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The Maryland History and Culture Bibliography

Adler, Georgia. "How Distinctly I Now Recollect What Then Passed: The Journals of William E. Bartlett." Maryland Humanities (March/April 1994): 2-3.

Adler, Larry. It Ain't Necessarily So. New York: Grove Press, 1987.
Notes: Autobiography of a Baltimore-born musician.

Carroll, Kenneth L. "The Berry Brothers of Talbot County, Maryland: Early Antislavery Leaders." Maryland Historical Magazine 84 (1989): 1-9.

Delaplaine, Edward S. John Phillip Sousa and the National Anthem. Frederick, MD: Great Southern Press, 1983.

Kester, John G. "Charles Polke: Indian Trader of the Potomac." Maryland Historical Magazine 90 (Winter 1995): 446-65.

Kravetz, Sallie. Ethel Ennis, the Reluctant Jazz Star: An Illustrated Biography. Baltimore: Gateway Press/Hughes Enterprises, 1984.

Krech, Shepard, III. Praise the Bridge That Carries You Over: The Life of Joseph L. Sutton. Boston: G. K. Hall and Co. (cloth); Cambridge, MD: Chenkman Publishing Co. (paper), 1981.
Notes: Biography of a black resident of Miles River Neck in Talbot County. Based on extensive oral history interviews, this personal narrative by a long-time Talbot County resident offers a unique look at the life of African Americans on the Eastern Shore. Joseph Sutton (1885-1980) led a long and eventful life, and his reminiscences are rich in personal detail. In addition to his own experiences, Sutton's words are a valuable source for understanding the personal impact of racism on African Americans.

Maturi, Richard J. Francis X. Bushman: A Biography and Filmography. Jefferson, NC: McFarland & Co., 1998.

"Meet Talbot's Delegates." Historical Society of Talbot County Newsletter (Fall 1987): 1-2.

Otter, William. History of My Own Times or, the Life and Adventures of William Otter, Sen. Comprising a Series of Events, and Musical Incidents Altogether Original. Emmitsburg, MD: n.p., 1835; reprint. Ithaca: Cornell University Press, 1995.
Notes: William Otter (1787-1856) has left an entertaining autobiography of his life as a plasterer and practical jokester. Originally published in Emmitsburg in 1835, Otter's <em>History</em> offers an unusual glimpse into social history from an artisan's perspective. Whether Otter's humorous adventures and anecdotes are all true is debatable. His story does, however, suggest a continuation of the irreverent Maryland personality seen in the works of Ebenezer Cooke, Dr. Alexander Hamilton and Meshack Browning.

Preston, Dickson J. Young Frederick Douglass: The Maryland Years. Baltimore: Johns Hopkins University Press, 1980.
Notes: There are a number of excellent biographies of Frederick Douglass including works by Eric Foner, William McFeeley and Benjamin Quarles. For the student of Maryland history, Preston's short but well-researched book focuses on the first twenty years of Douglass' life spent in Talbot County and Baltimore City. His experiences as a slave in Maryland shaped his subsequent career and thus are critical to understanding one of the greatest spokesmen for human rights.

Price, Walter W. "The Bashford Amphitheater's Name." Glades Star 6 (June 1990): 412-14.

Schaaf, Elizabeth. "George Peabody: His Life and Legacy, 1795-1869." Maryland Historical Magazine 90 (Fall 1995): 268-85.
Notes: George Peabody's legacy to Baltimore transcends the music conservatory and magnificent library that bear his name. His gifts influenced other wealthy friends whose philanthropy help establish some of the great educational and cultural institutions that grace the city: the Johns Hopkins University, the Enoch Pratt Free Library, and the Walters Art Gallery. This article surveys the life of a man admired and respected on both sides of the Atlantic.

Abingbade, Harrison Ola. "The Settler-African Conflicts: The Case of the Maryland Colonists and the Grebo 1840-1900." Journal of Negro History 66 (Summer 1981): 93-109.

Alpert, Jonathan L. "The Origin of Slavery in the United States: The Maryland Precedent." American Journal of Legal History 14 (1970): 189-222.
Notes: Maryland was the "first province in English North America to recognize slavery as a matter of law" (189). Therefore, the study of Maryland is useful for historians studying how American slavery was a product of the law. Early legislation recognized the existence of slavery, for while indentured servitude and slavery co-existed, and the terms were used interchangeably, the law still distinguished between the two. "All slaves were servants but not all servants were slaves" (193). However, it wasn't until 1664 when a statue was created which established slavery as hereditary. This statute was the first law in English North American to thus establish this type of slavery, legalizing what had been de facto since 1639. The author concludes that laws reflect the attitudes of a society and the manner in which societal problems are resolved. In the case of Maryland, servant problems could be avoided by replacing indentured servitude with perpetual slavery.

Anderson-Free, Corine F. The Baltimore Colored Orchestra and the City Colored Chorus. Ph.D. diss., University of Alabama, 1994.

Berlin, Ira. Many Thousands Gone: The First Two Centuries of Slavery in North America. Cambridge: Harvard University Press, 1998.

Clemens, Paul G.E. The Atlantic Economy and Colonial Maryland's Eastern Shore: From Tobacco to Grain. Ithaca: Cornell University Press, 1980.

Craven, Wesley Frank. White, Red, and Black: The Seventeenth-Century Virginian. Charlottesville: University of Virginia Press, 1971.
Notes: Remains the standard multi-cultural work for the 17th century.

David, Jonathan. "The Sermon and the Shout: A History of the Singing and Praying Bands of Maryland and Delaware." Southern Folklore Quarterly 51, no. 3 (1994): 241-63.

Dudley, David. "James Hubert 'Eubie' Blake." Baltimore 92 (March 1999): 38-39.

Goosman, Stuart L. The Social and Cultural Organization of Black Group Vocal Harmony in Washington, D. C. and Baltimore, Maryland, 1945-1960. Ph.D. diss., University of Washington, 1992.

Harvey, Lamont W. "Black Oystermen of the Bay Country... particularly St. Michaels, Maryland." Weather Gauge 30 (Spring 1994): 4-13.

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