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The Maryland History and Culture Bibliography

Adler, Larry. It Ain't Necessarily So. New York: Grove Press, 1987.
Notes: Autobiography of a Baltimore-born musician.

Delaplaine, Edward S. John Phillip Sousa and the National Anthem. Frederick, MD: Great Southern Press, 1983.

Kravetz, Sallie. Ethel Ennis, the Reluctant Jazz Star: An Illustrated Biography. Baltimore: Gateway Press/Hughes Enterprises, 1984.

Maturi, Richard J. Francis X. Bushman: A Biography and Filmography. Jefferson, NC: McFarland & Co., 1998.

Otter, William. History of My Own Times or, the Life and Adventures of William Otter, Sen. Comprising a Series of Events, and Musical Incidents Altogether Original. Emmitsburg, MD: n.p., 1835; reprint. Ithaca: Cornell University Press, 1995.
Notes: William Otter (1787-1856) has left an entertaining autobiography of his life as a plasterer and practical jokester. Originally published in Emmitsburg in 1835, Otter's <em>History</em> offers an unusual glimpse into social history from an artisan's perspective. Whether Otter's humorous adventures and anecdotes are all true is debatable. His story does, however, suggest a continuation of the irreverent Maryland personality seen in the works of Ebenezer Cooke, Dr. Alexander Hamilton and Meshack Browning.

Price, Walter W. "The Bashford Amphitheater's Name." Glades Star 6 (June 1990): 412-14.

Reale, Robin L. "William F. Douglass, Jr.: Fossil Hunter." Maryland 26 (September/October 1994): 112.

Schaaf, Elizabeth. "George Peabody: His Life and Legacy, 1795-1869." Maryland Historical Magazine 90 (Fall 1995): 268-85.
Notes: George Peabody's legacy to Baltimore transcends the music conservatory and magnificent library that bear his name. His gifts influenced other wealthy friends whose philanthropy help establish some of the great educational and cultural institutions that grace the city: the Johns Hopkins University, the Enoch Pratt Free Library, and the Walters Art Gallery. This article surveys the life of a man admired and respected on both sides of the Atlantic.

Adams, E. J. "Religion and Freedom: Artifacts Indicate that African Culture Persisted Even in Slavery." Omni 16 (November 1993): 8.

Anderson-Free, Corine F. The Baltimore Colored Orchestra and the City Colored Chorus. Ph.D. diss., University of Alabama, 1994.

Cochran, Matthew D. "Hoodoo's Fire: Interpreting Nineteenth Century African American Material Culture at the Brice House, Annapolis, Maryland." Maryland Archeology 35 (March 1999): 25-33.

David, Jonathan. "The Sermon and the Shout: A History of the Singing and Praying Bands of Maryland and Delaware." Southern Folklore Quarterly 51, no. 3 (1994): 241-63.

Dudley, David. "James Hubert 'Eubie' Blake." Baltimore 92 (March 1999): 38-39.

Gervasi, S. "Northampton: Slave Quarters That Have Survived Centuries." American Visions 6 (April 1991): 54-56.

Goosman, Stuart L. The Social and Cultural Organization of Black Group Vocal Harmony in Washington, D. C. and Baltimore, Maryland, 1945-1960. Ph.D. diss., University of Washington, 1992.

Hurry, Robert J. "An Archeological and Historical Perspective on Benjamin Banneker." Maryland Historical Magazine 84 (1989): 361-69.
Notes: The author provides a survey of the Banneker family farm in southwestern Baltimore County. While most scholarship has focused on Benjamin Banneker's career and achievements as a mathematician, surveyor and astronomer, since the 1970s, scholarship and public funding have helped to illuminate his life as a land-owning farmer. The Bannekers were one of the first African-American families to own land in the Piedmont region of Maryland; Benjamin's father, Robert purchased one hundred acres in 1737.

Klingelhofer, Eric. "Aspects of Early African-American Material Culture: Artifacts from the Slave Quarters at Garrison Plantation, Maryland." Historical Archaeology 21 (1987): 112-19.
Notes: The author examines the objects excavated from the slave quarters at Garrison Plantation near Baltimore, Maryland. Various groups of objects represented early black material culture which reveal aspects of Africanisms. Archaeology is particularly useful for the study of Africanisms found in material culture as patterns of found objects may be compared chronologically and geographically.

McDaniel, George William. Preserving the People's History: Traditional Black Material Culture in Nineteenth and Twentieth Century Southern Maryland. Ph.D. diss., Duke University, 1979.

McGuckian, Eileen. "Black Builders in Montgomery County 1865-1940." Montgomery County Story 35 (February 1992): 189-200.

Mullins, Paul R. "An Archeology of Race and Consumption: African-American Bottled Good Consumption in Annapolis, Maryland, 1850-1930." Maryland Archeology 32 (March 1996): 1-10.

Mullins, Paul R. The Contradictions of Consumption: An Archaeology of African America and Consumer Culture, 1850-1930. Ph.D. diss., University of Massachusetts, 1996.

Mullins, Paul R. "Race and the Genteel Consumer: Class and African-American Consumption, 1850-1930." Historical Archaeology 33, no. 1 (1999): 22-38.

Saraceni, Jessica E. "Secret Religion of Slaves." Archaeology 49 (November/December 1996): 21.

Starke, Barbara. "A Mini View of the Microenvironment of Slaves and Freed Blacks Living in the Virginia and Maryland Areas from the 17th through the 19th Centuries." Negro History Bulletin 41 (September-October, 1978): 878-80.

Talbert, Christine. "Ira Aldrige - Shakespearean Actor [and] Black Contemporary to Edwin Booth." Harford Historical Bulletin 15 (Winter 1983): 10-11.

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