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The Maryland History and Culture Bibliography

Pittman, LaVern. "Walnut Level: A Model Farm in Allegany County." Journal of the Alleghenies 30 (1994): 3-12.

Adler, Larry. It Ain't Necessarily So. New York: Grove Press, 1987.
Notes: Autobiography of a Baltimore-born musician.

Dean, David M. "Meshach Browning: Bear Hunter of Allegany County, 1781-1859." Maryland Historical Magazine 91 (Spring 1996): 73-83.
Notes: Meshach Browning was the author of an autobiography, <em>Forty-Four Years of the Life of a Hunter</em>, that might more properly be seen as a tall tale wrapped around the framework of an actual life. Browning (1751-1859) inhabited the frontier in the westernmost part of Maryland that later became Garrett County. He claimed to have killed 400 bears in his career. For those attracted to the stories of Davy Crockett or Paul Bunyon, Meshach Browning's life offers entertaining reading.

Delaplaine, Edward S. John Phillip Sousa and the National Anthem. Frederick, MD: Great Southern Press, 1983.

Kravetz, Sallie. Ethel Ennis, the Reluctant Jazz Star: An Illustrated Biography. Baltimore: Gateway Press/Hughes Enterprises, 1984.

The McKaig Journal, a Confederate Family of Cumberland. Cumberland, MD: Allegheny County Historical Society, 1984.

Marsh, Joan F. "William Henry Holmes and 'Holmescroft'." Montgomery County Story 42 (August 1999): 89-100.

Maturi, Richard J. Francis X. Bushman: A Biography and Filmography. Jefferson, NC: McFarland & Co., 1998.

Otter, William. History of My Own Times or, the Life and Adventures of William Otter, Sen. Comprising a Series of Events, and Musical Incidents Altogether Original. Emmitsburg, MD: n.p., 1835; reprint. Ithaca: Cornell University Press, 1995.
Notes: William Otter (1787-1856) has left an entertaining autobiography of his life as a plasterer and practical jokester. Originally published in Emmitsburg in 1835, Otter's <em>History</em> offers an unusual glimpse into social history from an artisan's perspective. Whether Otter's humorous adventures and anecdotes are all true is debatable. His story does, however, suggest a continuation of the irreverent Maryland personality seen in the works of Ebenezer Cooke, Dr. Alexander Hamilton and Meshack Browning.

Price, Walter W. "The Bashford Amphitheater's Name." Glades Star 6 (June 1990): 412-14.

Schaaf, Elizabeth. "George Peabody: His Life and Legacy, 1795-1869." Maryland Historical Magazine 90 (Fall 1995): 268-85.
Notes: George Peabody's legacy to Baltimore transcends the music conservatory and magnificent library that bear his name. His gifts influenced other wealthy friends whose philanthropy help establish some of the great educational and cultural institutions that grace the city: the Johns Hopkins University, the Enoch Pratt Free Library, and the Walters Art Gallery. This article surveys the life of a man admired and respected on both sides of the Atlantic.

Urbas, Anton. "Tony Urbas Has a Career Change." Journal of the Alleghenies 35 (1999): 37-48.

Anderson-Free, Corine F. The Baltimore Colored Orchestra and the City Colored Chorus. Ph.D. diss., University of Alabama, 1994.

Berlin, Ira. Slaves Without Masters: The Free Negro in the Antebellum South. New York: Pantheon Books, 1974.
Notes: The author spends some time discussing Maryland, and the Upper South in general, in order to emphasize geographic distinctions which impacted the status of free Negroes. He postulates that the treatment and status of free blacks foreshadowed the treatment of black people in general after emancipation. In addition, the author examines the various classes of free blacks to understand how different groups viewed their social role. For the elite, positions of leadership continued after the Civil War. Maryland is of particular interest since by 1810, almost one-quarter of Maryland's black population was free. Maryland therefore had the largest free black population of any state in the nation.

Buford, Carolyn Bames. The Distribution of Negroes in Maryland, 1850-1950. M.A. thesis, Catholic University, 1955.

David, Jonathan. "The Sermon and the Shout: A History of the Singing and Praying Bands of Maryland and Delaware." Southern Folklore Quarterly 51, no. 3 (1994): 241-63.

Donaldson, O. Fred, and Richard L. Morrill. "Geographical Perspectives on the History of Black America." Economic Geography 48 (1972): 1-23.

Dudley, David. "James Hubert 'Eubie' Blake." Baltimore 92 (March 1999): 38-39.

Goosman, Stuart L. The Social and Cultural Organization of Black Group Vocal Harmony in Washington, D. C. and Baltimore, Maryland, 1945-1960. Ph.D. diss., University of Washington, 1992.

Talbert, Christine. "Ira Aldrige - Shakespearean Actor [and] Black Contemporary to Edwin Booth." Harford Historical Bulletin 15 (Winter 1983): 10-11.

Cordts, Jeanne M. "Iron Fences in Frostburg." Journal of the Alleghenies 31 (1995): 89-98.

Cumberland Historic Buildings Cumberland, MD: Mayor and City Council, 1987.

Newell, Dianne. The Failure to Preserve the Queen City Hotel, Cumberland, Maryland. Washington, DC: Preservation Press, National Trust for Historic Preservation, 1975.

Olson, Sherry. Baltimore: The Building of an American City. Baltimore: Johns Hopkins University Press, 1980.
Notes: Geographer Olson's book, by far the most thorough illustrated history of Baltimore, is strong on geographic and commercial development, and gives less attention to the arts, including architecture. However it does feature many historic photographs of buildings and contemporary news accounts of their construction.

Silverman, Sharon H. "The Castle B&B." Maryland 27 (July/August 1995): 58-62.

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