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The Maryland History and Culture Bibliography

Sellers, Charles Coleman. Charles Willson Peale. New York: Scribner, 1969.
Notes: Charles Willson Peale (1741-1827), artist, naturalist, museologist, began his career in Maryland as the son of a clerk transported to the colonies for forgery. Sent to England for artistic training by Maryland patrons, Peale became a leading artist and portrait painter of the new republic. Peale was also noteworthy for his excavation of a mastodon's skeleton and his establishment of museums displaying art and natural history collections. His sons and other relatives formed a dynasty of artists who were influential in Maryland and beyond. Readers seeking in-depth biographical information on the Peales should consult the <em>Selected Papers of Charles Willson Peale and his Family</em>.

Solomon Nunes Carvalho: Painter, Photographer and Prophet in Nineteenth Century America. Baltimore: Jewish Historical Society of Maryland, 1989.

Turner, William H. Chesapeake Boyhood: Memoirs of a Farm Boy. Baltimore: Johns Hopkins University Press, 1997.

Wineapple, Brenda. Sister Brother: Gertrude and Leo Stein. New York: G. P. Putnam's Sons, 1996.

Fields, Barbara Jeanne. Slavery and Freedom on the Middle Ground: Maryland during the Nineteenth Century. New Haven: Yale University Press, 1985.
Notes: The author explores how free populations in Maryland - both black and white - challenged the notion of a slave society. The free black population, very much interconnected with the slave population in terms of kinship ties, also provided a threat to the underpinnings of the system. Once freedom arrived, social relationships also had to be redefined. The author writes that "free blacks did not occupy a unique or legitimate place within Maryland society, but instead formed an anomalous adjunct to the slave population" (3). By 1840, free blacks in Maryland composed 41% of the total black population of the state, or the largest free black population of any state in the nation.

Greene, Carroll, Jr. "The Search for Joshua Johnson: Early America's Black Portrait Painter." American Visions 3 (February 1988): 14-19.

Heinegg, Paul. Free African Americans of Maryland and Delaware: From the Colonial Period to 1810. Baltimore: Clearfield, 2000.

Johansen, Mary Carroll. "'Intelligence, Though Overlooked:' Education for Black Women in the Upper South, 1800-1840." Maryland Historical Magazine 93 (Winter 1998): 443-65.
Notes: Black and white educators established forty-six schools for free black children in the early nineteenth century. These educators supported education for black women believing that women transmitted knowledge and morals, thus shaping a generation of virtuous citizens. In addition, educators looked to education as a means by which to form self-sufficient and industrious free black communities.

Nelson, Jack E. "Black Pearl of the Chesapeake." Chesapeake Bay Magazine 23 (November 1993): 24-27.

Tate, Thad W. "The Seventeenth-Century Chesapeake and Its Modern Historians." In The Chesapeake in the Seventeeth Century: Essays on Anglo-American Society. Thad W. Tate and David L. Ammerman eds., 3-50. Chapel Hill: University of North Carolina Press, 1979.

Yentsch, Anne. "Hot, Nourishing, and Culturally Potent: The Transfer of West African Cooking Traditions to the Chesapeake." Sage 9 (Summer 1995): 15-29.

Beckerdite, Luke. "William Buckland Reconsidered: Architectural Carving in Chesapeake Maryland, 1771-1774." Journal of Early Southern Decorative Arts 9 (November 1982): 42-88.

Brinkley, M. Kent. "Fences in the Colonial Chesapeake: A Look Back at the Historic Types and Uses of Mid-Atlantic Fencing." Landscape Architecture 89 (May 1999): 75, 96, 98-99.

Carter, Edward C., II, ed. The Virginia Journals of Benjamin Henry Latrobe, 1795-1798. Vols. 1,2. New Haven: Yale University Press, 1977.
Notes: The first of several volumes in this series, a multi-year effort, published for the Maryland Historical Society where most of Latrobe's records reside. Succeeding volumes encompass Latrobe's other journals, papers and correspondence, architectural and engineering drawings, views, etc.

Dilts, James D., and Catharine F. Black, eds. Baltimore's Cast-Iron Buildings and Architectural Ironwork. Centreville, MD: Tidewater Publishers, 1991; reprint, 2000.

Dorsey, John, and James D. Dilts. A Guide to Baltimore Architecture. 1973, 1981; 3rd revised edition. Centreville, MD: Tidewater Publishers, 1997.

Elwell, Newton W. Architecture, Furniture, and Interiors of Maryland and Virginia During the Eighteenth Century. Polley & Co., 1897.

Forman, H. Chandlee. Early Buildings and Historic Artifacts in Tidewater Maryland; The Eastern Shore. Easton, MD: Eastern Shore Publishers' Associates, 1989.
Notes: Forman listed himself as "architect and archaeologist." One of the early investigators of St. Mary's City and a dedicated preservationist, he documented many of the 18th and 19th century dwellings on the Eastern Shore. Forman illustrated his books with his own charming drawings and enlivened them with stories of his visits to remote sites, accounts both entertaining and edged with melancholy. See also Radoff, Morris L., <em>The Old Line State</em>.

Hamlin, Talbot. Benjamin Henry Latrobe. New York: Oxford, 1955.
Notes: The Pulitzer prize-winning biography of an architect closely identified with Maryland, and one of the greatest to practice in the state, is still the standard biography.

Kelly, Jacques. Bygone Baltimore. Norfolk, VA: Donning, 1982.
Notes: The real Baltimore in historic photographs selected and annotated by one of the city's most diligent appreciators. The photographs of buildings are excellent and include many interiors.

Sarudy, Barbara Wells. Gardens and Gardening in the Chesapeake, 1700-1805. Baltimore: Johns Hopkins University Press, 1998.
Notes: Gardens are the result of a particular culture and are an outward sign of a special grace, according to Maryland architecture writer H. Chandlee Forman. Early gardens reflected the tastes and enthusiasms of their owners as much as did their mansions. The author's engaging account of the significance of the domestic landscape to its proprietors and their visitors includes color illustrations of several of the estates.

Aiken, Zora. "Taylors Island." Chesapeake Bay Magazine 22 (December 1992): 28-33.

Althoff, Susanne. "Tangier Island." Chesapeake Bay Magazine 25 (August 1995): 44-49.

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