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The Maryland History and Culture Bibliography

Jacobs, Charles T. "Civil War Fords and Ferries in Montgomery County." Montgomery County Story 40 (February 1997): 417-28.

Summers, Festus P. The Baltimore and Ohio in the Civil War. New York: Putnam's, 1939.
Notes: The B&amp;O was the Union's most important railroad during the conflict. Summers's book "presents a scholarly, objective, and conscientious approach to the subject in hand with literary execution of unusual excellence," said Maryland historian Matthew Page Andrews in his 1940 <em>Maryland Historical Magazine</em> review.

Addison-Darneille, and Henrietta Stockton. "For Better or For Worse." Civil War Times Illustrated 31 (May/June 1992): 32-35, 73.

Cale, Clyde C., Jr. "Maria Louise Browning: Civil War Heroine." Glades Star 9 (March 1999): 11-13, 39.

Edmunds, Lavinia. "Patron with Panache." Johns Hopkins Magazine 45 (February 1993): 47-51.
Notes: Alice Garrett.

Glickman, Gena Debra. A Study of the Role of Women in the Transformation of the Curriculum at the Maryland Institute for the Promotion of Mechanic Arts from 1825-1875. Ph.D. diss., University of Maryland at College Park, 1992.

"History of Women in Cecil County." Bulletin of the Historical Society of Cecil County 49 (October 1979): [1-2].

Hoopes, Roy. "Constance Comes Back." Mid-Atlantic Country 12 (June 1991): 44-47, 59-61.
Notes: Photographer Constance Stuart Larrabee.

Kelbaugh, Jack. "Northern Hospital Nurses: Mary Young and Rose Billings Make the Ultimate Sacrifice in Civil War Annapolis." Anne Arundel County History Notes 25 (January 1994): 5-6, 19.

Miller, Fred S. "The Name Game." Chesapeake Bay Magazine 24 (March 1995): 44-46.

Nabit, Charles J. "Looming Success." Maryland 28 (May/June 1996): 32-37, 62.

Torchia, Robert Wilson. "Eliza Ridgely and the Ideal of American Womanhood." Maryland Historical Magazine 90 (Winter 1995): 404-23.
Notes: Argues that Thomas Sully's painting <em>Lady with a Harp: Eliza Ridgely</em> was a propaganda piece to counter the British stereotype of American women as "being unsophisticated, ignorant, and devoid of social graces" (406). This portrait of fifteen-year-old Ridgely shows grace, poise, feminity, and other traits (including instrumental music) associated with British of true womanhood.

Yohannan, Kohle, and Nancy Nolf. Claire McCardell: Redefining Modernism. New York: Harry N. Abrams, 1998.

Baltimore Album Quilt Tradition. Tokyo: Kokusai Art; Baltimore: Maryland Historical Society, 1999.

Berlin, Ira, Francine C. Cary, Steven F. Miller, and Leslie S. Rowland. "Family and Freedom: Black Families in the American Civil War." History Today [Great Britain] 37 (1987): 8-15.

Bohannon, Keith, ed. "Wounded & Captured at Gettysburg: Reminiscence by Sgt. William Jones, 50th Georgia Infantry." Military Images 9 (1988): 14-15.

Bongiovanni, Marie. "Understanding Wildlife." Southwest Art 29 (no. 4, 1999): 74-78.

Boyd, Charles A. "George Alfred Townsend and the War Correspondents Memorial." Civil War Times Illustrated 16 (1977): 10-13.

Brown, Kent Masterson. "Greenhorns and Honey Bees: The One Hundred and Thirty-Second Pennsylvania Volunteer Infantry at Antietam." Lincoln Herald 81 (1979): 202-206.

Browning, Robert M., Jr. From Cape Charles to Cape Fear: The North Atlantic Blockading Squadron during the Civil War. Tuscaloosa: University of Alabama Press, 1993.

"Civil War Museums and Sites in Maryland." Maryland Humanities (April 2000): 25-28.

Clarke, Wendy Mitman. "Water of Art, Water of Life." Chesapeake Bay Magazine 50 (November 2000): 46-53.

Coryell, Janet L. "'The Lincoln Colony': Aaron Columbus Burr's Proposed Colonization of British Honduras." Civil War History 43 (1997): 5-16.

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