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The Maryland History and Culture Bibliography

Riley, Elihu S. "The Ancient City." History of Annapolis, in Maryland. 1649-1887. 1887; reprint, Annapolis: Anne Arundel County Bicentennial Commission, 1976.
Notes: A reprint of an 1887 work. It is largely arranged by date, presenting important events which occurred in the city during the years. Interspersed amongst these dates are occasional chapters written on a theme, covering a span of years, such as theater, the state house, and "Illustrious Anapolitans." It is very well indexed and includes an abridgement of Father Andrew White's Journal.

"St. Mary's County Adopts an Official Song." Chronicles of St. Mary's 35 (Winter 1987): 72-73.

Smith, Bert. Down the Ocean: Postcards from Maryland and Delaware Beaches. Baltimore: Johns Hopkins University Press, 1999.
Notes: Arranged by theme and subject -- famous housing, boardwalk, on the beach, life saving. It presents a vivid picture of life at the shore as interpreted through postcards. Includes some illustration on spots on the way -- diners, bridges, etc. Information on the cards themselves is included and adds to the work's usefulness.

Talbot's Hidden Heritage: Catalog of the Exhibition. Historical Society of Talbot County, 1980.

Thomas, Joseph Brown, Jr. Settlement, Community, and Economy: The Development of Towns in Maryland's Lower Eastern Shore, 1660-1775. Ph.D. diss., University of Maryland, 1994.
Notes: Thomas argues that the seventeen clustered settlements that dotted the lower Eastern Shore actually functioned as towns. Although legislatively established they have been largely ignored in the history of the Chesapeake region. Most historians argue that the area was rural, when in fact its character was between urban and rural.

Vojtech, Pat. "Talbot Co.: Progressing At Its Own Tempo." Annapolitan 5 (July 1991): 19-22, 24.

Wennersten, John R. Maryland's Eastern Shore: A Journey in Time and Place. Centreville, MD: Tidewater Publishers, 1992.
Notes: Wennersten's goal is to make the reader understand the distinct society that is the eastern shore through discussion of the area's agricultural life, its race relations, and maritime society. Brief histories are given of some communities and mention made of some influential people.

Wilstach, Paul. Tidewater Maryland. Indianapolis, IN: The Bobbs-Merrill Company, 1931.
Notes: A narrative history of those Maryland counties, all but seven of the twenty-three, touched by saltwater, arranged by theme and locale. There is a great deal of emphasis on the founding of towns and important personages, a wide variety of subjects are covered.

Wycherly, H. Alan. "H. L. Mencken vs. The Eastern Shore: December, 1931." Bulletin of the New York Public Library 74 (1970): 381-390.

Abel, E. Lawrence. Singing the New Nation: How Music Shaped the Confederacy, 1861-1865. Mechanicsburg, PA: Stackpole Books, 2000.
Notes: An in-depth look at every aspect of music during the Civil War, as it pertains to the southern cause. Although not focused on any particular state, there are important Maryland connections, for example the background and impact of "Maryland, My Maryland!" Cultural and political context are this author's strong suits, as he describes band music, songs of the common soldiers, parlor music of the day, and theatrical offerings.

Alexander, Douglas, II. "Stendhal and Violence on the Baltimore Stage." Maryland Historical Magazine 66 (1971): 68-72.

Archer, Stephen M. Junius Brutus Booth. Carbondale: Southern Illinois University Press, 1992.

Baker, Mary Lou. "The Annapolis Symphony: An Orchestra with Pizzazz!" Maryland 26 (November/December 1994): 38-43.

Barnett, David. "'Maryland,' The Movie." Maryland 21 (Spring 1989): 69.

Bartel, Dennis. "Knabe Pianos...For Genteel People of Means." Maryland 24 (Spring 1992): 42-47.
Categories: Music and Theater

Benson, Norman Arthur. The Itinerant Dancing and Music Masters of Eighteenth-Century America. Ph.D. diss., University of Minnesota, 1963.

Bernard, Kenneth A. "Lincoln and the Music of the Civil War." Lincoln Herald 66 (1964): 115-134.

Black, Mary Childs. The Theatre in Colonial Annapolis. M.A. thesis, George Washington University, 1952.

"BMI is 'Making Music' All Summer Long." Nuts and Bolts 12 (Summer 1994): 1.
Categories: Music and Theater

Bond, Chrystelle T. "A Chronicle of Dance in Baltimore, 1780-1814." Dance Perspectives 66, vol. 17 (Summer 1976).
Notes: A summary of dancing, both ballroom and theatre, in Baltimore during an important 34-year period, with a focus on dancemasters William Francis (active at Holliday Street theatre 1794-1826) and Pierre Landrin Duport (active in Baltimore 1791-2, 1802-10), as well as musician Alexandria Reinagle and stage dancer John Durang and his descendents. Bond focuses on themes like patriotism and exoticism (through pantomime and French ballet), showing how choreographed upper class dances of the colonial period (like the minuet) gradually gave way to the simple, more commercial dances for the middle classes. This is an essential study for music, theatre and dance historians.

Breslaw, Elaine G. "An Early Maryland Musical Society." Maryland Historical Magazine 67 (1972): 436-37.

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