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The Maryland History and Culture Bibliography

Lee, Jean B. The Price of Nationhood: The American Revolution in Charles County. New York: W. W. Norton & Co., 1994.
Notes: This intensive and insightful study of a single county offers insight into several large themes in Maryland history - "the American Revolution as a transforming, ongoing phenomenon, civilian's responses to the War for Independence, the tenor of the nation's formative years, and the nature of Chesapeake society." During this period Charles Country changed from prosperous economy, securely connected to the outside world through overseas trade, into a stagnant backwater, whose forward looking population searched for opportunity elsewhere. Unlike other areas of Maryland, where the Revolutionary years were tumultuous, there were few challenges to the status quo. Cut off from the empire, entrepreneurial whites left the county in search of wealth and opportunity, often as close as Washington, DC, and the population became overwhelmingly unfree.

Berkey, Barry Robert, Velma Berkey, and Richard Erie Berkey. Pioneer Decoy Carvers: A Biography of Lemuel and Stephen Ward. Cambridge, MD: Tidewater Publishers, 1977.

Griebel, Helen Bradley. "Carroll County Rug Hookers: Morphology of a Craft." Midwestern Folklore 17 (Spring 1991): 34-55.

Harte, Thomas J. "Social Origins of the Brandywine Population." Phylon 24 (1963): 369-378.
Notes: Harte seeks to establish the eighteenth-century origins of a distinctive mixed race "Brandywine" population in Charles County, though he fails to explain this social identity for the general reader. He points to Maryland laws against miscegenation and cross-racial sexual relationships as indirect evidence that both had occurred in the colony and cites Charles County records for violations of those laws. The article provides less direct support for his contention that Native American ancestry may also have been involved in the mixed race unions. Harte concludes that isolated family groupings in the eighteenth century served as the basis of the identifiable Brandywine population in the county in the nineteenth century.

Klapthor, Margaret Brown. "Neighbor Washington." The Record 27 (February 1983): 1-4.
Notes: George Washington's association with Charles County.

Somerville, Romaine S. "Furniture at the Maryland Historical Society." Antiques 109 (May 1976): 970-89.

Walsh, Lorena S. "The Historian as Census Taker: Individual Reconstitution and the Reconstruction of Censuses for a Colonial Chesapeake County." William and Mary Quarterly 3rd series, 38 (April 1981): 242-60.
Notes: Walsh uses methods drawn from community studies to reconstitute a census for adult white males in Charles County in 1705, based upon a provincial census and rent rolls from the period. She argues that such methods provide the researcher the opportunity to establish reasonable accurate profiles of Chesapeake society in the colonial period.

Walsh, Lorena S. "Staying Put or Getting Out: Findings for Charles County, Maryland, 1650-1720." William and Mary Quarterly (3d. series), 44 (January 1987): 89-103.

Weidman, Gregory R. "The Furniture of Classical Maryland." Maryland Humanities (June 1993): 6-8.

Shomette, Donald G. Ghost Fleet of Mallows Bay, and Other Tales of the Lost Chesapeake. Centreville, MD: Tidewater, 1996.
Notes: Underwater archaeology.

Wearmouth, John M. Baltimore and Potomac Railroad: The Pope 's Creek Branch. Baltimore: Baltimore Chapter, National Railway Historical Society, 1986.

Edmunds, Lavinia. "Patron with Panache." Johns Hopkins Magazine 45 (February 1993): 47-51.
Notes: Alice Garrett.

Glickman, Gena Debra. A Study of the Role of Women in the Transformation of the Curriculum at the Maryland Institute for the Promotion of Mechanic Arts from 1825-1875. Ph.D. diss., University of Maryland at College Park, 1992.

"History of Women in Cecil County." Bulletin of the Historical Society of Cecil County 49 (October 1979): [1-2].

Hoopes, Roy. "Constance Comes Back." Mid-Atlantic Country 12 (June 1991): 44-47, 59-61.
Notes: Photographer Constance Stuart Larrabee.

Miller, Fred S. "The Name Game." Chesapeake Bay Magazine 24 (March 1995): 44-46.

Nabit, Charles J. "Looming Success." Maryland 28 (May/June 1996): 32-37, 62.

Torchia, Robert Wilson. "Eliza Ridgely and the Ideal of American Womanhood." Maryland Historical Magazine 90 (Winter 1995): 404-23.
Notes: Argues that Thomas Sully's painting <em>Lady with a Harp: Eliza Ridgely</em> was a propaganda piece to counter the British stereotype of American women as "being unsophisticated, ignorant, and devoid of social graces" (406). This portrait of fifteen-year-old Ridgely shows grace, poise, feminity, and other traits (including instrumental music) associated with British of true womanhood.

Yohannan, Kohle, and Nancy Nolf. Claire McCardell: Redefining Modernism. New York: Harry N. Abrams, 1998.

Baltimore Album Quilt Tradition. Tokyo: Kokusai Art; Baltimore: Maryland Historical Society, 1999.

Bongiovanni, Marie. "Understanding Wildlife." Southwest Art 29 (no. 4, 1999): 74-78.

Camp, Sharon Lee. Modernization: Threat to Community Politics. Political Intermediaries in Charles County, Maryland. Ph.D. diss., Johns Hopkins University, 1977.

Clarke, Wendy Mitman. "Water of Art, Water of Life." Chesapeake Bay Magazine 50 (November 2000): 46-53.

DuBois, June. "W. R. Leigh: Painter of Frontiers." American West 15 (1978): 32-47.

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