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The Maryland History and Culture Bibliography

Torchia, Robert Wilson. "Eliza Ridgely and the Ideal of American Womanhood." Maryland Historical Magazine 90 (Winter 1995): 404-23.
Notes: Argues that Thomas Sully's painting <em>Lady with a Harp: Eliza Ridgely</em> was a propaganda piece to counter the British stereotype of American women as "being unsophisticated, ignorant, and devoid of social graces" (406). This portrait of fifteen-year-old Ridgely shows grace, poise, feminity, and other traits (including instrumental music) associated with British of true womanhood.

Yohannan, Kohle, and Nancy Nolf. Claire McCardell: Redefining Modernism. New York: Harry N. Abrams, 1998.

Baltimore Album Quilt Tradition. Tokyo: Kokusai Art; Baltimore: Maryland Historical Society, 1999.

Bongiovanni, Marie. "Understanding Wildlife." Southwest Art 29 (no. 4, 1999): 74-78.

Clarke, Wendy Mitman. "Water of Art, Water of Life." Chesapeake Bay Magazine 50 (November 2000): 46-53.

DuBois, June. "W. R. Leigh: Painter of Frontiers." American West 15 (1978): 32-47.

Emerson, Matthew Charles. Decorated Clay Tobacco Pipes from the Chesapeake. Ph.D. diss., University of California, Berkeley, 1988.

Goldsborough, Jennifer Faulds. "Silver in Maryland." Magazine Antiques 125 (1984): 258-267.

Hart, Sidney, David C. Ward, and Lillian Miller, eds. The Selected Papers of Charles Willson Peale and His Family: Volume 5, The Autobiography of Charles Willson Peale. New Haven: Yale University Press, 2000.

Hummel, Charles F. A Winterthur Guide to American Chippendale Furniture: Middle Atlantic and Southern Colonies. New York: Crown Publishers, 1976.

Kernan, Michael. "William and Henry Walters, and Their Fever for the Fine Arts." Smithsonian 20 (1989): 102-113.

Matthews, Robert T. Engraved Glass and Other Decorated Glass. West Friendship, MD: published by the author, 1978.

Pearl, Susan. "Old World Master Paintings at Riversdale-Part I." Riversdale Letter 18 (Winter 2000): 2-3.

Pollin, Burton R. "Edgar Allan Poe and John G. Chapman: Their Treatment of the Dismal Swamp and the Wissahickon." Studies in the American Renaissance (1983): 245-279.

Raphael, Edith Nan. Sculpting Memory: Who Made Chicago's Monuments and Why. Ph.D. diss., University of Virginia, 2000.

Rigal, Laura. The American Manufactory: Art, Labor, and the World of Things in the Early Republic. Princeton, NJ: Princeton University Press, 1998.

Salganik, M. William. KAL Draws the Line: Political Cartoons by Kevin Kallaugher. Baltimore: Baltimore Sun, 2000.

Schmidt, Martin F. "The Artist and the Artisan: Two Men of Early Louisville." Filson Club History Quarterly 62 (1988): 32-51.

Shomette, Donald G. "The Ghost Fleet of Mallows Bay." Chesapeake Bay Magazine 30 (January 2000): 58-61, 94-95, 97.

Swope, Jennifer M. "Francis W. Cooper: Silversmith." Antiques 155 (February 1999): 290-97.

Allen, Gloria Seaman. "Slaves as Textile Artisans: Documentary Evidence for the Chesapeake Region." Uncoverings, 22 (2001): 1-36.

Byrd, Cathy. "David & Thelma Driskell: Hyattsville, Maryland." Art & Antiques, 25 (March2002): 87-88.

Grantham, Tosha. "David Driskell: 'the dean'." International Review of African American Art,18 (no. 1, 2001): 30-31.

Allen, Gloria Seaman. Threads of Bondage: Chesapeake Slave Womenand Plantation Cloth Production, 1750-1850. Ph.D. diss., George Washington University, 2000.

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