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The Maryland History and Culture Bibliography

Harris, Dale. "Collective Genius; The Importance of the Walters Art Gallery." Connoisseur (November 1984).
Notes: The Walters Art Gallery, which holds a varied collection, was established when Henry Walters, a wealthy businessmen, left his collection, including his father's collection, to Baltimore. Although a Baltimore native, Henry seldom lived in Baltimore. The collecting habits of both Walters are discussed. A nicely illustrated brief history of an important museum.

"The Historical Society of Carroll County: Fifty Years of Service to the Community." Carroll County History Journal 40 (Winter 1990): 3-6.
Notes: The story of the Society's founding as told by its first curator.

Hodge, David C. "The Hooker Collection: Inventory and Annotations." Harford Historical Bulletin 61 (Summer 1994): 117-32.
Notes: Descriptions of 62 images from a glass plate negative collection owned by the Historical Society of Harford County.

Holland, Eugenia Calvert, Romaine Stec Somerville, Stiles Tuttle Colwill, and K. Beverley Whiting Young. Four Generations of Commissions: The Peale Collection of the Maryland Historical Society; March 3, 1975-June 29, 1975. Baltimore: Maryland Historical Society, 1975.
Notes: This exhibit catalog not only supplies information on each portrait, but also give brief biographical information on each subject. A significant portion of the text is given to a discussion of the eleven Peale family members who were artists.

Holland, Eugenia C., and Louisa M. Gary. "Miniatures in the Collection of the Maryland Historical Society." Maryland Historical Magazine 51 (December 1956): 341-354.

Holland, Eugenia C., and Louisa M. Gary. "Oil Portraits in the Collection of the Maryland Historical Society." Maryland Historical Magazine 50 (December 1955): 310-336.

Jailer, M. "Early American Museums." Antiques and Collecting Magazine 98 (October 1993): 19-23.
Notes: Peale Museum.

Johnson, William R. William and Henry Walters, The Reticent Collectors. Baltimore: The Johns Hopkins University Press, 2001.
Notes: The collections of William and Henry Walters are the core which forms Baltimore's Walters Art Museum . Both father and son had a great influence on the development of American art museums. They were both active in other institutions. The author argues that Henry Walters' collecting differs from that of his contemporaries because he always intended for the collection to become a public resource. This work is heavily documented, easy to read, and well illustrated.

LeGath, Judy. "Museum Receives Collection of Tools Used to Produce Kirk's Famous 'Baltimore Silver' On Display in New Kirk-Stieff Exhibit." Nuts and Bolts 13 (Summer 1995): [4].

McCauley, Lois B. Maryland Historical Prints, 1752 to 1889: A Selection from the Robert G. Merrick Collection Maryland Historical Society and Other Maryland Collections. Baltimore: Maryland Historical Society, 1975.
Notes: McCauley's is the major reference point for anyone researching Maryland prints. It is well illustrated, with descriptive text. This is as close as one comes to a union catalog for Maryland prints. This work should also be of interest to anyone seeking pre-photographic images of Maryland sites, as well as to map historians.

Mannix, Mary K. "The Automation of the Frances Louise Day Postcard Collection of the Howard County Historical Society." Popular Culture in Libraries 3 (1995): 187-197.

"Maryland Historical Society, 1844-1994: Keeper of Our State Treasures for 150 Years." News and Notes of the Maryland Historical Society 23 (January/February 1994): 1-3.

"Maryland's Best Kept Humanities Secrets: Textile Collection at the Maryland Historical Society Museum." Maryland Humanities (September 2000): 27.

Moore, Dick. "The New Ward Museum." Maryland 25 (Autumn 1992): 44-47.

Nast, Lenora Heilig. "Baltimore Art Museums."In Baltimore: A Living Renaissance, edited by Lenora Heilig Nast, Laurence N. Krause, and R.C. Monk, 189-191. Baltimore: Historic Baltimore Society, Inc., 1982.

Nast, Lenora Heilig, and Jacqulein Nast Naron. "Baltimore Art Collectors and Patrons -- City and Citizen." In Baltimore: A Living Renaissance, edited by Lenora Heilig Nast, Laurence N. Krause, and R.C. Monk, 196-199. Baltimore: Historic Baltimore Society, Inc., 1982.

The Official Museum Directory. Washington, DC: American Association of Museums, 1971-.
Notes: This guide has been published yearly since 1971. The American Association of Museums is the museum world's major professional organization, although it is oriented more towards large wealthy institutions.

Rutledge, Anna Wells. "Early Art Exhibitions of the Maryland Historical Society." Maryland Historical Magazine (June 1947): 124-136.
Notes: During the mid-nineteenth century, the Maryland Historical Society played an important role as Baltimore's art gallery. The original Peale Museum was closed and the Walters not yet founded. Included is a listing of the paintings exhibits, arranged by individual portrayed or subject.

Rutledge, Anna Wells. "Portraits in Varied Media in the Collections of the Maryland Historical Society." Maryland Historical Magazine 41 (December 1946): 282-326.

Rutledge, Anna Wells. "Portraits Painted Before 1900 in the Collections of the Maryland Historical Society." Maryland Historical Magazine 41 (March 1946): 11-50.

Stoddaryd, Ann B. "Redecorating the White House." New Art Examiner 20 (February 1993): 16-20.
Notes: Maryland Historical Society Museum.

Waesche, James F. "Maryland's Museums: The Peale Museum." Maryland Magazine (Winter 1985): 32-7.
Notes: A discussion of the building boom Baltimore's City Life Museums experienced during the 1990s. The Peale, and all the City Life Museums, closed about ten years later. Includes a history of the Peale, in both its manifestations.

Weeks, Christopher. "Perfectly Delightful": The Life and Gardens of Harvey Ladew. Baltimore: Johns Hopkins University Press, 1999.
Notes: Harvey Ladew lived a privileged life of excitement and venture. He counted Lawrence of Arabia among his friends. Weeks's very readable book tells the story of Ladew and his gardens, now a public attraction.

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