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The Maryland History and Culture Bibliography

Ponselle, Rosa, and James A. Drake. Ponselle: A Singer's Life. Garden City, NY: Doubleday & Co., Inc., 1982.

Preston, Katherine K. Opera on the Road: Traveling Opera Troupes in the United States, 1825-60. Urbana, IL: University of Illinois Press, 1993.

Renda, Kathleen. "What Becomes a Legend Most?" Baltimore 90 (January 1997): 52-57, 106.
Categories: Music and Theater

Rinear, David L. "From Bankrupt to Landed Gentry: William E. Burton and Early Modern Management." Theatre History Studies 19 (1999): 109-32.

Ritchey, David. "The Baltimore Theater and the Yellow Fever Epidemic." Maryland Historical Magazine 67 (1972): 298-301.

Ritchey, David. "Baltimore's Eighteenth-Century French Theatre." Southern Speech Communication Journal 38 (1972): 164-167.

Ritchey, David. "Columbia Garden: Baltimore's First Pleasure Garden." Southern Speech Communication Journal 39 (1974): 241-247.

Ritchey, David, comp., and ed. A Guide to the Baltimore Stage in the Eighteenth Century: A History and Day Book Calendar. Westport, CT: Greenwood Press, 1982.

Ritchey, David. "The Philadelphia Company Performs in Baltimore." Maryland Historical Magazine 71 (Spring 1976): 80-85.

Robson, Nancy Taylor. "The Play's the Thing." Maryland 26 (May/June 1994): 27, 29, 31.

Rosalie, Mary. "Music in Early American Catholic Schools." Catholic Educational Review 60 (1962): 577-587.

Rybicki, Lynn. "It's Maryland at the Movies!" Maryland 27 (March/April 1995): 17-29, 31.
Categories: Music and Theater

Saladini, Robert. American Catholic Church Music: The Baltimore Cathedral. M.A. thesis, Catholic University, 1984.

Shields, Sara Sue. A Mirror for Society: The Theater in Annapolis and Baltimore, 1752-1800. M.A. thesis, Georgetown University, 1975.

Shifflet, Anne Louise. Church Music and Musical Life in Frederick, Maryland 1745-1845. M.A. thesis, American University, 1971.

Smith, Beth. "Ageless Voices." Mid-Atlantic Country 12 (December 1991): 28-33, 79.
Categories: Music and Theater

Somerville, Atwell Wilson, Jr. The Tuesday Club of Annapolis (1745-1756) as Cultural Theater. Ph.D. diss., University of North Carolina, Chapel Hill, 1992.

Speller, John L. "The Charles Strohl Organ and Historic Old Salem, Catonsville, Maryland." The Tracker 33, no. 4 (Richmond: the Organ Historical Society, 1990): 19-22.

Spencer, William B. The Baltimore Symphony Orchestra, 1965-1982: The Meyerhoff Years. D.M.A. diss., Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1994.
Notes: Spencer's dissertation examines the remarkable growth of the orchestra during Joseph Meyerhoff's tenure as chairman of the orchestra's board of trustees. Drawing on the orchestra's extensive historical records, oral history interviews and archival documents at Maryland Historical Society, the Peabody Archives and Pratt's Maryland Room, Spencer paints a vibrant portrait of an orchestra in transition and the struggle to build a performance hall. Union negotiations, race-relations, management strategies, and the changing image of the orchestra are reviewed in depth. Spencer enlivens his text with back-stage stories from musicians and former conductors.

Sprenkle, Elam Ray. The Life and Works of Louis Cheslock. D.M.A. diss., Peabody Institute of The Johns Hopkins University, Peabody Conservatory of Music, 1979.
Notes: The life of Louis Cheslock proveds an expansive view of the musical life of Baltimore from the 'teens to the 1970s. Cheslock's story begins in 1893 when his older brother, Henry Czeslak, fled from Poland to England to avoid conscription into the Russian army and changed his name to Rosenberg to avoid detection. His parents followed and eventually moved to Baltimore with their children. Louis Cheslock was one of the original members of the Baltimore Symphony Orchestra (founded in 1916), a faculty member at Peabody from 1922 to 1976, a member of Henry Mencken's Saturday Night Club from 1927 to its final gathering in 1950, a composer who wrote over 150 works (including opera in collaboration with Mencken), writer and music critic. Cheslock witnessed and wrote on the emergence of jazz as an art form, the rise of radio and the scientific study of music.

Standifer, J. A. "Reminiscences of Black Musicians." Jazz Research 17 (1985): 205-22.
Notes: Eubie Blake.

Stoddard, Hope. "Music in Maryland." International Musician 51 (Oct. 1952): 2-4.
Categories: Music and Theater

Suggs, R. "The Annapolis Brass Quintet, 1971-1993." Journal of the International Trumpet Guild 17 (May 1993): 16-21.

Suid, Lawrence. "Hollywood Comes to Annapolis." Naval History 9 (October 1995): 40-45.

Talley, John Barry. Secular Music in Colonial Annapolis: The Tuesday Club, 1745 - 1756. D.M.A. diss., Peabody Institute of Johns Hopkins University, Peabody Conservatory of Music, 1983.

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