1-25 of 76 results
Deutsch, Helen Waverly. Laura Keene's Theatre Management: Profile of a Profession in Transition. Ph.D. diss., Tufts University, 1992.
Baltimore Museum of Art. :Annual I The Museum: Its First Half Century. Baltimore: The Baltimore Museum of Art, 1966.
Annotation / Notes: A history of the first fifty years of the BMA, from its start as a City-Wide Congress Committee on Founding an Art Museum (1911), to its temporary home in Mount Vernon, to the construction of its permanent home in Wyman Park. A major thesis is that a very modern thinking museum became a great success in a city known for being conservative. Nicely illustrated with works from the collection and photographs of museum activities.
Dowell, Susan Stiles. "Villa Pace: Rosa Ponsell's Italianate Estate." Maryland Magazine 16 (Autumn 1983): 25-8.
Gustafson, E. H. "Museum Accessions." Antiques 138 (December 1990): 1174.
Annotation / Notes: Quilts at the Maryland Historical Society.
Gustafson, E. H. "The Historical Society of Carroll County: Fifty Years of Service to the Community." Carroll County History Journal 40 (Winter 1990): 3-6.
Annotation / Notes: The story of the Society's founding as told by its first curator.
Gustafson, E. H. "Maryland's Best Kept Humanities Secrets: Textile Collection at the Maryland Historical Society Museum." Maryland Humanities (September 2000): 27.
Edmunds, Lavinia. "Patron with Panache." Johns Hopkins Magazine 45 (February 1993): 47-51.
Annotation / Notes: Alice Garrett.
Glickman, Gena Debra. A Study of the Role of Women in the Transformation of the Curriculum at the Maryland Institute for the Promotion of Mechanic Arts from 1825-1875. Ph.D. diss., University of Maryland at College Park, 1992.
Glickman, Gena Debra. "History of Women in Cecil County." Bulletin of the Historical Society of Cecil County 49 (October 1979): [1-2].
Hoopes, Roy. "Constance Comes Back." Mid-Atlantic Country 12 (June 1991): 44-47, 59-61.
Annotation / Notes: Photographer Constance Stuart Larrabee.
Miller, Fred S. "The Name Game." Chesapeake Bay Magazine 24 (March 1995): 44-46.
Nabit, Charles J. "Looming Success." Maryland 28 (May/June 1996): 32-37, 62.
Torchia, Robert Wilson. "Eliza Ridgely and the Ideal of American Womanhood." Maryland Historical Magazine 90 (Winter 1995): 404-23.
Annotation / Notes: Argues that Thomas Sully's painting Lady with a Harp: Eliza Ridgely was a propaganda piece to counter the British stereotype of American women as "being unsophisticated, ignorant, and devoid of social graces" (406). This portrait of fifteen-year-old Ridgely shows grace, poise, feminity, and other traits (including instrumental music) associated with British of true womanhood.
Yohannan, Kohle, and Nancy Nolf. Claire McCardell: Redefining Modernism. New York: Harry N. Abrams, 1998.
Burnham, Patricia M. "Theresa Bernstein: an early modernist." American Art Review, 13 (March/April 2001): 164-71.
Miller, J. Abbott. "Cones of Vision: Baltimore Museum of Art." Interiors, 160 (April 2001):31-32.
Miller, J. Abbott. "Noteworthy." Museum News, 80 (May/June 2001): 24-25.
Annotation / Notes: Cone Collection.
Sims, Lowery Stokes. "Leslie King-Hammond: sister, mentor, prime mover." International Review of African American Art, 18 (no. 1, 2001): 34-35.
Duffy, Jim. "Cone Sweet Cone." Baltimore, 94 (April 2001): 88-93.
Arenz, Peggy. "M. Joyce Zeigler." American Artist, 67 (January 2003): 59.
Arenz, Peggy. "Martha Hudson." American Artist, 67 (January 2003): 61.
Arenz, Peggy. "Roberta Seger." American Artist, 67 (January 2003): 58.
Burnett, Kessler. "Still Life." Chesapeake Life, 9 (September/October 2003): 62-67.
Annotation / Notes: Painter Carolyn Egeli.
Gabriel, Mary. The Art of Acquiring: A Portrait of Etta and Claribel Cone. Baltimore: Bancroft Press, 2002.