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The Maryland History and Culture Bibliography

Handwerker, Tom. "Something is Fishy Down on the Farm." Heartland of Del-Mar-Va 13 (Harvest 1991): 18-19.

Adler, Larry. It Ain't Necessarily So. New York: Grove Press, 1987.
Notes: Autobiography of a Baltimore-born musician.

Delaplaine, Edward S. John Phillip Sousa and the National Anthem. Frederick, MD: Great Southern Press, 1983.

Kravetz, Sallie. Ethel Ennis, the Reluctant Jazz Star: An Illustrated Biography. Baltimore: Gateway Press/Hughes Enterprises, 1984.

Marsh, Joan F. "William Henry Holmes and 'Holmescroft'." Montgomery County Story 42 (August 1999): 89-100.

Maturi, Richard J. Francis X. Bushman: A Biography and Filmography. Jefferson, NC: McFarland & Co., 1998.

Otter, William. History of My Own Times or, the Life and Adventures of William Otter, Sen. Comprising a Series of Events, and Musical Incidents Altogether Original. Emmitsburg, MD: n.p., 1835; reprint. Ithaca: Cornell University Press, 1995.
Notes: William Otter (1787-1856) has left an entertaining autobiography of his life as a plasterer and practical jokester. Originally published in Emmitsburg in 1835, Otter's <em>History</em> offers an unusual glimpse into social history from an artisan's perspective. Whether Otter's humorous adventures and anecdotes are all true is debatable. His story does, however, suggest a continuation of the irreverent Maryland personality seen in the works of Ebenezer Cooke, Dr. Alexander Hamilton and Meshack Browning.

Price, Walter W. "The Bashford Amphitheater's Name." Glades Star 6 (June 1990): 412-14.

Schaaf, Elizabeth. "George Peabody: His Life and Legacy, 1795-1869." Maryland Historical Magazine 90 (Fall 1995): 268-85.
Notes: George Peabody's legacy to Baltimore transcends the music conservatory and magnificent library that bear his name. His gifts influenced other wealthy friends whose philanthropy help establish some of the great educational and cultural institutions that grace the city: the Johns Hopkins University, the Enoch Pratt Free Library, and the Walters Art Gallery. This article surveys the life of a man admired and respected on both sides of the Atlantic.

Anderson-Free, Corine F. The Baltimore Colored Orchestra and the City Colored Chorus. Ph.D. diss., University of Alabama, 1994.

Berlin, Ira. Slaves Without Masters: The Free Negro in the Antebellum South. New York: Pantheon Books, 1974.
Notes: The author spends some time discussing Maryland, and the Upper South in general, in order to emphasize geographic distinctions which impacted the status of free Negroes. He postulates that the treatment and status of free blacks foreshadowed the treatment of black people in general after emancipation. In addition, the author examines the various classes of free blacks to understand how different groups viewed their social role. For the elite, positions of leadership continued after the Civil War. Maryland is of particular interest since by 1810, almost one-quarter of Maryland's black population was free. Maryland therefore had the largest free black population of any state in the nation.

Buford, Carolyn Bames. The Distribution of Negroes in Maryland, 1850-1950. M.A. thesis, Catholic University, 1955.

David, Jonathan. "The Sermon and the Shout: A History of the Singing and Praying Bands of Maryland and Delaware." Southern Folklore Quarterly 51, no. 3 (1994): 241-63.

Donaldson, O. Fred, and Richard L. Morrill. "Geographical Perspectives on the History of Black America." Economic Geography 48 (1972): 1-23.

Dudley, David. "James Hubert 'Eubie' Blake." Baltimore 92 (March 1999): 38-39.

Goosman, Stuart L. The Social and Cultural Organization of Black Group Vocal Harmony in Washington, D. C. and Baltimore, Maryland, 1945-1960. Ph.D. diss., University of Washington, 1992.

Kent, George Robert. The Negro in Politics in Dorchester County, Maryland, 1920-1960. M.A. thesis, University of Maryland, 1961.

Levy, Peter B. "The Civil Rights Movement in Cambridge, Maryland, during the 1960s." Viet Nam Generation 6, nos. 3-4 (1995): 96-107.

Levy, Peter B. "Civil War on Race Street: The Black Freedom Struggle and White Resistance in Cambridge, Maryland, 1960-1964." Maryland Historical Magazine 89 (Fall 1994): 290-318.
Notes: The author examines Cambridge, Maryland in order to gain a local perspective on the civil rights movement. The author sets out to understand the movement at the grass roots level, instead of focusing on national leadership and civil rights legislation. Cambridge has been consistently overlooked in studies of the civil rights movement, and the author wonders if this has been the case since events in Cambridge do not fit neatly into typical historical narratives of the movement.

McElvey, Kay Najiyyah. Early Black Dorchester, 1776-1870: A History of the Struggle of African-Americans in Dorchester County, Maryland, to be Free to Make Their Own Choices. Ph.D. diss., University of Maryland at College Park, 1991.
Notes: The author examines selected events relating to Dorchester County's black population between 1776 and 1870 and their struggle to make their own political, economic, religious, and educational choices. The author also focuses on the enslaved and free leaders who led the fight for self-determination. The author hopes that her text will be used in high school classrooms as a local history of black Dorchester County.

Millner, Sandra Y. "Recasting Civil Rights Leadership: Gloria Richardson and the Cambridge Movement." Journal of Black Studies 26 (July 1996): 668-87.
Notes: The author examines the neglect by scholars of civil rights leader Gloria Richardson. Richardson was not part of the established civil rights movement, nor has she been celebrated in the same manner as other civil rights leaders. The author examines the possible reasons for Richardson's marginalization in histories of the movement, which stem, in part, from scholars not questioning the language and the conceptions of gender and class used to describe Richardson in the press. Richardson also focused her attention on economic issues while the established civil rights leadership continued to focus on civil rights. She was also one of the first leaders to openly question the tactic on nonviolence. These additional factors also contributed to a lack of recognition of Richardson's role in the Cambridge Movement.

"Selected Readings on Afro-Americans and Maryland's Eastern Shore." Maryland Pendulum 5 (Fall/Winter 1985): 6-7.

Talbert, Christine. "Ira Aldrige - Shakespearean Actor [and] Black Contemporary to Edwin Booth." Harford Historical Bulletin 15 (Winter 1983): 10-11.

Thomas, Lamont D. "Paul Cuffe: Against the Odds in Vienna, Maryland." Log of Mystic Seaport 45, no. 4 (1994): 103-8.

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