Skip to main content

Categories

 


 

The Maryland History and Culture Bibliography

Adler, Georgia. "How Distinctly I Now Recollect What Then Passed: The Journals of William E. Bartlett." Maryland Humanities (March/April 1994): 2-3.

Adler, Larry. It Ain't Necessarily So. New York: Grove Press, 1987.
Notes: Autobiography of a Baltimore-born musician.

Carroll, Kenneth L. "The Berry Brothers of Talbot County, Maryland: Early Antislavery Leaders." Maryland Historical Magazine 84 (1989): 1-9.

Delaplaine, Edward S. John Phillip Sousa and the National Anthem. Frederick, MD: Great Southern Press, 1983.

Kravetz, Sallie. Ethel Ennis, the Reluctant Jazz Star: An Illustrated Biography. Baltimore: Gateway Press/Hughes Enterprises, 1984.

Krech, Shepard, III. Praise the Bridge That Carries You Over: The Life of Joseph L. Sutton. Boston: G. K. Hall and Co. (cloth); Cambridge, MD: Chenkman Publishing Co. (paper), 1981.
Notes: Biography of a black resident of Miles River Neck in Talbot County. Based on extensive oral history interviews, this personal narrative by a long-time Talbot County resident offers a unique look at the life of African Americans on the Eastern Shore. Joseph Sutton (1885-1980) led a long and eventful life, and his reminiscences are rich in personal detail. In addition to his own experiences, Sutton's words are a valuable source for understanding the personal impact of racism on African Americans.

Maturi, Richard J. Francis X. Bushman: A Biography and Filmography. Jefferson, NC: McFarland & Co., 1998.

"Meet Talbot's Delegates." Historical Society of Talbot County Newsletter (Fall 1987): 1-2.

Otter, William. History of My Own Times or, the Life and Adventures of William Otter, Sen. Comprising a Series of Events, and Musical Incidents Altogether Original. Emmitsburg, MD: n.p., 1835; reprint. Ithaca: Cornell University Press, 1995.
Notes: William Otter (1787-1856) has left an entertaining autobiography of his life as a plasterer and practical jokester. Originally published in Emmitsburg in 1835, Otter's <em>History</em> offers an unusual glimpse into social history from an artisan's perspective. Whether Otter's humorous adventures and anecdotes are all true is debatable. His story does, however, suggest a continuation of the irreverent Maryland personality seen in the works of Ebenezer Cooke, Dr. Alexander Hamilton and Meshack Browning.

Preston, Dickson J. Young Frederick Douglass: The Maryland Years. Baltimore: Johns Hopkins University Press, 1980.
Notes: There are a number of excellent biographies of Frederick Douglass including works by Eric Foner, William McFeeley and Benjamin Quarles. For the student of Maryland history, Preston's short but well-researched book focuses on the first twenty years of Douglass' life spent in Talbot County and Baltimore City. His experiences as a slave in Maryland shaped his subsequent career and thus are critical to understanding one of the greatest spokesmen for human rights.

Price, Walter W. "The Bashford Amphitheater's Name." Glades Star 6 (June 1990): 412-14.

Reale, Robin L. "William F. Douglass, Jr.: Fossil Hunter." Maryland 26 (September/October 1994): 112.

Schaaf, Elizabeth. "George Peabody: His Life and Legacy, 1795-1869." Maryland Historical Magazine 90 (Fall 1995): 268-85.
Notes: George Peabody's legacy to Baltimore transcends the music conservatory and magnificent library that bear his name. His gifts influenced other wealthy friends whose philanthropy help establish some of the great educational and cultural institutions that grace the city: the Johns Hopkins University, the Enoch Pratt Free Library, and the Walters Art Gallery. This article surveys the life of a man admired and respected on both sides of the Atlantic.

Adams, E. J. "Religion and Freedom: Artifacts Indicate that African Culture Persisted Even in Slavery." Omni 16 (November 1993): 8.

Anderson-Free, Corine F. The Baltimore Colored Orchestra and the City Colored Chorus. Ph.D. diss., University of Alabama, 1994.

Clemens, Paul G.E. The Atlantic Economy and Colonial Maryland's Eastern Shore: From Tobacco to Grain. Ithaca: Cornell University Press, 1980.

Cochran, Matthew D. "Hoodoo's Fire: Interpreting Nineteenth Century African American Material Culture at the Brice House, Annapolis, Maryland." Maryland Archeology 35 (March 1999): 25-33.

David, Jonathan. "The Sermon and the Shout: A History of the Singing and Praying Bands of Maryland and Delaware." Southern Folklore Quarterly 51, no. 3 (1994): 241-63.

Dudley, David. "James Hubert 'Eubie' Blake." Baltimore 92 (March 1999): 38-39.

Gervasi, S. "Northampton: Slave Quarters That Have Survived Centuries." American Visions 6 (April 1991): 54-56.

Goosman, Stuart L. The Social and Cultural Organization of Black Group Vocal Harmony in Washington, D. C. and Baltimore, Maryland, 1945-1960. Ph.D. diss., University of Washington, 1992.

Harvey, Lamont W. "Black Oystermen of the Bay Country... particularly St. Michaels, Maryland." Weather Gauge 30 (Spring 1994): 4-13.

Hurry, Robert J. "An Archeological and Historical Perspective on Benjamin Banneker." Maryland Historical Magazine 84 (1989): 361-69.
Notes: The author provides a survey of the Banneker family farm in southwestern Baltimore County. While most scholarship has focused on Benjamin Banneker's career and achievements as a mathematician, surveyor and astronomer, since the 1970s, scholarship and public funding have helped to illuminate his life as a land-owning farmer. The Bannekers were one of the first African-American families to own land in the Piedmont region of Maryland; Benjamin's father, Robert purchased one hundred acres in 1737.

Klingelhofer, Eric. "Aspects of Early African-American Material Culture: Artifacts from the Slave Quarters at Garrison Plantation, Maryland." Historical Archaeology 21 (1987): 112-19.
Notes: The author examines the objects excavated from the slave quarters at Garrison Plantation near Baltimore, Maryland. Various groups of objects represented early black material culture which reveal aspects of Africanisms. Archaeology is particularly useful for the study of Africanisms found in material culture as patterns of found objects may be compared chronologically and geographically.

Back to Top