum. St. Michaels, MD: Chesapeake Bay Maritime Museum, 1989.

Gelbert, Doug. Company Museums, Industry Museums, and Industrial Tours: A Guidebook of Sites in the United States That Are Open to the Public. Jefferson, NC: McFarland & Company, Inc., 1994. 94-104.
Notes: Brief descriptions of fifteen industrial sites in Maryland. When considering sites on this topic most museum goers would probably know of the Baltimore Museum of Industry but people may overlook many of the other sites covered, such as the Ocean City Lifesaving Station Museum, the Poultry Hall of Fame, and the Calvert Cliffs Nuclear Power Plant Visitor Center.

"The Gem of Baltimore Celebrates 75." Southern Living 24 (May 1989): 43.
Notes: Baltimore Museum of Art.

Guardian Of Our Maryland Heritage. Easton, MD: Talbot County Free Library, 1968.
Notes: A series of very accessible essays describing the collections of the Talbot County's Maryland Room, along with a discussion of the Room's development. This publication is heavily illustrated and gives one an understanding of the nature of local history collections, either in public or private institutions.

A Guide to Maryland State Archives Holdings of Talbot County Records on Microfilm. Annapolis: Maryland State Archives, 1989.

Gustafson, E. H. "Museum Accessions." Antiques 138 (December 1990): 1174.
Notes: Quilts at the Maryland Historical Society.

Hammond, Helen. "Field Trip: Historical Society of Frederick County." Frederick Magazine (April 1994): 31-33.

Harris, Dale. "Collective Genius; The Importance of the Walters Art Gallery." Connoisseur (November 1984).
Notes: The Walters Art Gallery, which holds a varied collection, was established when Henry Walters, a wealthy businessmen, left his collection, including his father's collection, to Baltimore. Although a Baltimore native, Henry seldom lived in Baltimore. The collecting habits of both Walters are discussed. A nicely illustrated brief history of an important museum.

"The Historical Society of Carroll County: Fifty Years of Service to the Community." Carroll County History Journal 40 (Winter 1990): 3-6.
Notes: The story of the Society's founding as told by its first curator.

Hodge, David C. "The Hooker Collection: Inventory and Annotations." Harford Historical Bulletin 61 (Summer 1994): 117-32.
Notes: Descriptions of 62 images from a glass plate negative collection owned by the Historical Society of Harford County.

Holland, Eugenia Calvert, Romaine Stec Somerville, Stiles Tuttle Colwill, and K. Beverley Whiting Young. Four Generations of Commissions: The Peale Collection of the Maryland Historical Society; March 3, 1975-June 29, 1975. Baltimore: Maryland Historical Society, 1975.
Notes: This exhibit catalog not only supplies information on each portrait, but also give brief biographical information on each subject. A significant portion of the text is given to a discussion of the eleven Peale family members who were artists.

Holland, Eugenia C., and Louisa M. Gary. "Miniatures in the Collection of the Maryland Historical Society." Maryland Historical Magazine 51 (December 1956): 341-354.

Holland, Eugenia C., and Louisa M. Gary. "Oil Portraits in the Collection of the Maryland Historical Society." Maryland Historical Magazine 50 (December 1955): 310-336.

"Home Town Teams' Baseball Exhibit to Open in Easton, MD." Peninsula Pacemaker 26 (June 1997): 5.

Jailer, M. "Early American Museums." Antiques and Collecting Magazine 98 (October 1993): 19-23.
Notes: Peale Museum.

Johnson, William R. William and Henry Walters, The Reticent Collectors. Baltimore: The Johns Hopkins University Press, 2001.
Notes: The collections of William and Henry Walters are the core which forms Baltimore's Walters Art Museum . Both father and son had a great influence on the development of American art museums. They were both active in other institutions. The author argues that Henry Walters' collecting differs from that of his contemporaries because he always intended for the collection to become a public resource. This work is heavily documented, easy to read, and well illustrated.

Back to Top