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The Maryland History and Culture Bibliography

Cissel, Anne W. "Public Houses of Entertainment and their Proprietors, 1750-1828." Montgomery County Story 30 (August 1987): 279-94.

Clarke, Donald. Wishing on the Moon: The Life and Times of Billie Holiday. New York: Viking Penguin, 1994.

Click, Patricia C. The Spirit of the Times: Amusements in Nineteenth-Century Baltimore, Norfolk, and Richmond. Charlottesville: University of Virginia Press, 1989.
Notes: This author expertly interweaves a detailed description of work habits, living arrangements, economics, and class structure with the question of what people did for fun. Around 1800 a variety of public entertainments included music, drama, presentational dancing, feats of dexterity and other spectacular offerings -these were held at theatres, circuses, taverns, and pleasure gardens. As the century progressed amusements became increasingly specialized and stratified, serving people of differing economic means, political leanings, and ethnic/religious backgrounds.

Cohen, Maxine. "The Front Street Theater Fire of 1895." Generations (Fall 1993): 9-16, 27.

Cox, Richard J. "A New Source for Robert Bensley, English Actor: A Research Note." Theatre Survey 18 (May 1977): 99-101.
Notes: Bensley was a brother-in-law of James Cheston of Maryland; based upon documents from Cheston/Galloway Papers, MS. 1994, at the Maryland Historical Society.

David, Jonathan Comly. On One Accord: Community, Musicality, and Spirit among the Singing and Praying Bands of Tidewater Maryland and Delaware. Ph.D. diss., University of Pennsylvania, 1994.

De Pasquale, Sue. "Into the Forest." Johns Hopkins Magazine 45 (February 1993): 8-13.
Notes: Lawson Brass Instruments.
Categories: Music and Theater

Deutsch, Helen Waverly. Laura Keene's Theatre Management: Profile of a Profession in Transition. Ph.D. diss., Tufts University, 1992.

Dopp, Bonnie Jo. "Music Education History Sources at the MENC Historical Center." Bulletin of Historical Research in Music Education 19 (September 1997): 63-65.

Dormon, James H. Theater in the Ante Bellum South, 1815-1861. Chapel Hill: University of North Carolina Press, 1967.

Dowell, Susan Stiles. "Easton's Avalon Theatre: A Dream Reborn." Maryland 22 (Summer 1990): 42-47.

Drake, James A. Rosa Ponselle: A Centenary Biography. Portland, OR: Amadeus/Timber, 1997.

Eader, Thomas S. "Baltimore Organs and Organ Building." Maryland Historical Magazine 65 (1970): 263-282.

Esch, Lise Papetti. An Audience in Our Own Image: Subjective Styles in American Theatre Criticism Between the Wars. Ph.D. diss., University of Wisconsin-Madison, 1993.

Ferreras, Daniel F. "The Guitar as a Social Icon: From Andalusia to Maryland." Popular Culture Review 7 (February 1996): 57-66.

"Fire Claims Odeon Theater on Historic Maryland Campus." Historic Preservation News 33 (December 1993/January 1994): 2.

Fisher, James Long. The Origin and Development of Public School Music in Baltimore to 1870. Ed.D. diss., University of Maryland, 1970.

"The Garrett County Playhouse." Glades Star 6 (March 1991): 521-25.

George, Luvenia Anne. The Early Piano Rags (1899-1916) of James Hubert ('Eubie') Blake: A Stylistic Study and Annotated Edition. Ph.D. diss., University of Maryland Baltimore County, 1995.

Gillespie, C. Richard. "Chesapeake's Floating Theatre." Weather Gauge 27 (Spring 1991): 3-6, 12.

Gillespie, C. Richard. The James Adams Floating Theatre. Centreville, MD: Tidewater Publishers, 1991.

Goosman, Stuart L. "The Black Authentic: Structure, Style, and Values in Group Harmony." Black Music Research Journal 17 (Spring 1997): 81-99.

Gough, Al, Jr. "'It Don't Stop Here Anymore': The James Adams Floating Theater." Chronicles of St. Mary's 37 (Summer 1989): 209-29.

Griffith, Philip L. "Maryland's Anthem." The Record 77 (October 1997): 1-2.
Categories: Music and Theater

Haims, Lynn. "First American Theatre Contracts: Wall and Lindsay's Maryland Company of Comedians, and the Annapolis, Fell's Point, and Baltimore Theatres, 1781-1783." Theatre Survey 17 (November 1976): 179-94.

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